[Writing Prompt] Don’t Write A Story

In honor of this month’s theme, here at StoryADay, of Refilling The Well, I’m issuing a very odd writing prompt:

The Prompt

Don’t write/watch/read any stories today

Tips

  • You’re probably a writer because you love stories/reading/storytelling.
  • Since you decided to become a writer, your ‘work’ is storytelling, and so everything related to stories is now tinged with a different color.
  • You used to relax by reading a good book, or watching a good show, but now those things make your subconscious go “oy, my character development isn’t as good as this” or “oo, I could do that in my third act…”
  • You need to find, and indulge in, activities that are completely unrelated to writing/storytelling.
  • Think about things you used to love to do as a kid (yes, I know, I know. I mean *apart from reading*). Did you like to roller-skate? Dance? Skip? Play tennis? Play piano? Sing? Knit? Paint? Build things? Garden? Hang out with friends? Lip synch?
  • Pick one and try it. Clear 30 minutes out of your schedule and do something completely unrelated to storytelling.

Go!

 

P. S. Leave a comment to let us know what you picked and whether or not you felt rejuvenated afterwards.

 

SWAGr – Accountability Group for July 2016

Every month we gather here to discuss what we’ve achieved and commit to making more progress in our creative lives in the coming month. We call it our   Serious Writer’s Accountability Group or SWAGr, for short! (We’re serious, not sombre!)

What people are saying about StoryADayMay 2014

Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.

(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)

Did you live up to your commitment from last month? Don’t remember what you promised to do? Check out the comments from last month.

And don’t forget to celebrate with/encourage your fellow SWAGr-ers on their progress!

****

Examples of Goals Set By SWAGr-ers in previous months

  • Write a story a day in May – everyone!
  • Revise at least 10 short stories – Iraide
  • Write two short stories. – Jami
  • Attend one writers’ conference – Julie
  • Write fable for WordFactory competition – Sonya
  • Re-read the backstory pieces I wrote in May and see if I can use them within my novel – Monique
  • Research the market – Jami
  • Focus on my serial – Maureen

 So, what will you accomplish this month? Leave your comment below (use the drop-down option to subscribe to the comments and receive lovely, encouraging notifications from fellow StADa SWAGr-ers!)

(Next check-in, 1st of the month. Tell your friends. )

A Month of Writing Prompts 2016

Don’t forget, if you need inspiration for a story you can still get ALL THE PROMPTS from StoryADay May 2016 and support the running of the StoryADay challenge at the same time. (I’m really proud of this year’s collection!) Give a little, get a little :) Click here. Now only $2.99

Finish Your Book In Three Drafts — An Interview With Stuart Horwitz

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Finish Your Novel In Three Drafts: How To Write A Book, Revise A Book, and Complete A Book While You Still Love It

Every word of that title is important, so go back and read it again.

Doesn’t that sound appealing?

The first time I came across Stuart Horwitz, I was struck by the way his writing instruction bridges the gap between Pantsers and Plotters, and how he provides actual processes and methods for getting from ‘wannabe writer’ to ‘someone who can polish and finish their work’.

His latest book comes out today and provides a powerful, user-friendly guide to getting work done, while LOVING what you do.

It takes you through the process of writing a book in three drafts and includes extras like PDFs and stop-motion animated videos that illustrate the lessons in the book. It’s really delightful and powerful stuff.

I had a chance to interview Stuart Horwitz about his books, his editing work and his own writing this week, and he had some great advice for us, as we work on short stories and perhaps move on to our longer, book-length projects.

Finish Your Novel In Three Drafts. Really?

JD: Why did you want to write this particular book? What problem are you trying to help writers solve?

Stuart Horwitz HeadshotSH: We only have a limited number of books in us — mostly because our time here is limited — and so it becomes a matter of figuring out what are the best books for us to work on, and how we can bring the most excitement to that work and then, how we can get through it, while we still have that energy and affection for it. (Like I say in the subtitle “while you still love it”.) And then move on to the next thing.

Time’s ticking.

And I know this very well because, little-known fact: I trained as a mortician. I walked out of there knowing for a fact that I was going to die. We all are.

Before that time comes, how about we accomplish some shit, you know? That’s all I’m saying.

JD: So how do we do that?

SH: Having a ritual while you write is crucial. There are times when it’s not possible [to fit in everything from your ritual]. We have to recognize that its value doesn’t lie within the ritual itself, it lies in its ability to bring you to a joyful state. It helps us penetrate beyond appearances and figure out why we’re doing this…what we’re doing.

And every writer has to have a process. It doesn’t have to be my process. You can get some from me, four from this other person, and make up 2 of your own and there’s your process. But if you stick to it, it will help you on the less-excited days.

PANTSER OR PLOTTER?

JD: You take a very moderate approach to the whole ‘Write by the seat of your pants’ vs ‘Outline everything’ debate. You sound terribly reasonable.

SH: We like to call it The Middle Way in Buddhism.

There’s always a reason to bend the rule and there’s always a reason to practice discipline.

KNOW WHAT DRAFT YOU’RE IN

JD: The thing that helped me immensely, every time I read your books, is the concept of “Knowing What Draft You’re In”. Can you explain that a bit?

SH: The first draft is just getting it down – The Messy Draft. The second draft is the Method Draft which is about making it make sense. The Third Draft is the Polish Draft which is about making it good.

So, when you sit down to start, it’s all First Draft.

And when you do action steps to figure out what you’re actually working with and then take the best parts up a level, it becomes the Second Draft.

And then you go through your beta-reading process, bring in outside input, and use that to get to your third draft, which is your polish draft.

And I’m talking about a real draft. I’m not talking about tweaking. Like: these five scenes are all going in trash. And: I need scenes that aren’t here yet. Adding three commas? That’s not a draft. That’s just ornamentation. That’s chasing perfection.

The secret to the three drafts is that when, during the second draft, you uncover holes and start writing that scene, remember that new scene is in its first draft. If you stare at that new piece and say, “Why aren’t you as good as everything else already?” it’s going to be madness.

Keep in mind, every time you encounter new material it’s first draft.

JD: How do you know what to work on next, in revisions?

SH: There are action steps [in his books – JD] that you can take between drafts which will reveal to you what you are working on, more clearly.

Mapping the journey we’re on at the same time that we’re on it, gets kind of dizzying/confusing.

We need a separation between the viewer and the subject matter.
I’m a big fan of grids [Here, I refer you to Stuart’s books and his website because this is a big, meaty and really useful subject – JD]

AVOIDING OVERWHELM

JD: How can a short story writer avoid overwhelm at the thought of writing a novel?

SH: I like to break it down in to writing sessions. The question is “how many writing sessions does it take”? From my own experience: I have a short story that is probably one session away from nailed and that is Number 5.

So it’s the same concept. My second book, Book Architecture Method, took 60 writing sessions.

You show up to one of those 60 sessions, you necessarily have to reduce the scope of your expectations. What am I doing today? I’m not writing a novel today. I’m writing a part of a chapter in a draft today.

I’m going to take the rest of that junk out of my mind and I’m going to sit down and write, and I’m gonna write what I was thought I was writing, and I’m going to discover new stuff, and I’m going t write stuff that isn’t good, and I’m going write stuff that is good, and I’m going to keep going, and I’m going to get to the end of this session.

When I get to the end of the session, if I’ve made progress, that’s a win.

ON WRITING WITH CONFIDENCE

JD: It’s easy as writers to judge ourselves as having failed. You idea of grids and process and ritual take the emotion out of the revision process.

SH: Self judgement is a very complex phenomenon and has many many faces. There may be a reason why that never really goes away: a tension exists where our need to constantly slay that dragon helps us bring forth our best work, or brings us to our edge. But the nagging, griping voices in our heads are, for the most part, not contributing to the forward motion.

You have to believe in yourself first. That is probably the hardest thing about writing. It’s probably one of the harder things about living, so practice in one helps with the other.

ON FINISHING

JD: I stress finishing stories during StoryADay. Your books are all about helping writers finish books. Why do you think so many writers never finish their projects?

SH: There are a lot of reasons why people don’t finish. [Sometimes] there’s some pretty deep psychological stuff going on. Somewhere there was a message that was encoded that ‘you are not good enough’.

Then the people who didn’t get that message, and who actually suck a lot worse with you, are filling up the airwaves with what they did. And now we’re having to read ten books by them before we get one book by you.

The fact is if you have 10 people who are reading what you have to say you can write something great. you can even write something great if one person is listening to you.

———————————————————

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Finish Your Novel In Three Drafts: How To Write A Book, Revise A Book, and Complete A Book While You Still Love It

This book is a fabulous introduction to Stuart Horwitz’s method for writing and revising works of any length, and I can’t recommend it enough. Pick up a copy today.

June News: 7DayStory + StoryFest

I hope your writing is going well.

If you joined us in May, well done, you! I’m sure you’re a little burned out now, but keep reading for some motivation to keep at your craft this month,

In This Issue

  • The rebirth of the 7DayStory Challenge, 
  • StoryFest,
  • The Rest of The Year…

If you couldn’t join in this May, thank you for all the moral support and encouragement. We had a great group of people writing and checking in every day. You should check out some of the comments

I have to say, I’m pretty proud of the group of prompts I put together this year: like a mini writing course. You can still get a copy of them all in ebook form

The weekly themes are Week 1: Limits; Week 2: Elements of Story; Week 3: Rescue Week; Week 4: You Writing Strengths; Week 5: The Last Hurrah;

Pick up your copy here and help support StoryADay.org

COMING NEXT: The 7DayStory Challenge

Whether or not you participated in StoryADay May, you’re going to find this interesting.

This week I’m (re)launching the 7DayStory challenge created by myself and Gabriela Pereira of DIYMFA.com. Seven days of tasks to teach you how to Write, Revise & Release a short story in 7 Days.

I’ll lead you through:

  • 2 days on the first draft
  • 4 days on a cleverly layered revision strategy
  • 1 day on the submission process

Gabriela’s going to be running a Short Story Summit later in the month, with webinars and all kinds of flashy goodness, but if you fancy warming up with a good old-fashioned email course that shows you how to Write, Revise, Release, Repeat, click here, and I’ll get you signed up.

Yes! Sign Me Up For the #7DayStory Challenge

(If you’re already on the StoryADay Mailing list, look for the last email I sent, for a special link, to make signing up easier.)

The first email will arrive shortly after you click, and another one will follow along every day for a week. You can keep them and use them over and over again, whenever you need a polished short story in a hurry.)

STORYFEST IS COMING, June 10–12


What is StoryFest?

It’s our annual celebration of the stories we wrote during StoryADay May. (see last year’s here)

If you have a story you’re proud of, and/or one by someone else that you liked, fill in this form, and I’ll feature them on the front page of the site during StoryFest. Spread the word, and send all you reader friends over to check it out.

(You must have posted the story somewhere online already. I will link to that page)

STORYADAY SEPTEMBER

This was so much fun last year, that I’ll probably do it again this year. So if you couldn’t make May work, how about September?

And, for all the folks whose lives are ruled by full-time education, maybe we’ll go crazy and throw in a StoryADay January next year, just for you. What’d’ya say?

UNTIL NEXT TIME

After the 7DayStory and Storyfest, I’ll go back to the regularly scheduled programming of

I don’t always get all of those posted every week, but stay tuned, and don’t forget to leave a comment to let me know how you’re getting on, from time to time.

Keep Writing,

Julie

PS, Don’t forget to sign up for the #7DayStory Challenge

SWAGr post for June 2016

StoryADay May 2016 may be over, but the writing goes on: tell us your commitments for June, and get ready for the 7DayStory course and, of course, StoryFest, our annual celebration of the story!

OHMYGOODNESS I can’t believe StoryADay May 2016 is over! I’m relieved, I’m distraught, I’m going to miss checking in every day and seeing all the new stories and new friends appear. BUT IT DOESN’T HAVE TO END! Here’s the Serious Writers’ Accountability Group, to keep us all together throughout the rest of the year.

Next week I’m running the #7DayStory email course (Write, Revise & Release a short story in a week). More details to come!

And don’t forget STORYFEST 2016 is coming, June 10-12: a celebration of the stories you’ve written and the friends you’ve made. Watch your inboxes for details.

Every month we gather here to discuss what we’ve achieved and commit to making more progress in our creative lives in the coming month. We call it our   Serious Writer’s Accountability Group or SWAGr, for short! (We’re serious, not sombre!)

What people are saying about StoryADayMay 2014

Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.

(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)

Did you live up to your commitment from last month? Don’t remember what you promised to do? Check out the comments from last month.

And don’t forget to celebrate with/encourage your fellow SWAGr-ers on their progress!

****

Examples of Goals Set By SWAGr-ers in previous months

  • Write a story a day in May – everyone!
  • Revise at least 10 short stories – Iraide
  • Write two short stories. – Jami
  • Attend one writers’ conference – Julie
  • Write fable for WordFactory competition – Sonya
  • Re-read the backstory pieces I wrote in May and see if I can use them within my novel – Monique
  • Research the market – Jami
  • Focus on my serial – Maureen

 So, what will you accomplish this month? Leave your comment below (use the drop-down option to subscribe to the comments and receive lovely, encouraging notifications from fellow StADa SWAGr-ers!)

(Next check-in, 1st of the month. Tell your friends. )

A Month of Writing Prompts 2016

Don’t forget, if you need inspiration for a story you can still get ALL THE PROMPTS from StoryADay May 2016 and support the running of the StoryADay challenge at the same time. (I’m really proud of this year’s collection!) Give a little, get a little :) Click here. Now only $2.99

[Write On Wednesday] Happy Birthday!

In which I trick you into sending me cake…

It’s my long-suffering husband’s birthday today! (Happy birthday, dear!) In honor of that, here’s your prompt:

The Prompt

Write A Story That Features A Birthday

Tips

  • You can take this in any direction: happy, creepy, silly, romantic, horrific…go wild.
  • You could go a little ‘memoir’ on this: recount the story of your best or worst birthday.
  • “Birthday” can be interpreted to mean anything from an actual human birth, to the day a supercomputer is switched on, to the anniversary of some other significant event.
  • Feel free to send low-carb cake recipes.
  • I just put that one in to see if you were still reading. But seriously: cake recipes. Nomnomnom.

Go!

You Did It! Get Your Badges!

Here are your “DID IT!” badges – NEW, for this year’s StoryADay.

You can use these badges anywhere online. You don’t have to have written 31 stories in 31 days — just decide if you achieved/leaned anything of worth during StoryADay 2016, and wear your badge with pride.

(Right-click to download. Use inline on social media feeds, or as user icons, or paste them into your blog’s sidebar. let me know if you come up with something even more creative to do with them. Tattoos, anyone?)

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[ 500 x 500 px – Best for Facebook Profiles pics]

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[400 x 400 px – best for Twitter Profile Pics]

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[440 x 202 – Best for in-line social media posts]

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Go Big (And) Go Home

This is it! You’ve made it!

This is the moment you’ve been waiting for. Today you’re going to take everything you’ve learned this month and write the story you’ve been waiting to write—the story you could not have written before today.

The prompt

Go big or go home

Tips

  • If you have written at all this month, you’;; have shaken loose some writing muscles, learned ways of creating time, making your writing a priority, and silencing your inner critic sot hat you can get that first draft written. Now, take all the lessons you learned about what you do best, stuff your inner critic and your inner editor into the sack, shove it under the bed, close the bedroom door, lock it, put on some earmuffs and write the story you want to write, today.
  • Go big. If you light dark stories, but think you’re too nice a person to really be writing dark…forget it. Go really dark.
  • If you discovered this month that you’ve a talent for being funny, go big today, be hilarious. Be outrageous. Write something so silly, so funny that you make yourself laugh.
  • If you’ve discovered a talent for romance, go gushy today. Target their heartstrings, make yourself cry, make yourself swoon. Don’t worry what anyone else will think. You never have to show the stories to anyone!
  • Maybe you discovered you’r good at writing things a little bit sexy. Go wild today. Say the things you never thought you could say. If you’re worried, handwrite it and then have a ceremonial burning. If you’re really shy, tell the story to yourself by whispering it, in the shower.
  • Go further than you ever thought you would. You can always dial it back and rewrite or use this memory as a yardstick for future writing when you know you’ve gone too far. But try to go too far today.
  • Today is all about joy. Make sure you are feeling the joy, and whatever you decide to write. It can be short, it can be long, it can be brilliant, it can be a mess. Just have fun.

Thank you so much for playing along this month

. I hope you learned a few things. I hope you’ve got the creative kick in the pants you were looking for. **Leave a comment and let us know what you wrote today, what you learned this month just how glad you are to be finished 🙂

And remember, keep writing!!

Haven’t joined the mailing list yet? today’s a perfect day to do it. We’ll be back here tomorrow with the SWAGr accountability group to declare our writing goals for the next month. Come back each following month to tell everybody how you got on. The accountability group is the most powerful way I’ve discovered to stay true to my writing. I hope you’ll join us.

The Power Of Three

If you wrote every day this month, you’ve written a decade of stories three times already. Three batches of 10 stories. Doesn’t that feel neat?

That’s because it conforms to the Rule of Three. For some reason humans love things that come in triplets.

This is a really powerful technique for making stories feeling balanced and deep.

The Prompt

Write a story using the rule of three

Tips

  • You’ve probably noticed that, in many stories, somebody tries and fails, tries and fails, tries and fails, three times. They might succeed on the third try. But they won’t succeed on the second try. That story structure has less resonance than if they fail twice and succeed n the third.

  • Character groupings often come in threes as well: you have the the hero, the smart one, and the funny one.

  • Even the fundamental story structure is made up of three parts: the beginning, the middle, and the end.

  • You can use send your character on a quest where they must complete three actions.

  • Perhaps your character gets three wishes, or three questions.

  • Maybe you can really play with this and drop the power of three in all over the place: every paragraph has three sentences; every sentence has a three syllable word in it. (I’m not sure that would make for great story but hey, we’re getting to the end of the month and were all getting a little punch-drunk!)

Leave a comment telling us how you use the power of three in your story today.

Torture Your Protagonist

One of the biggest problems in fiction is when a writer creates nice characters and then doesn’t want to hurt them. Today, let’s make it hurt!

The prompt

Torture your protagonist

Tips

  • This may come easily to some of you, so you don’t need to read any further. If you’re already good at torturing your protagonist. Just go and get writing!

  • For the rest of us, there’s a temptation to let our characters be funny and nice and lovable. We don’t want to make unsympathetic. However, if they’re too perfect, they’re not interesting.

  • Let’s think back to the earlier story, where I asked you to create a flawed protagonist. Wasn’t that fun? You can still have a sympathetic character by letting them be terrible at one thing, especially if they’re very, very good at a lot of other things.

  • You want the reader to root for your character and the won’t if she’s perfect.

  • Torturing your character doesn’t really mean doing terrible things to them. It just means separating them from their goals and desires.

  • Remember my story about the person who wants the chocolate cake? She’s witty and feisty and could be running around the world getting everything she wants, but the real story doesn’t start until she separated from her heart’s desire: the chocolate cake. I could write all day about my witty-and-feisty character and eventually you would stop reading, if I didn’t torture her little bit.

  • Think about your character’s desires their wants and needs. How can you separate them from the things they want, at least temporarily.

  • It can be their own internal demons that are keeping them from what they want. Or it can be an antagonistic force such as a natural disaster. Or it can be an antagonistic character such as an loving, but overbearing mother. Or it can be a straight-up villain.

Did you torture your character today? Leave a comment telling us what you did to your character and if it came naturally to you or if this is something new. If you are ignoring these prompts and writing your own stories, leave a comment and let us know how it’s going!

Welcome to StoryADay, Week Five!

This is it! Can you believe it?

Three more days to go!

I’m calling this partial-week The Last Hurrah.

This week we’re going to:

  • torture your characters
  • look at the rule of three

And then on the final day I am encouraging you to

  • go big or go home.

(Actually, you’ll probably go big and go home, but that’s OK too)

I applaud everyone who is still turning up at this point in the challenge whether or not you’ve written every day, whether or not that all your goals, the fact that you’re still turning up here makes you a winner in my book.

Three more days. Let’s do this!!

Go At Your Own Pace

Day 28

Pacing

As you look back at your stories this week did you notice anything in particular about pacing — How quickly the action flowed from one incident to the next?

The prompt

Write a story paying attention to the pacing

Tips

  • In a fast, plot driven story your pacing will be fast, too. Things happen quickly. We’re off. We run. Things happen. The language reflects that. There’s not a lot of standing around looking at things once the action gets underway. That’s not to say that you can’t have slow passages and descriptive moments. However, they generally come before the quick action happens.

  • In a literary or inward-focused story, the pacing is more languorous, with your characters pausing lots of delicious description, a whole lot of internal dialogue and long sentences with lots of complex clauses.

  • Within every story the pacing should vary. If you attempt to write a whole story at one pace, you will either leave your readers breathless, or bored.

  • Remember to make the language match the emotion of the moment: choppy and brisk when things are exciting, long and complex sentences when things are relaxed.

Leave a comment telling us what piece you were aiming for today, overall. Did you notice anything about your writing as you looked over your pieces this week?

Write At Your Natural Length

Continuing the theme of reaching to your strengths, this week.

By necessity, in a challenge like this, you will likely have been writing very short stories. (I do know some people who managed to stretch to a few thousand words on some of the days, but for the most part if you’re finishing stories during this challenge it’s probably flash fiction.) For me, that’s fine. If you naturally trend long, today’s your day.

The prompt

Write to your natural length

Tips

  • I’m a natural sprinter (like Gimli the dwarf). Some people are ultra marathoners, like Brandon Sanderson. What’s your natural length?
  • Today I give you permission to write a partial story, a scene, and extracts from a longer tale. It doesn’t have to feel complete, like a short story should, but it should still have something of a story arc. Use today to practice that.
  • For example, if you have novel-in-progress, use today to write a scene from that novel. Because you’re continuing the longer work you don’t have to explain the setting and the characters, just jump in.
  • If you don’t have a novel or longer project that you’re working on take a few minutes to daydream. If you were writing a novel what would it be about? Spend a few minutes imagining the setting the characters and then pick a dramatic moment in the story. Write that scene, as if you’ve already written everything that comes before this point in your “novel”.
  • Even if you are writing a novel, you can write a dramatic scene from a hypothetical-other-novel, if that sounds like fun to you)
  • After having spent the best part of the month writing short stories you may find that your scenes start to come out with a stronger narrative shape than they used to.

Leave a comment telling us how your writing went today. What did you write that? I don’t forget, if you’re enjoying this prompts, share them.

An Emotional Rollercoaster

Today we’re taking your readers on an emotional ride!

The prompt

Write a story designed to elicit specific emotions in the reader

Tip

  • In looking back at your stories this month, have you noticed that you are better at eliciting certain emotions than others? Perhaps you’re good at scaring people. Perhaps you’re good at writing tearjerkers. Perhaps you good at making people laugh. Or making people feel the beauty of the situation or your words.

  • Even if you’re not sure what you’re best at, pick an emotion today that you would like to make your readers feel. This is your chance to go all “Stephen King”, or “50 Shades Of Gray”.

  • In order to elicit emotions in readers you’re going to have to make them care about your character. Then you have to put that character in peril.

  • Peril doesn’t necessarily mean dangling them off a cliff. Just remember to focus on what they really, really want…and then take it away from them.

  • The more you can keep the reader inside the heart of your character the stronger their reaction will be.

Leave a comment to let us know which emotion you went for today. And remember, if you’re enjoying these prompts, why not share them?

Change Your Point Of View

Today were looking at point of you again, but in a slightly different way

The prompt

Pick a point of view you don’t usually use and write a story in it

Tips

*Look back at the stories you’ve written this month or in the past. Do you have a favorite point of view? Do you always default to first person or third person? Write a story today in a different POV.

  • If you flip back and forth between different perspectives frequently, just decide which to use today based on what you’ve written so far this month. What have you done most of? Choose that.

  • Each point of view brings with it restrictions and possibilities. If you frequently right in the same point of view you may be limiting yourself

  • To demonstrate the power of POV, you may want to repeat the exercise we tried earlier in the month of taking a story that you’ve previously written and writing it from another point of view. This time however I want you to keep the same character as the protagonist. Simply change the “I said “to “he/she/it/they said”.

  • Try to focus on the opportunities that this new perspective offers. If you’re shifting from third person omniscient to a limited/first person perspective, **really dig into the facts really dig into the characters thoughts and emotions. In these more limited perspective there’s no excuse for “Telling Not Showing”. Everything can be written as if we’re riding along on their shoulder, experiencing everything with them.

  • If you’re moving from a limited perspective to a third person omniscient, celebrate the fight that you cannot see things from different peoples’ perspectives. The most effective, least confusing way to do this is to have seen breaks between each head hop in the short story. (You probably don’t want to do it more than a couple of times but it can be quite fun to have most of the story told one person’s perspective then have a line break and give another character’s perspective as the conclusion of the story revealing a lot about the truth of the situation that, perhaps, the first character didn’t know.)

  • If you hate moving away from your favorite point of view that’s fine. You don’t ever have to do it again. Sometimes creative failures are essential to teach you what to avoid in future.

Leave a comment telling us what you discovered in your writing today. Perhaps you are very versatile with point of view or perhaps this was ridiculously hard. What did you learn? And remember, if you’re enjoying these prompts,share them.

Focus On Genre

Since we talked since we touched on the genre yesterday when talking about the tone of your story, today we’re going to take a deeper look at genre and the expectations readers have, based on that genre

The Prompt

Write a story focusing on genre expectations

Tips

  • Pick a genre that you know well. (It’s all very well to say that you’ll write a noir mystery, because the noir style is so easy to copy. But if you don’t really know noir you’re just making life harder for yourself.) If you spend most of your day reading Regency romance, then by all means write a Regency romance today. (I’m looking at you, fellas.)
  • Grab a book in your chosen genre and take a look at the first page. How does the author let the reader know — immediately — that they are reading a particular genre?  Look at the choice of words. Look at the names of the characters. Look at the length of the sentences. Each genre has specific norms and you need to be using these norms if you want to please a lot of readers. (If you’re making experimental art, you may be able to skip these things. But, even if you are writing for your own pleasure, you’ll be dissatisfied if you feel like you’re missing the mark. Looking at reader expectations in your genre is one way to narrow your focus and hit that mark.)
  • Make a list of the features you notice on the front page of the book you chose.
  • Now that you have a list of norms (and a cheatsheet) for your genre, grab a Story Spark and start writing in the style of the genre you’ve chosen. Don’t be afraid to go over the top and write almost a parody. It can be a useful lesson in what makes this genre tick.

Leave a comment telling us what genre you are writing in today. Was this exercise hard or easy for you? Did you know what genre to pick? And remember, if you’re enjoying these prompts, please share them!

Watch Your Tone

Look back at your stories from this month and see which tone comes most naturally to you…

Continuing the journey of discovering what comes naturally to you and harnessing that.

The prompt

Story focusing on one consistent tone

Tips

  • Pick a book from your bookshelf. Read the first page. You should be able to tell what kind of tone the entire book is going to have, from that first page. Is it going to be spooky? Is it going to be funny? Is it going to be poetic and lyrical?

  • Look back at your stories from this month and see which tone comes most naturally to you. It may not be the one you expect. A lot of people think they’re going to write “serious” fiction and find out that instead, they’re hilarious. And sometimes it works in reverse, too.

  • Pick the tone that came most naturally, even if it surprised you. Consciously write a story today using that tone.

  • Don’t forget to give us a character to root for, an interesting setting, and a problem that conflicts with the character’s deepest desires.

  • Don’t forget to finish!

Leave a comment to tell us what you discovered about your best tone. Or, ask for help if you need figure if you need help figuring this out.

Finding Your Voice

Silence all the critics in your head telling you you should be writing some other way…

You been writing for three weeks you have a good body of work under your belt. Now is the time to pause, see what you learned, and start focusing on your strengths.

The prompt

Write a story in the voice that came most easily to you this month.

Tips

  • Take a look back at the stories you’ve written this month. Which story came easiest?
  • Let’s try to replicate that today.
  • Take something from that story—the character, or the universe, or something about the styling which was written.
  • Give your character a new setting, or a new problem. Or introduce a new character in the same universe.
  • Do whatever it takes to re-create the voice of that story. Silence all the critics in your head telling you you shouldn’t be writing this way. Don’t let them say you should be writing some other style, or in some other genre, or more seriously, or less seriously. Today is all about writing what you are best at, the voice that only you can write.

Leave a comment to let us know what you discovered about your writing and your voice this month, and what you wrote today. And remember, if you’re enjoying these prompts please share them.

A Classic Story-Starter

Today I’m giving you a classic “story-starter” prompt. I really don’t do this much, do I?!

The Prompt

Begin your story with the line: “Huh!” He said. “I never would have thought that would fit in there…”

Tips

  • You can go pretty much anywhere with this one.
  • That’s all I’ve got.

Leave a comment to tell us where YOU went, with this prompt. I’m dying to know!

Write A FanFic Story

More ways for you to steal ideas, as we continue Rescue Week here at StoryADay

The Prompt

Write a Fan Fiction Story

  • While you can’t legally use somebody else’s world and characters to write a story and publish it, nothing is stopping you from writing stories for your own pleasure inspired by someone else’s universes.
  • There is no limits to what you can do here. Pick a story or character you feel doesn’t get enough air time in your favorite show.
  • Change the ending to the series that you love.
  • Write the untold story of what came before we first meet character.
  • Tell whatever story is going to give you the most pleasure.
  • There are lots of places online where people share fanfic (sometimes with the creators’ blessings, sometimes not so much), so you could go and read something and get some idea. However, this is a rabbit hole I’m not sure you want to go down during the StoryADay challenge. Not to mention the fact that some of it gets quite saucy!
  • Use all of the tricks you’ve learned about storytelling to play with characters you already love you. Spend some time with them using your talents and your skills along with the knowledge you have amassed by watching/reading about them.
  • Think about how you can provide shortcuts and clues that let readers who don’t necessarily know the character catch up. Don’t waste time on backstory unless that’s the story you’re telling. Don’t forget to add in emotion and conflict.
  • It can be easy to get carried away writing about your favorite characters. Don’t forget to builds to a climax resolve the crisis to finish the story.

Leave a comment letting us know what you wrote about today and how it’s going. And don’t forget, if you like these prompts, share them!

ReTelling A Folk Or Fairy Tale

This is one of my favorite prompts of all time!

The prompt

Re-write a fairytale

  • TYou can find source material in Grimm’s fairytales, in collections of folktales, Aesops Fables, collections of regional tales, all kinds of places… Your own culture has fairytales. Your own family has “fables” that they tell. Steal without remorse. (Just remember if it’s not in the public domain you get into the messy territory of derivative rights and copyright law…)
  • You can retell the story from the perspective of a side character.
  • You can modernize the story.
  • You can twist the fairytale and give it a completely different ending.
  • Use any genre for this. A Cinderella story with a happy ending featuring a trans-woman? Go for it! Rumpelstiltskin, as Nick Sparks-style uplifting tale where the goblin is really a good-hearted social worker who saves the kids from a grim fate with their terrible parent? Sure! Want to turn the story of Beauty and The Beast into a modern-day slasher-pic? Be our guest!

Leave a comment telling us what source material you picked, what you did with it, and how it went. Or just post and let us cheer you on, if you’re flagging; celebrate with you if you’re still writing; applaud you if you’re getting back on the horse!

Inspired By Real Events

There’s nothing quite like real life for providing weird and wonderful story ideas.

The prompt

Write a story ripped from the headlines

  • You can use your favorite new source or go to the front page of Wikipedia to grab a headline from the modern-day or from this day in history
  • Media outlets often have that little “duck on a skateboard” moment at the end of newscasts or sometimes they call it Also In The News. These are wonderful sources for wacky, quirky stories.
  • Remember, however: fiction has to make more sense than real life!
  • Read for 5 to 10 minutes, until you find something that piques your interest even a little. Imagine how that would play out in fiction.
  • Resist the temptation to spend too long reading.
  • Try to pick a story that touches on issues you already care about. If you can imagine yourself getting into a Facebook fight with semi-friends over an issue, that’s a good sign that you could sustain your interest for the length of a short story. (In fact, why not plan to write a story specifically to annoy That Guy In Your Facebook Feed? You don’t have to post it anywhere!)

Leave a comment letting us know what you wrote about today. Did you find a fun headline or topic. Share it below! If you didn’t write to this prompt, what did you write and how is it going?

Twitter-Length Fiction

Remember: even when you write a story this tiny, you are training your creative brain…

Today’s story will not be as quick as you think it is, but it’s still a great way to rescue your writing streak.

The prompt

Write a Twitter story

  • Twitter fiction must fit into only 140 characters.
  • You do not have to have a Twitter account, nor do you have to post this on Twitter. You’re simply writing a story that could, hypothetically, fit in a Twitter post.
  • 140 characters is not much, but you can use a compelling situation to give us an idea of the characters who might be involved. Many super-short stories involve a little twist, or a surprising change of perspective in the last few words.
  • To avoid a predictable twist, make your opening lines as ambiguous as possible. Provide clarity in the last clause.
  • Don’t be afraid to use hackneyed or clichéd plots for this exercise. Do try to make sure that you add something truly original to it. Think of things you really care about. Things only you could write about, in only your voice.
  • Make sure you allow some time to edit and find the story. It’s not as quick exercises might think it is.
  • Think of this like writing haiku if it helps.
  • You can use this prompt any day you need to rescue your writings.
  • Remember: even when you write a story this tiny, you are training your creative brain. You have still found ideas, created a character, introduced complications, crafted a story arc and written to the end. Doing that every day for a month, is a powerful affirmation of your creativity; support of the priority you give your writing; and a tough exercise in wordsmithing. Pat yourself not the back for writing a story today.

Leave a comment to let us know how you got on with this tiny, terrible challenge. Did you write super-short? Did you ignore my suggestion and write an epic? How’s it going? Let us know!

Rewrite A Story From Week One

Good news! You don’t have to get a whole new idea today…

This is the first of your Rescue Week prompts!

Prompts

Rewrite your First Person story from Week One

  • Try writing a story from a different in a different point of view. You could use third person limited, in which you can still only understand ‘hear’ the thoughts of the main character but which gives you greater flexibility. Or you could use use third person omniscient, which lets you head hop (just remember to limit that to places where you jump between scenes).
  • If you’re having trouble remembering what Third Person, Limited sounds like, try reading a little Harry Potter.
  • Trouble with the Third Person, Omniscient? Read some Dickens.
  • Another option is to rewrite the story from the perspective of a different character. You could stay in First Person, but now you’re telling the story from the antagonist’s point of view; or the point of view of a secondary character.
  • One of the benefits of doing this, is that you don’t have to get a whole new idea today. This can be a wonderful way to get a story finished when you’re running on fumes.
  • An added benefit: you might discover your story works better from a different perspective or in another character’s voice.

Day 15

This is the first of your Rescue Week prompts!

Prompts

Rewrite your First Person story from Week One

  • Try writing a story from a different in a different point of view. You could use third person limited, in which you can still only understand ‘hear’ the thoughts of the main character but which gives you greater flexibility. Or you could use use third person omniscient, which lets you head hop (just remember to limit that to places where you jump between scenes).

  • If you’re having trouble remembering what Third Person, Limited sounds like, try reading a little Harry Potter.

  • Trouble with the Third Person, Omniscient? Read some Dickens.

  • Another option is to rewrite the story from the perspective of a different character. You could stay in First Person, but now you’re telling the story from the antagonist’s point of view; or the point of view of a secondary character.

  • One of the benefits of doing this, is that you don’t have to get a whole new idea today. This can be a wonderful way to get a story finished when you’re running on fumes.

  • An added benefit: you might discover your story works better from a different perspective or in another character’s voice.

Leave a comment telling us how you got on. What choices did you make as you rewrote your story? How did it go?