“Loretta’s face was hidden by the wide brimmed hat boldly covered in ribbons and one rose. Rising slowly from the fourth pew, she raised her chin towards the minister and declared, “I object.”
Leslie Stack is a writer, musician, camper, and teacher who loves being on the water or in a museum. You can usually find her doing research behind dark glasses on a park bench. She lives in a house with her husband where the books are plotting a takeover.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how youâre celebrating!
There is a point, in the distance, that your character very badly wants to reach. What is it?
What is the point from which they’ve started out, what are they willing to do to get to that point in the distance? What will they sacrifice?
The bridge is the point between those two places. The bridge is where what they must do to get there, what they’re willing to sacrifice, and the consequences of those decisions coexist.
Write their story, on the bridge.
Are we ready? Today is Day 1 of StoryADay 2021!
Today’s prompt is from Fran Wilde. Fran is a wonderful short story writer among other things, and she writes weird little stories, but weird little stories that win awards…so let’s pay attention to what she’s asked us to do.Â
Fran has asked us to write a story where your character is on a bridge.Â
Itâs a wonderful metaphor for where characters are in short stories. A short story can be just that moment on the bridge where they can see what they want and they know where they’ve been.Â
But they have to do something.
 They have to do something they probably don’t want to do to get to the next step, to get where they want to go.Â
Your character wants something and it’s over there. Something is stopping them from getting there. If they’re the three Billy goats gruff, it’s a troll. If it’s a fantasy story, maybe there are rogues on the bridge. If it’s an adventure novel, maybe the bridge is rickety. If it’s a family drama, maybe their spouse is trying to tell them not to go any furtherâŚ.
So many possibilities, but all of them will keep you focused on the fact that, in a short story, a character has a choice to make and they have an action to take. And all the story needs to be is about that.Â
You don’t need to do much setup.
You don’t need to really tie it up with a bow.Â
You just need to tell us what happens and why it matters.Â
So good luck with Day One!
This is a fairly meaty prompt, but on Day One you’ve got lots of energy. You’ve planned for this. You haven’t used up all of your good ideas yet. (That actually is never going to happen)
Go out there and get your teeth into this prompt.
I’ll see you back here tomorrow, but before that, stop by and let me know what you wrote, how it went and just leave a quick comment for us when you’re done today.
Good for you for showing up. I’m very proud of you.Â
Keep writing.
Would you like to receive this kind of enhanced content every day during May AND get to attend Zoom writing sprints with me and the Superstars?
The Author
Two-time Nebula winner Fran Wilde writes science fiction and fantasy for adults and kids, with seven books, so far, that embrace worlds unique (Updraft, The Gemworld) and portal (Riverland, The Ship of Stolen Words), plus numerous short stories appearing in Asimovâs, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, Uncanny, and multiple Yearâs Best anthologies.
Her work has won the Eugie Foster and Compton Crook awards, been named an NPR Favorite, and has been a finalist for six Nebulas, three Hugos, a World Fantasy Award, three Locii, and the Lodestar. Fran directs the Genre Fiction MFA concentration at Western Colorado University and writes nonfiction for NPR, The Washington Post, and The New York Times.
This year's StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Think about three different characters going into a situation who need three different things to happen in it. Now, all of these things will conflict with the other needs. Think about how they will ally with each other and thwart each other in conversation and subtly trying to influence each other. But only one character can get what they want. Now⌠go!
The Author
Born in the Caribbean, Tobias S. Buckell is a New York Times Bestselling author. His novels and over 50 short stories have been translated into 17 languages and he has been nominated for the Hugo, Nebula, Prometheus and John W. Campbell Award for Best New Science Fiction Author. He has a fabulous Patreon campaign where you get original stories once a month. He is also the author of one of my favorite new writing guides, It’s All Just A Draft, which I talked about in this podcast episode.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Choose an object within reach of where you’re sitting. Three people desperately want this object. Write a scene or story in which the characters fight over said object. Ideally choose an object that people wouldn’t obviously fight over.
THE AUTHOR
Marta Pelrine-Bacon is a StoryADay Superstar, and a participant in the challenge since 2010. Marta is the author of several published short stories in publications such as The Austin Review and Cabinet des Fees. She is also an artist and a teacher.
Read A Book, Help An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A story centered on conflict
Without conflict you don’t have a story, you just have a series of things happening.
Be sure to put your protagonist in a situation today, where they need to do something they really don’t want to do, talk to someone they really can’t stand, or run from something they’d rather stay and do.
Conflict can be car chases or it can be the story of an alcoholic trying to resist taking that first drink in 25 years.
Go!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
Last week we wrote about connections. This week, an interconnected theme: support. We need it in our writing lives, and our characters are looking for it, in our stories.
Without conflict or friction in your story, nothing interesting will happen. Today we focus on making sure two opposing forces run into each other in your story.
The Prompt
Put your character in a mundane, everyday situation. Then introduce a strong element of conflict.
One of the biggest problems in fiction is when a writer creates nice characters and then doesnât want to hurt them. Today, letâs make it hurt!
The prompt
Torture your protagonist
Tips
This may come easily to some of you, so you donât need to read any further. If youâre already good at torturing your protagonist. Just go and get writing!
For the rest of us, thereâs a temptation to let our characters be funny and nice and lovable. We donât want to make unsympathetic. However, if theyâre too perfect, theyâre not interesting.
Letâs think back to the earlier story, where I asked you to create a flawed protagonist. Wasnât that fun? You can still have a sympathetic character by letting them be terrible at one thing, especially if theyâre very, very good at a lot of other things.
You want the reader to root for your character and the wonât if sheâs perfect.
Torturing your character doesnât really mean doing terrible things to them. It just means separating them from their goals and desires.
Remember my story about the person who wants the chocolate cake? Sheâs witty and feisty and could be running around the world getting everything she wants, but the real story doesnât start until she separated from her heartâs desire: the chocolate cake. I could write all day about my witty-and-feisty character and eventually you would stop reading, if I didnât torture her little bit.
Think about your characterâs desires their wants and needs. How can you separate them from the things they want, at least temporarily.
It can be their own internal demons that are keeping them from what they want. Or it can be an antagonistic force such as a natural disaster. Or it can be an antagonistic character such as an loving, but overbearing mother. Or it can be a straight-up villain.
Did you torture your character today? Leave a comment telling us what you did to your character and if it came naturally to you or if this is something new. If you are ignoring these prompts and writing your own stories, leave a comment and let us know how itâs going!
Today I want you to take your character, and their desire and cripple them not once, but twice. Of course you get to reward them with a little win in the middle.
The Prompt
Give your character a goal, frustrate them, let them make some progress but let it come at a  cost.
Tips
Think about Star Wars, the great story-outliner’s tool: Luke wants to get off this boring little planet but his aim is frustrated by obligations and lack of opportunity. When his family is murdered he finally acts. His next aim is to find and rescue the sexy princess (spoiler alert: Ew!). Problem: she’s on the most heavily defended, most technologically advanced ship in the fleet of the all-powerful empire. Somehow he succeeds. Yay! BUT, oh no, they sacrifice Obi-Wan, his mentor, at the same time. Now Luke has a new mission: overthrow the empire. Fail, Strive, Succeed but at a cost, pursue next part of his ‘want’. [Check out this Narrative Map of the Hero’s Journey]
Put your character in an impossible situation. Let him dig his way out only to fall into a new pit. Only this time he knows a bit more about himself and what it’ll take to climb out. (Friends? A rope? Strong hands?) Let the character use what they learned in the first part of the middle, to achieve what they need to do next.
It doesn’t have to be all doom and gloom or drama. If you’re writing humor you can still do this. Frustration is funny. Even throwing in a moment of tragedy is acceptable in comic writing. In fact, if you’re making your reader laugh until 2/3 of the way through the story, they won’t even notice the knife in your hand until you’re sliding it between their ribs. Bam! Will that pack an emotional punch?! (Sitcoms do this from time to time. Aren’t you surprised to find yourself suddenly sobbing during your favorite 30 minute comedy?)
Today, my parents braved airport security, 3000 miles and a five-hour time difference to come and see me. All the frantic running around is over, all the last-minute things are done, and now we are sitting — tired and smiling — in the same room at last.
Write a story that includes the idea of reunion
(P.S. I can imagine reunions that do not end as happily. You?)
Remember, prompts are optional (but it’s fun to read everyone’s different takes on each prompt)
Did you know that May 7 is “Military Spouses’ Day”? Well it is, and we’re all to stop and appreciate what it takes to be a military spouse.
Hey, I know. While you’re thinking about it…why not write a story featuring, if not a military couple, certainly two people who face challenges including but not limited to: separation, relocation, trauma. Or write something with a tangential connection to something military.
Oooo, the lie. We’ve all done it. We do it all the time, even though we know we shouldn’t. Sometimes we get away with them and other times they come back to bite us in the most spectacular fashion.
Write About A Lie
Is it a tiny one? A whopper? Does no-one find out about it? Does that mean your character really ‘gets away with it’? Does it spiral out of control and become a Fawlty Towers episode?
GO!
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Born in the Caribbean, Tobias S. Buckell is a New York Times Bestselling author. His novels and over 50 short stories have been translated into 17 languages and he has been nominated for the Hugo, Nebula, Prometheus and John W. Campbell Award for Best New Science Fiction Author. 
![[Daily Prompt] May 7 – Military Spouses’ Day](https://storyaday.org/wp-content/uploads/2011/05/Prompt_challenge2011tn.jpeg)
