Does Your Writing Cut The Mustard?

The first restaurant I worked in was an American-style family restaurant – pretty exotic for the southwest coast of Scotland in the 80s, a place festooned with fish’n’chip shops, where ‘chicken tenders’ sounded like a new language.

One of my jobs was to set out bowls of condiments before the customers came in…and not just salt, pepper, vinegar, and the two sauces known to us (red and brown), but things like ‘hamburger relish (it was green! Who had ever heard of such a thing?!) and three types of mustard: one classic yellow, one fancy ‘Dijon’, and one totally alien grainy concoction that I fell in love with.

Tonight, I opened a jar of that grainy mustard and its tangy smell transported me back 38 years, to the service corridor between the kitchen and dining room of my first job, when mustard was an exotic new experience.

It reminded me of a truth in writing: we spend so much time in our own heads that we take for granted the way we think, the way we talk, and the way we write.

Sometimes, when we show our work to someone else they are thrilled by a throwaway phrase or a description that took no effort at all…because it’s normal to you.

Sometimes we need other writers to push us to try the mustard, when we’re accustomed to always reaching for the salt and vinegar. 

And yes, this is my fancy way of letting you know that Critique Week is coming up, and that if you would like to get some fresh eyes on your writing you should consider joining us.

But more than that, it’s my way of encouraging you not to take your own writing for granted. It might be the new flavor someone else is looking for!

Keep writing,

Julie

P. S. I’ll be opening up registration for this round of Critique week, soon. Get on the waitlist here.

How To Be A GREAT Critique Partner

There’s a memorable scene in the movie Silence of the Lambs, when Jodie Foster’s FBI supervisor points out that assumptions are treacherous “Because when you assume, you make an “ass” out of “u” and me…”

I was thinking about that today, as I prepare for another Critique Week, here at StoryADay.

When I interviewed Matthew Salesses, author of Craft in the Modern World, he talked about the difficulty of giving meaningful feedback to other writers if we don’t root out our unconscious biases.

Chances are, if you’re like me, most of the literary greats you were exposed to at school were white, male, and dead. 

“Good stories” were those that were modeled after Faulkner or Joyce, or Poe. 

But what if you’re being asked to read a story by your friend who is queer, 25, and an immigrant from Nigeria? How do you ‘judge’ that story?

How To Be A Sensitive Reader

In my experience, the best way to give helpful feedback is to get into conversation with the writer.

Some useful questions include:

  • Who are you writing this for? (Accepting, humbly, that I might not be the target audience.)
  • How do you want the reader to feel at various points in your story?
  • Are there any cultural storytelling norms you’re using that I might need to know (if I’m not your target audience)?

I hope this gives you confidence to say ‘yes’, next time someone asks you for feedback.

Keep writing,

Julie

P. S. If you’re interesting in getting great feedback from some talented and thoughtful writers, find out more about the StoryADay Critique Week.

What If You ARE A Good Enough Writer?

Therefore all should work. First because it is impossible that you have no creative gift. Second: the only way to make it live and increase is to use it. Third: you cannot be sure that it is not a great gift – If You Want To Write, Brenda Ueland

If You Want To Write, Brenda Ueland

We hold ourselves back.

We hold ourselves back because, what if our writing isn’t good enough?

What if we put in all this effort and we fail?

(First question: have you defined success for yourself, yet?)

Is Your Writing Any Good?

It’s hard to know the quality of our own work.

We’re too close to it.

That’s when critique groups and writing buddies can come in handy.

Sometimes the word ‘critique’ scares us, but in my experience sharing work with writing friends often means they spot the parts of my writing that are working…and that I take for granted.

Why are we so critical of our own work?

Lots of reasons.

  • When you’re in your own head all the time it’s hard to know when you’re being insightful or entertaining. Familiarity breeds contempt, as they say.
  • You were probably told not to brag about yourself by someone who loved you and wanted other people to like you. Who wanted you to be safe.
  • We are comparing our first draft with someone else’s 20th!
  • It’s safer to aim low than to aim high and risk failure.

What If Your Writing Is A Gift?

Today, I’m challenging you to ask yourself:

  • What if my writing really is good?
  • What if my words are exactly what someone needs to hear today?
  • Isn’t it a little bit arrogant to assume you know how your writing will affect others?

Isn’t it a little bit selfish for you to hold back?

↑↑↑ If that were true, what would you do, today? ↑↑↑

Who Do You Listen To?

In which I tell you what my critique partners said about my latest pages…

Listen to the Audio

Watch now

Watch the video

It’s dangerous to allow rejections, acceptances, marketing budgets or any other business-related nonsense to determine your worth as a writer.

So who should you be listening to? In this episode, I have some thoughts…

LINKS
StoryADay Critique Week: https://stada.me/critique

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Please don’t do this…

I popped into a writers’ group on Facebook this morning and saw something so awful, so muse-crushing, so career-killing that I had to write to you and beg you not to make the same mistake.

Sound dramatic? 

That’s because I feel so strongly that you shouldn’t do what these two writers did. I’ve seen it stop writers in their tracks for years, if not forever.

What was this horrendous thing?

In two separate posts, this morning, I saw writers post their tender first efforts at writing (in their words “the opening of my novel”)  in a forum full of strangers and ask for feedback. 

Here are some of the responses they got:

Continue reading “Please don’t do this…”

Now What?


Revision Mess

StoryADay September is over, and now, a week into October, you might be missing the thrill of high-velocity creativity. 

But this is the perfect time to look through your stories and figure out:

  • which ones are perfect (ha!),
  • which were useful exercises that will forever be consigned to a dark corner of your hard drive, and
  • which might be worth revising.

Don’t Love Revision?

I know, I know! 

  • Turning out new stories, racking up the word count, feels productive. Revisions can feel like, ugh…spinning your wheels.
  • Writing first drafts is kind of exhausting, and revision feels like preparing to climb the same mountain twice.
  • Writing new words, when you’re in the flow, feels like flying. Revision can feel like staring at a report of ‘why my writing sucks!’

If any of these treacherous thoughts are keeping you from making your stories the best they can be, delighting and impressing readers, and learning to be more productive in your writing practice, you’ll want to grab the  free StoryADay workbook: 

seven, concise pages of tips and mindset tricks to help you learn to, well, love revision. And it’s yours free, right now!

And when you’ve read it I’d love to know what questions you still have. Have you been in critique groups before? What worked and what didn’t? Are you terrified by the idea? (You’re not alone!)

Just reply leave a comment below and tell me what you’re thinking.