Mastering Flash Fiction – with Windy Lynn Harris

In which Windy Lynn Harris shares her genius about how and why to write Flash Fiction

1:16 Flash art comes organically when being open.

6:58 Flash fiction: creative, short, under 500 words.

12:28 Be specific in short flash fiction writing.

13:05 Editing is essential for shorter pieces.

17:37 Essential aspect of storytelling, representing a moment.

19:32 Facing fear, mystery, and self-discovery.

23:27 Enjoy working on soliloquies and rants in writing.

26:56 Background, training influence the form of writing.

29:13 Accessing your authentic voice is essential.

33:08 Writers adapting to shorter work during pandemic.

36:51 Creativity can flourish without lofty goals.

41:05 Distraction in the world, set timer, create.

43:12 First book on writing short stories.

46:12 Strategic shorts can boost writing career prospects.

49:43 Writing needs community for support, progress, success.

54:27 Exciting prompts for daily creative writing in May.

Transcript available here

Other Ways To Increase Your Joy Around Writing

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Coaching with Julie

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Rachel Swearingen Intervew – on Writing

In this conversation with award-winning writer Rachel Swearingen we talk about how to build a writing practice that grows with you, the art of writing short and long fiction the importance of play, her residency in Berlin and about some of her short stories and how they came to be written.

^^^ Watch (captions available)

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˅˅˅ listen (mp3)

Next time we’ll talk about her favorite stories of her own and the writers she admires, working in short fiction now. We also talk about the importance of community for writers, and then Rachel turns the tables on me!

Rachel Swearingen is the author of “How to Walk on Water and other short stories” which received the New American Press Fiction Prize. 

LINKS

This episode: storyaday.org/episode282

Rachel’s site: rachelswearing.com

Sign up for StoryADay May: http://storyaday.org/signup

Support the podcast: glow.fm/storyaday

Getting Unstuck with K. B. Carle Pt. II

It’s really nice to know that there is still an outlet or a form of writing that I can do and still keep a full-time job while doing it.

And it didn’t really bend my schedule too much. So that’s how I really started exploring Flash

-K. B. Carle

In the second part of my conversation with author KB Carle (listen to Part 1 here) we talk about what attracted her to Flash Fiction; the challenges of moving from short to novel-length fiction; how to get unstuck ; and how being a writer includes building your community

There’s a ton of practical tips (and resources) to keep you going in this week’s episode. Enjoy!

Need the transcript? Click here

RESOURCES

In Exchange for the Final Pudding Cup, We Offer Our Inner Thoughts, from The Offing (includes a Venn diagram)

Hello, My Name Is Marley in CRAFT Literary Magazine (this one has a word search!)

Vagabond Mannequin in Jellyfish Review (crossword clues as story!)

How We Survived , in Lost Balloon

Grace Q. Song‘s website

Christopher Gonzalez

Tommy Dean

Cathy Ulrich

Kathy Fish

Meghan Phillips

Best Small Fictions 2021

I Keep My Exoskeleton To Myself by M. Crane

Smokelong Quarterly

Five South

No Contact

Atlas & Alice

Atticus Review

Keep writing,

Julie

About KB Carle

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

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A Conversation with K. B. Carle Part I

When I’m most relaxed, here comes the character…

That’s when everybody decides to show up and just interrupt my day like they don’t have a care.

-K. B. Carle

In this conversation with author KB Carle we talk about writing flash fiction and micro fiction, the importance of community, getting through the middle, and more

Need the transcript? Click here

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

P. S. You can listen to Part 2 here

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

A Conversation with K. B. Carle

When I’m most relaxed, here comes the character…

That’s when everybody decides to show up and just interrupt my day like they don’t have a care.

-K. B. Carle

In this conversation with author KB Carle we talk about writing flash fiction and micro fiction, the importance of community, getting through the middle, and more

Need the transcript? Click here

K.B. Carle lives and writes outside of Philadelphia, Pennsylvania. Her flash has been published in a variety of places including Lost Balloon, Five South Lit., The Rumpus, JMWW, and elsewhere. K.B.’s stories have been nominated for The Pushcart Prize, and her story, “Soba,” was included in the 2020 Best of the Net anthology. Her story, “A Lethal Woman,” will be included in the 2022 Best Small Fictions anthology. She can be found online at kbcarle.com or on Twitter @kbcarle.

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter

Forget the Hero’s Journey, a conversation with Gwen E. Kirby

“when we leave our characters in sort of these vagaries, these big emotions and these big ideas, we don’t have anything to hang the characters or the emotions on.”

-Gwen E. Kirby

In the second part of my conversation with Gwen E. Kirby we talk about developing characters that feel real to people, about writing at this moment in time, writing about women, and the question that Gwen Kirby doesn’t get asked often enough,

Gwen E Kirby is the author of the fabulous debut collection of short stories Shit Cassandra Saw. has a MFA from Johns Hopkins university. PhD from the University of Cincinnati and is the Associate Director of Programs and finance for the Sewanee Writers. Conference at the University of the South where she’s also teaching students about creative writing. Her writing has appeared in One Story Tin House Guernica. Smoke Long Quarterly, and many other places.

Need the transcript? Find it here

I hope it’ll leave you inspired and ready to get to your own stories!

Keep writing,

Julie

Want more?

Weekly writing prompts and lessons in your inbox, every Wednesday with the StoryAWeek Newsletter