[Tuesday Reading Room] – The Sellout by Mike Cooper

This story comes from the June 2012 edition of Alfred Hitchcock Mystery Magazine. It features an unnamed protagnoist who is also the hero of a forthcoming book by the same author, Mike Cooper.

This story starts strong, with a clear sense of place and time, not to mention a few hints as to the type of story (and protagonist) we’re dealing with.

“Now, the subway station that was sharp thinking. A decade after 9/11 the MTA still hadn’t installed its fancy new cameras. So unlike any other crowded public space in Manhattan, the Fulton Street C Line platform was free of electronic surveillance. It was a nice solution for a total-deniability-type meet-up.”

Just a few lines in and we know this is set in the modern day, that the protagonist doesn’t have a lot of respect for bureaucrats, and that his dealings are likely quite shady.

I don’t know about you, but I’m thinking: hit-man. Right?

A few sentences later when our hero’s client says, “I need an audit done,” the reader is (a-hem) arrested by the unusual choice of word but assumes the client is just being colorful.

Wrong.

It turns out (slight spoiler alert) that our hero is a kind of tough-guy forensic CPA-for-hire, It is, as the hero notes, “a small niche, though a necessary one.” And I can totally see why some publisher looked at this idea, blinked twice and read on. It’s not an idea you hear too often and you almost have to read on to see how he’s going to make this work.

And Cooper makes it work by sticking with the traditional hardboiled detective style. He sets his hero up as a tough-guy with a dangerous past, not afraid to use his fists (in accountancy? Oh yeah!) and repeatedly uses military imagery to back up his protagonist’s view of himself:

“Sometimes you need someone packing a P226, not an HP12c, if you know what I mean” (which of course, most of us don’t.)
“If you capture a terrorist…you don’t read him his rights and call Legal Aid.”
“Okay, Waterboard Spin Metal’s CFO. Got it.”
“If I had a logo it might be a green eyeshade crossed by a nine mil. But I don’t.”
“A little recon first seemed like a good idea.”

The way the character talks to himself, sees himself, reinforces everything we’ve been shown about him. This is one hard man and he never lapses into soft metaphors or overt sympathy for anyone. He is cynical, even when the author is inviting us to be sympathetic to the other characters. The protagonist shows us people and events through his own skeptical filter, the author manipulates us to see them through our own.

It’s skillfully done.

I didn’t love this story because it’s not really my style. But I do bow the the author’s ability to make me even sort of care about the inner financial dealings of a corporate take over. Sort of.

And I do think this was an excellent piece of characterization.

20120409-133700.jpg

[Write On Wednesday] Trapped

The Write On Wednesday story prompts are designed to prompt quickly-written stories that you can share in the comments. It’s a warm-up exercise, to loosen up your creativity muscles. Come back every Wednesday to see a new prompt.

If you’d like more accountability, support and structure as you warm up your writing for StoryADay May 2012, why not join the Warm-Up Writing Course?  Click here for details.

This week’s prompt was conceived as a character study, but the more I think about it, I realise it can focus on descriptive writing, point of view, or almost anything!

The Prompt – Trapped

Trapped #1
“Trapped #1” by Waltimo

Write a story where the main (or only) character is trapped, literally or figuratively.

Literal traps can be prisons, a locked room, the side of a mountain, inside an alien spaceship, a bear trap, a maze, anything you can imagine!   (Personally, I’d love to see someone write a claustrophobic locked-in-a-box story with only one character, and see how you manage to sustain that — great opportunity for character and description!)

Figurative traps could be anything from a bad marriage to con and could be a fairly conventional short story that lets you work on your dialogue or plotting.

What will you write?

Tips

  • Don’t worry about your audience and who might read it
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You should use the prompt in your story (however tenuous the connection).
  2. You must write the story in one 24 hr period – the faster the better.
  3. Post the story in the comments — if you’re brave enough.
  4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Trapped  #WriteOnWed #storyaday http://wp.me/p1PnSG-pA

This week’s #WriteOnWed short story prompt is a cool old map! #storyaday http://wp.me/p1PnSG-pA

Come and write with us: Trapped! #WriteOnWed #storyaday http://wp.me/p1PnSG-pA

See my story – and write your own, today: Trapped! #WriteOnWed #storyaday http://wp.me/p1PnSG-pA

If you would like to be the Guest Prompter, click here.

[Write On Wednesday] Story Sparks

“Where do you get your ideas?”

Every established writer has a tale to tell about being asked that question.

Some of them lie and tell people they order them from an Idea store. Some wearily answer that they think really hard until the ideas come. Still others joyfully shout that ideas are everywhere, what are you crazy? Don’t you see them?!

The truth is, the more you look for ideas, the more you’ll see them. But you do have to look

The Prompt

This week’s prompt is not a writing prompt, but a prompt-prompt. This week you’re going to look for Story Sparks.

book with sparks in glasses photo by Julie Duffy

We’re just over a month away from StoryADay May. You’re going to need at least 31 ideas (more in case a few don’t work out).  I’m not talking about outlining your stories, or even coming  up with great ideas, just about writing a list of sparks for stories, or places you can find those sparks.

Ray Bradbury in Zen In The Art of Writing, talks about one method of gathering what I’ve come to think of as “story sparks”:

“I began to gather long lists of titles, to put down long lines of nouns. These nouns were provocations, finally, that caused my better stuff to surface.”

Today, set a timer for as long as you can manage (ten minutes? 20? Half an hour?) and then use that time to write down as many Story Sparks as you can.

Write down:

  • Lists of nouns (things that scare you, matter to you, frustrate you)
  • Your favorite colorful metaphors. (Consider them as titles for a story)
  • Aphorisms you can play with (“See No Evil” “A Bird In The Hand”)
  • The names of the weirdest people you have met in your life (or a quick description if you can’t remember their real names)
  • Lyrics and lines from poetry that have stuck in your brain for years
  • The titles of your favorite artworks
  • The most striking places you’ve visited (potential settings)
  • Historical tidbits you’ve learned on trips (or in your own town)

Extra Credit

Capture three more story sparks every day for the next week: eavesdrop, read obituaries, browse the front page of Wikipedia, bookmark quirky photographs, read poetry, delve into medical textbooks, looks, listen, smell, breathe in the world around you. Capture three sparks from all that living you do every day.

Need a way to capture sparks?
Download three printable logs now!

Share in the comments a source of story sparks that you discovered or found most productive.

Need more help? Get the ebook that grew out of this article: Breaking Writers’ Block, A StoryADay Guide

Have Fun Storming The Castle – Writing Lessons From The Princess Bride

Writing and crafting a good story is hard work. But there is joy in it too. Otherwise what would be the point?

I was reminded of this when quoting one of my favourite lines from the movie, The Princess Bride.

The heroes are off to take on bad guys. The odds are against them and they have a hard, painful and probably futile fight ahead of them. Neverless Miracle Max and his wife Valerie wave them off cheerfully, crying,

“Bye, boys! Have fun storming the castle!”

Writing a story is a lot like storming a castle and there is a lot we writers could learn from Wesley, Inigo, Fezzik, Buttercup and yes, even Vizzini, as we storm the gates of our stories.

Have a good reason to storm the castle

Castles are strong. They were built specifically to withstand a good storming, employing all kinds of tricks to repel attackers. You had to have a damned good reason to want to storm a castle. As we know, Wesley had the most important reason to storm his castle (‘true love’). No lesser cause would have compelled him to overcome the difficulties of overpowering enemy manpower, a locked gate with only one key, and having been mostly dead all day.

You need a good reason to write. Even if you lose faith at times, at one point you believed enough in this story, this character or the lesson you felt you could share, to begin the audacious process of breaking through fear, apathy and laziness and begin writing this story. Hold fast to that reason. Your story is worth fighting for.

Formulate A Plan

It may not seem like the heroes have much going for them, but they take stock of their resources (“If only we had a wheelbarrow”), examine their strengths (“your brains, Fezzik’s strength, my steel”), and come up with a plan, long before they take their first step towards the castle gate.

Don’t assume that, just because you like to write, you can sit down and create a whole story without doing any planning. You don’t have to know what will happen at every step of your plan but you need something to build on. Every story needs a hero, a setting, and some movement (something must happen or change between the beginning and the end). Do you know what must change for your character? (even if you don’t know *how* it will change).

You don’t even have to form a plan before you begin writing (the heroes have left to storm the castle before Wesley even wakes up, never mind begins to form his plan), but perhaps, like Wesley and his friends, you should pause at the edge of the woods to take stock, and plan the next stage of  your battle every so often.

Be Flexible

WESLEY: Now, there may be problems once we’re inside.

INIGO: I’ll say. How do I find the Count? Once I do, how do I find you again? Once I find you again how do we escape?”

FEZZIK: Don’t pester him. He’s had a hard day.

Just because I’m saying you should plan a little, doesn’t mean you need to be rigid. Once you have stormed the gates of your story (the beginning), you still have to find your enemy, rescue the princess and find a way out. You do not need to know how all these things happen before you start to write. You may find that circumstances within your story take you in unexpected directions. You will need to be flexible. But bend too far and your story can break.

To avoid this that each of your characters, and you as the writer, stay true to your goals.

Stay True To Your Goal

When Count Rugen is at the point of Inigo’s sword, he offers Inigo money, power, all that he has and more, anything he asks for. It’s a pretty tempting offer for a drunk with no prospects (“there is not a lot of money in revenge”). Inigo, however, does not hesitate. He knows exactly what he wants, and that is: to avenge his father.

As you are writing, your story and your characters will offer you little side trips, new characters may pop up and tempt you with their fascinating foibles, new elements may demand to be included. Take some advice from Vizzini (“When a job goes wrong, you go back to the beginning”). Take a breath and ask yourself what was your goal for this story?

However much it loves being endlessly written, this story’s fate (like Count Rugen’s) is to be finished off. Stay focused on the main idea, the main theme, the main direction of the action, and ignore all its false promises of goodies if you just keep writing it, if you let it live, forever. You know, as well as Inigo, that the only way to satisfaction is to stick with your goal until the end.

Trust That An Ending Will Present Itself If You Keep Moving Towards It

At the climax of The Princess Bride, things are in a bit of a mess for our heroes. Sure, they have successfully stormed the castle and Inigo has his revenge, but it seems that Buttercup has married the evil prince after all, Fezzik has disappeared and Inigo can’t find Wesley. Buttercup is about to kill herself, Wesley cannot move and is at the point of Prince Humperdink’s sword in a tower room with no apparent exit.

Does Wesley give up? No, he does not. Instead, he vamps.

That’s right, he keeps talking, until something changes, until he finds the strength to take action. And when that moment comes, everything changes for the better: Humperdink surrenders, Inigo reappears and Fezzik turns up with the perfect means of escape.

The “all-is-lost” point is a classic narrative technique. Unfortunately it tends to hit us writers hard, too. The only piece of advice I have ever heard about how to get out of the pit of despair while writing a story, is to keep writing. It’s about as appetizing as that Miracle Pill cooked up by Miracle Max, and ultimately just as effective.

Even if you stumble, like Wesley, or end up editing out some of what you write, keep moving and a solution will spring from your characters, your situation or both.  Trust me on this. Just keep writing and an ending will appear. If you start to question this advice, remind yourself of what Buttercup says to Wesley when he first reappears in her life:

“I will never doubt again.”

StoryADay.org's Have Fun Storming The Castle

There are so many wonderful moments in this movie that I’m sure I could have kept writing on this theme all day.  What writing lessons would you draw from the characters and scenes in The Princess Bride? Please do share your Princess Bride writing tips in the comments 🙂

[Write On Wednesday] Digital Story Cubes

OK, so I’ve used my real-life Story Cubes to generate a prompt once before, but now the cute game has an even cuter app, and who am I to resist?

So, behold: this week’s story prompt comes from the Rory’s Story Cubes app.

 

storycubesapp

I’ll leave it up to you whether you use ALL the cubes, but I think I have to insist that you use at least five. Good luck!

(P.S. With a shooting star, a magic wand, a turtle and a world, how many of you are going to be writing Discworld fan-fic?)

 

Tips

  • Don’t worry about your audience and who might read it
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You should use the prompt in your story (however tenuous the connection).
  2. You must write the story in one 24 hr period – the faster the better.
  3. Post the story in the comments — if you’re brave enough.
  4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my StoryCube-inspired short story:  #WriteOnWed #storyaday

This week’s #WriteOnWed short story prompt is dice-based! #storyaday

Come and write with us:  #WriteOnWed #storyaday

See my story – and write your own, today:  #WriteOnWed #storyaday

If you would like to be the Guest Prompter, click here.

[Write On Wednesday] – Stories From The Everyday

Sometimes it’s fun to write about big, grand, dramatic themes: war, a break-up, a life-changing event.

But sometimes the most effective stories come from a meticulously detailed moment in everyday life: someone opens a letter, someone puts down a phone, someone opens a door.

Of course, what matters in stories like these is character: how does your character anticipate, react; what’s at stake?

Tudou office

The Prompt

Write a story in which you examine a small moment from every day life and illuminate something – about your character or about the world. Keep the inciting incident mundane, and the consequences too, if you can. But show us something big about life.

Tips

  • Don’t make the drama too big. Let it spring from a tiny, everyday encounter. But make it matter to your character in some way.
  • Take an incident from your life today (or yesterday) that vexed you, or delighted you. Give it to a character who is weaker than you, or stronger than you, or more exuberant, or more of a wall-flower. Show us how you would have dealt with it in a more or less ideal world.
  • Write fast, as fast as you can.
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You must write the story in one 24 hr period – the faster the better.
  2. This week, DON’T post the story in the comments — but do leave a comment saying you wrote something.
  3. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Can you find the story in everyday things?  #WriteOnWed #storyaday https://storyaday.org/wow-everyday/

This week’s #WriteOnWed short story prompt is Everyday Experiences: #storyaday https://storyaday.org/wow-everyday/

Come and keep your writing resolution with this week’s prompt:  #WriteOnWed #storyaday https://storyaday.org/wow-everyday/

I wrote my story today – will you write yours?  #WriteOnWed #storyaday https://storyaday.org/wow-everyday/

If you would like to be the Guest Prompter, click here.

[Write On Wednesday] Six Sentences

This week’s prompt comes with a built-in market to submit your work to after you’re finished: Six Sentences. I subscribe to their daily stories by email and I often find it inspiring to wake up to a micro-story written by someone else. Surely, my brain says to me, you could manage a story in six sentences today.

Six Sentences screenshot

The challenge of course is that even (especially?) a six-sentence story has to have a beginning, a middle, a end, a clever idea, some action and (incredible, instantly) engaging characters. Micro-stories often have a twist to give them a kick, but they don’t have to – as today’s submission shows.

The Prompt

Write a story in six sentences.

Six sentences.

You can do that, right?

Tips

  • It’s probably best to emphasize only one feature (character or setting or action, or the twist) but all the other elements must be there too.
  • Write fast, as fast as you can.
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You must write the story in one 24 hr period – the faster the better.
  2. This week, DON’T post the story in the comments — but do leave a comment saying you wrote something.
  3. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Submit your story to Six Sentences!
Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Could you write a six sentence short story?  #WriteOnWed #storyaday

This week’s #WriteOnWed short story prompt is Six Sentences: #storyaday

Come and keep your writing resolution with this week’s prompt:  #WriteOnWed #storyaday

I wrote my story today – will you write yours?  #WriteOnWed #storyaday

If you would like to be the Guest Prompter, click here.

[Write On Wednesday] A Letter To A Friend

Sometimes, while writing, I get hung up on my style.

(Am I using too many adverbs? Am I describing the setting vividly enough? Even if it doesn’t mattter?)

This is an absolute killer for a first-draft of anything.  It’s fine to worry about these things in the editing process. The important  thing for a first draft, however, is getting into the flow.

To help my writing flow, recently I’ve found myself imaging I’m writing for my best friends from high school – to whom I wrote real, paper letters after we went our separate ways.

BFF

Photo by tifotter

In the letters I told stories about stuff that had happened to me, or stuff I was thinking about or what I could see out of my window. They were gleeful, ridiculous, and great fun to write. I wrote as fast as I physically could (apologising at the end for my handwriting) and got equally gleeful and ridiculous letters in return.

Now, whenever I’m having trouble with a story I imagine I’m telling it to Linda or Miranda, who are the perfect audience for me: always supportive, always ready to have a good time and listen to my ramblings.

The Prompt

Write a story as if you were telling it to your best friend.

Tips

  • It doesn’t have to be in the first person (though this might help), but imagine it is being written only for your best friend to read.
  • Write fast, as fast as you can.

  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

    The Rules:

  1. You must write the story in one 24 hr period – the faster the better.
  2. Post the story in the comments — if you’re brave enough.
  3. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Bonus points if you stick it in an envelope and mail it (yes, actually mail it) to the person you wrote it for.

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my BFF-inspired short story:  #WriteOnWed #storyaday

This week’s #WriteOnWed short story prompt is What Makes You Mad?: #storyaday

Come and write with us:  #WriteOnWed #storyaday

See my story – and write your own, today:  #WriteOnWed #storyaday

If you would like to be the Guest Prompter, click here.

[Write On Wednesday] What Makes You Mad?

When you see/read/hear something that makes you crazy, what do you do? Rant to a friend? Blog about it? Post a sarcastic comment on Facebook?

Angry_Bread_Large

Photo by Psycholabs

Why not turn it into the premise for a story? There’s nothing better for a story than a bit of passion, so take your pet peeves and turn them into characters, situations or problems. Get yourself good and steamed up and then let rip!

Today I’m writing about people who drive me crazy in my every day life. I feel bad writing about them, because I’m a nice girl who never says this kind of stuff. But you know what? I have some characters who can say all those things I’d never be able to bring myself to say. I’m having a blast!

 

The Prompt

Write about something that drives you crazy!!!

Tips

  • Don’t be too nice.

  • Don’t worry about your audience and who might read it

  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You should use the prompt in your story (however tenuous the connection).
  2. You must write the story in one 24 hr period – the faster the better.
  3. Post the story in the comments — if you’re brave enough.
  4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my Flickr-inspired short story:  #WriteOnWed #storyaday

This week’s #WriteOnWed short story prompt is What Makes You Mad?: #storyaday

Come and write with us:  #WriteOnWed #storyaday

See my story – and write your own, today:  #WriteOnWed #storyaday

If you would like to be the Guest Prompter, click here.

[Write On Wednesday] Photo Prompt

Sometimes it’s easy to come up with a subject, a character, a problem or an issue on which to hang your short story.

Some days it’s not. But that doesn’t mean you can’t write. I just means getting started might be harder.

If you’re finding it hard to start writing today, hop on over to the Flickr “Interesting” page (pictures someone at Flickr has tagged as ‘interesting’ in the past 7 days).

Screen shot 2011 09 21 at 10 53 26 AM

The Prompt

Grab a picture and start writing. See where it leads.

Tips

  • Don’t try to force your usual style onto this story. See what comes out.
  • Don’t try to do too much. Whatever you start will probably be a brand new idea. Keep it short and simple.
  • Make sure your story travels from start to end: don’t just write a description, make someone or something change between the first word and the last.

The Rules:

  1. You should use the prompt in your story (however tenuous the connection).
  2. You must write the story in one 24 hr period – the faster the better.
  3. Post the story in the comments — if you’re brave enough.
  4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my Flickr-inspired short story: http://bit.ly/nEQ6Mc  #WriteOnWed #storyaday

This week’s #WriteOnWed short story prompt is a Photo Prompt: http://bit.ly/nEQ6Mc #storyaday

Come and write with us: http://bit.ly/nEQ6Mc  #WriteOnWed #storyaday

See my story – and write your own, today: http://bit.ly/nEQ6Mc  #WriteOnWed #storyaday

If you would like to be the Guest Prompter, click here.

Get your story publication-ready with the StoryADay Editing & Revision Seminar

TéléphoneI’m excited to announce our very first free, live teleseminar coming up this Friday.

StoryADay May is all about a creative splurge: massive amounts of writing, experimentation and fun. With any luck we all came out with a handful of stories that surprised us: they were really quite good and maybe there were some that we think we could share with readers. But maybe not quite yet.

Is Your Short Story Publication-Ready?

Editing your writing is hard, but it makes all the difference between a first draft and a publishable story.

On Friday, Sept 9, 2011, at 1:30 PM (EST) come and learn about the different levels and stages of editing.

In this teleseminar you’ll learn about:

  • Understanding the different levels of editing and how to use this knowledge to keep from being discouraged,
  • How to figure out what you need right now,
  • Do It Yourself editing,
  • How to effectively get editing help from others.

You’ll also receive an exclusive money-saving offer on my upcoming series of writing seminars aimed specifically at short-story writers.

What It Is

A seminar that you can use your home phone (or cell phone or Skype) to call in to.

I’ll talk for about 20 minutes and take questions at the end. I’ll answer as many as I can. (I’ll mute your phones before I start, so don’t worry about barking dogs or crying babies in the background!)

If you can’t be on the call, live, send your questions to me by email before the call (julie@storyaday.org) and you can download the whole thing after the event (I’ll send out an email to this list with the details, on Friday afternoon).

What It Is Not

There is no fee for this teleseminar (although there may be telephone charges, depending on where you live and what kind of plan you have).

This is a look at how to approach editing and revising your stories. It is NOT a primer on grammar or spelling or where to put your apostrophes. For one thing, I’ve noticed that most of the writers at StoryADay seem to know how to do that stuff – although we all occasionally make slips that must be caught in editing. For another thing, there is a metric ton of information online about how to use grammar. (I suggest you start here.)

How To Join In

Sign up for the StoryADay Creativity Lab to receive all the details including a call-in number and conference code, and more information about that discount on upcoming seminars

If you’ve ever wondered how best to revise your work, join us this Friday, Sept 9 at 1:30 PM (EST) for the StoryADay Creativity Lab Editing & Revision Teleseminar

P.S. Don’t forget, at the end of the call you’ll receive a discount code for 25% off future seminars.

Does Thinking Count As Writing?

I asked a friend the other day how her writing was going.

“I’m thinking about writing,” she replied. “Does thinking count for anything?”

Thinking of you

Ouch. Sound familiar?

So, you know what I’m going to say, right?

Thinking…well, actually thinking DOES kind of count as writing. (There, did I surprise you? Wait for it…)

But only if you’re doing it in the right way.

(Oo, you knew there was a catch!)

Thinking Kinda Does Count…And It Really Doesn’t

  • Writers need to think — We need copious amounts of thinking time. We need to daydream and imagine and ‘what if’. Happily, we can do this while attending to all those routine brain-free tasks we have to do every day: you know, the ones that keep us clothed and fed and sanitary. (If you’re an adult you know what I mean. If you’re a kid…no, if you’re a kid you won’t even be reading this. You’ll just be writing your first best-seller. Move along.)
  • Beating ourselves up is not productive — unfortunately a lot of writers (especially the ones who aren’t doing any writing) spend a lot of their thinking time fretting about how they’re not writing, not good enough, a lousy person for not doing more actual writing. This is not only unproductive, it is destructive. The best way to stop this kind of thinking in its tracks is to write something — anything. (Keep reading for ideas on what you can write on a day like this)
  • Capturing ideas is useful — sometimes ‘not writing’ means you’re out living. This is a wonderful thing for a writer. You need experience to be able to write anything meaningful. You need to come home and process the stuff that happened to you today, so that it’s there in your brain ready for when you need it. We need to hate people and imagine all the things we should have said to them. We need to love people and freak out when our imaginations show us what life would be like without them. We need to wonder what it would really be like if our plane crashed on a desert island: how would we wash our clothes and what plant fibers could be spun into thread to repair them?
  • Thought vs.  creativity — There will come a time when you need to look at your work with a critical eye, but that time is not during the initial writing phase. In fact, the less you think while you’re writing your first draft the better. Turn off that brain, move your hands and just let the words pour out.

It’s all very well for me to sit here saying this. But how do you actually move from thinking to writing?

You Must Take Action

You have to actually carve out time to sit down and write. Even if you can’t finish a whole chapter. Even if all you can manage is 100 words, 55 words, 140 characters,

DOING something (i.e. writing, crafting a story and characters) is so much better than thinking. Always.

(You may not feel great while you’re doing it, but trust me, afterwards? You’ll feel awesome.)

How To Take Action With Your Writing

It’s easy to get overwhelmed and beat yourself up because you haven’t finished your first novel yet.

Screw that.

  • Set yourself a tiny goal and meet it. Write a twitter fiction story. Write a 55-word story. Write exactly 100 words (no more, no less). Set a deadline. Do the work. Now tell me that didn’t feel good.
  • Use prompts — I know it can seem corny but grab a writing prompt and use it for your own purposes. I assigned everyone on my writing course the same prompt one day and you would have been amazed at the radically different stories that came back from 12 different people.
  • Embrace the first draft — Give yourself permission to write something truly dreadful. Tell yourself no-one is going to see it. Picture a baby learning to walk: they fall down, they get up again, they fall down, they get up again, and eventually they are up more than they are down. We learn by doing. We learn by making mistakes. Write something terrible, don’t show it to anyone. Remind yourself the goal is to write something, not to write something good. Not yet.
  • Get an accountability buddy — life comes at us fast. If you’re like me, there’s nobody knocking down your door to hand you a living wage for your fiction yet. It’s easy to let writing slip into the background and — whoosh! — a month has gone by without a single word written. By finding someone to keep you honest, you give yourself the kind of deadlines that you need. You don’t even have to swap writing samples. Just make sure you find someone who will stay on your case and not be too nice to you!
  • So yes, think. Think about your writing. Think about your characters. Think about what you’ll do when you’ve reached your goals.But most of all, keep writing.

    What one thing will you commit to writing this week? How will you make it happen?

    Leave your commitment below, & I will be your accountability buddy for this week (I will personally check up on you on Wed June 22!)

StoryFest 2011 Preparations

We have all worked so hard, don’t you think it’s fair that we get to show off a little; celebrate?

Announcing:

The Story A Day StoryFest, June 11-14, 2011:

An Online Celebration of the Second Annual Story A Day Challenge

What Is It?

From June 11-13 the front page of this site will change to the StoryFest Page.

The StoryFest page will contain blurbs about and links to each author’s favorite story (or collection of stories if you’re writing super-short stories)

Readers can come by on their coffee breaks, browse the best of our work, leave comments, tell their friends.

(See last year’s StoryFest front page, to see what I’m talking about.)

What Do You Do?

  • First, pick your favorite Story A Day stories  that you wrote (this can be the same story you intend to enter in the contest).  Pick one, if it’s a long or multi-part story. Pick a couple if they are short. Pick ten if you’re a twitter-fiction writer ;) No real restrictions here.
  • Write a short blurb about you/your stories/the challenge (about 50-75 words).
  • Optional extra: pick your favorite one or two stories by other people to recommend to readers.
  • Email a blurb and the links to your own stories and your ‘recommended reading’ stories as soon as possible. (editor at story a day dot org / subject: StoryFest Submission) I will put them on the StoryFest page for readers to find.
  • On June 11, start tweeting and blogging and Facebooking (sorry) and telling all your friends and family to stop by. (I will provide some sample messages, in case you’re uncomfortable with self-promotion, but you should feel free to write whatever you like.
  • During StoryFest be sure to share your recommendations for stories you’ve enjoyed by other StADa writers.
  • On June 13, send another reminder to people that time is running out, to access the StoryFest page, and discover all the wonderful new writers that you’ve been reading and enjoying throughout May.
  • Sit back and bask in the feedback.

I’ve created a StoryADay StoryFest graphic that you can hang on your StoryFest stories, no matter where you posted them (here or your personal blog)

What Can Readers Do?

Readers can stop by any time between June 11 and June 14.

They will find the front page all decked out for StoryFest and featuring links to your favorite stories.

They can read, comment and, I hope, recommend stories to their reading friends.

What’s The Point?

It’s a celebration! Writing a story a day was hard, wasn’t it?

This is our chance to show off. This is our recital. (Tutus strictly optional).

It’s also a chance for readers and writers to connect. Readers are always looking to find great new writers and interesting stories. Writers want to be found.

I’ve been thrilled by the quality and diversity of the stories I’ve read here, and I want to share that with other readers.

Why So Short?

Making the StoryFest an event with a limited timeline gives readers a good reason to come NOW, not just think ‘that’s cool, I’ll stop by later maybe’ and then forget about us. Instead, we’re creating scarcity and a deadline. It’s basic sales psychology, and it works!

None of the Story A Day blogs will disappear (unless you delete them), so readers can still find your stuff for as long as you want them to.

The StoryFest is just a big promotional/celebratory party, and we all know that at some point, every party has to wrap up and someone has to turn out the lights.

(Luckily, no one will have to mop anything up after this one.)

A Time To Live

I was going to be starting the StoryADay Warm-Up Your Writing Summer Course today, but I’ve decided to postpone it until September.

I’m going to explain why and then I’m going to offer you some free tools, and a chance to help a worthy cause. If you just want the goodies, you can skip ahead.

Why I’m Not Running The Warm Up Writing Course This June

I live in one of those mythical neighbourhoods where everyone knows everyone else and we like each other. We have Easter Egg hunts and a Christmas party and our kids all ride bikes and play in the street together all summer and there is always a parent or five hanging out with them. It’s the kind of neighbourhood where you know that if your kid does something stupid while you’re not looking, one of the other parents will hunker down and gently discuss why ‘we don’t that’ and negotiate a peace treaty between whichever kids need it.

And if anyone needs help, the neighbourhood springs into action.

And we’re springing into action.

Last weekend my next door neighbour’s five year old daughter, Gabriella, was suddenly admitted to the local children’s hospital and diagnosed with a rare and aggressive brain cancer.

So we’re babysitting and running errands and making sure life seems as normal as we can for all the kids here at home. We’re raising money and cooking meals and organizing prayer chains and trying to be available for anything our friends might need.

And yes, though all this I could find time to run the course. But I wouldn’t be able to give it my all, and that’s not fair to anyone. So I’m postponing until September, when I will offer the Warm-Up Your Writing Course again, at the summer rate.

And in the meantime, I’m going to spend the summer creating high-quality free content and tools to help my lovely StoryADay friends focus on creativity and productivity and to keep writing every day, not ‘someday’.

An Important Reminder For Writers

But this bump in the road has reminded me of a very important rule for writers:

As important as it is to keep writing, it’s even more important to keep living. Only by grabbing life with both hands and holding on tight through every experience, can we hope to be able to write stories that help, heal, entertain, make readers think, and, in our own small way, change the world for the better.

Writing Contest 2011

So you’ve spent a month writing stories. Now what?

Announcing: StoryADay.org’s First Writing Contest!

I am thrilled to announce that Heidi Durrow, author of last year’s breakout debut novel (and NYT bestseller) The Girl Who Fell From The Sky has agreed to judge our first ever StoryADay Writing Contest.

Anyone who has a StoryADay username and has been writing this May (I’ll have to trust you on that) is eligible to enter one story in the contest. There is no entry fee, but there are prizes!

  • 1st Prize: $50, A copy of the Writers Digest Short Story & Novelist’s Markets book, a copy of The Breakout Novelist by Donald Maass, a box of Rory’s Story Cubes
  • 2 Runners-up: $25 and a box of Rory’s Story Cubes.

The deadline is June 15, with results announced in early August. There will be two rounds of judging. The first round will be judged by experienced editors and working authors, the final round by Ms. Durrow.

You may submit using a special submission from that will go be up by June 10, 2011. Details to be posted here.

Click here for the complete rules.

FAQ

Is the contest open to everyone?

Only to people with a StoryADay username.

I was writing during May but didn’t sign up at the site. Can I still enter?

Sorry, no. This is only open to people who were in the online community. It’s a way for me to reward the community and ensure that only stories written this May get entered

But that’s not fair is it?

No, not entirely. But it’s the best I can do. Sorry. I will rethink this for next year.

How will you ensure the contest is fair?

Entries will go to judges without names attached. Beyond that, judging is entirely subjective as it is with all writing contests.

Will Heidi Durrow read all the stories?

No, she is going to read a short-list of ten. The first round will be judged by working editors and writers.

When will the results be out and how will I be notified?

Not later than August 15. Results will be posted on the site (https://storyaday.org) and entrants will receive an email telling them the winners and runners up.

How are the prizes funded?

The prizes are funded mostly by me, Julie Duffy of StoryADay.org. The copies of Rory’s Story Cubes were generously provided by Gamewright Games.

If I don’t win, does that mean my story is no good?

No, it very definitely does not. I have judged these kinds of contests myself and can assure you that judging is entirely subjective. If your story is not picked, all it means is that it did not appeal to this particular set of judges in this particular month as much as someone else’s story did. Keep writing (and submitting)!

[Daily Prompt] May 30 – The Lake At Dusk

Daily Prompt LogoToday’s prompt is a stanza from “The Lake At Dusk” by Robin Robertson (from Swithering, Harcourt 2006)

 


Rinsed after the rain,

The forest is triggered and tripwired;

When I pause for a bird call

The silence takes time

To reassemble around me

Like a dream retrieved.

 

 

No-one will find me here.

 


Go!

[Daily Prompt] May 27 – Graduation

It’s that time of year again.

I spent the evening watching my kindergartener receive a certificate and getting ready to move into First Grade. He’s already been at the same school for three years, and is moving on to…the same school, but next time in 1st Grade.

Still, it was an ending, a moment of transition, a biggish deal (mainly because the grown-ups made it that way).

So today’s prompt is:

Write a story that contains a transition, an ending or a new beginning.

Go!

The Myth Of The Solitary Writer

Today’s article is a guest post by Kirsten Simmons, host of The Interactive Novel. Thanks, Kirsten!

Run For Your Lives

“The first professional writing job I ever had, after seventeen years of trying, was on a movie called King Kong Lives. I and my partner-at-the-time, Ron Shusett, hammered out the screenplay for Dino De Laurentiis. We were certain it was going to be a blockbuster. We invited everyone we knew to the premiere; we even rented out the joint next door for a post-triumph blowout.Nobody showed. There was only one guy in line beside our guests, and he was muttering something about spare change. In the theater, our friends endured the movie in mute stupefaction. When the lights came up, they fled like cockroaches into the night.”

~Steven Pressfield, Do The Work

The movie, as Pressfield goes on to describe, was an unqualified disaster. It was roundly panned by the critics and barely registered on the gross lists.

What The…?

How did something which had such promise in the eyes of the authors go so totally wrong?

I’ve never spoken with Pressfield, so I can only guess at the reasons behind the tanking of King Kong Lives. But if I were to guess, I’d say it has something to do with community.

We tend to believe that writers work in seclusion. Think of the stereotypical writer pounding away at the keyboard all by his lonesome. This is especially true when there’s money attached to the work. The people paying us don’t want too many people to know the story, after all, otherwise who would buy it down the road?

But this brings up some problems, because the worst person to judge a piece of writing is the author. We’re far to close to our work. When I’m trying to edit anything I’ve written, I either think it’s brilliant or I see flaws that don’t exist. In my earliest writing days, I ruined dozens of perfectly good stories by tearing them apart to fix perceived flaws in the ideas. (My mechanics, on the other hand, were rarely the target of my edits, despite needing a fair amount of help.)

Fixing The Problem

What’s changed since then? I found a community.

All writers need people they can turn to for additional opinions when they run into problems. Outside eyes can offer a fresh perspective and are much more likely to identify the problems in our work. Communities like this one are essential to achieving a finely tuned, structurally sound story.

When you find your community, love them and hold them tight. Thank them profusely for their input (even if it’s not what you want to hear) and offer at least as many insights as you receive. Every amazing writer has a strong community behind them. We are nothing without our people.

Kirsten is a student, entrepreneur and author taking the idea of community to a whole new level. The Interactive Novel, about a girl who disappears without human touch, is evolving entirely in public with audience feedback. Come check it out!

[Daily Prompt] May 24 – Life-Changing

StoryADay Classic logo

I was talking to a neighboor who had just had her first baby.

(He was super-cute, by the way. Lots of hair.)

Anyhoo, it struck me, as we chatted, how completely huge this moment was for her. My kids seemed positively ancient y comparison (8 & 6) and I realized motherhood had sort of crept up on me. It was only as I heard hearing my friend say “we’re getting the hang of things” that I could look back and appreciate how completely my life changed the moment I carried that first baby through the front door.

There are so many moments in so many lives — Tiny things, big things, things missed — that change a life completely. The protagonist doesn’t  always appreciate the significance of the pivotal moment at the time. But short stories can highlight them beautifully.

Tell a story about a moment in which someone’s life changes (whether they know it now, or not)

Go!

[Daily Prompt] May 23 – Before The Parade Passes By

Writing PromptsI spent Saturday afternoon at a small town annual parade here in the eastern part of the US. There were marching bands, local civic organizations and even Mummers from Philadelphia.

Small towns breed all kinds of stories and traditions and secrets. They are ripe settings for stories, especially when you set your story in or around an annual event.

Write A Story Set In A Small Town

Photo by Olivia Hutcherson on Unsplash

[Daily Prompt] May 22 – Elementary

Writing Prompt LogoToday is the birthday of Sir Arthur Conan Doyle, author of the Sherlock Holmes mysteries.

This is close to my heart, not only because I love mysteries in general and Holmes in particular (and everything it has inspired), but also because, when I was at university, I used to go past Sir Arthur’s old house every day: he was a student at Edinburgh University and his lodgings are  still in use by the university.

So, today’s post is:

Write something inspired by Sir Arthur Conan Doyle.

It needn’t be a mystery or a Sherlock Holmes-like story, but perhaps you could have a faithful sidekick whose job is to stand around and say ‘what did you just do there?’ like Dr Watson. Or perhaps you’ll use the word ‘elementary’. Or write something with a brilliant, or manic, or extremely logical lead.

Go!

{Daily Prompt] May 20 – New Frontiers

Daily Prompt Logo

On May 20, 1932 at 7PM, Amelia Earheart set off from Harbor Grace, Newfoundland, Canada, to become the first woman to fly solo across the Atlantic. The flight took 13 hrs and 30 minutes. Now there are somewhere around 300 transatlantic flights every day, carrying hundreds of passengers each. Five years after her historic flight, Earheart would disappear, along with her navigator, Fred Noonan, between Lae, New Guinea and Howland Island.

I think this suggests a prompt in lots of different genres: speculative fiction and historical; stories set on planes, stories set across continents and cultures; explorers; innovators; tragedy; scientific inquiry…so today’s prompt is:

Write a story for Amelia Earheart

 

Go!

{Daily Prompt] May 19 – Dark Day

Daily Prompt Logo

  • In 1780, in New England at midday the sky grew dark and no scientifically verifiable reason has ever been found. Some people thought it was the end of the world.
  • 1816 was known as The Year Without A Summer. Crops died, people starved, and a group of poets hung out in a cabin and told each other stories (resulting in the composition of the seminal “Frankenstein, or The Modern Prometheus” written by Mary Shelley. Her friend John Polidori wrote “The Vampyre” and their buddy Lord Byron wrote the poem “Darkness “.) A child named Justus Von Leibig was so affected by the famines that, when he grew up, he became a chemist and invented modern fertilizers. But no-one could explain the phenomenon until  over 150 years later. In our lifetimes  researchers have pieced together disparate strands of evidence and realized that the cause of all this choas and creativity was the catastrophic 1815 eruption of Mount Tambora in Indonesia – an event that was not properly catalogued because it was so destructive that there was no-one left to chronicle anything but the secondary effects.
  • British author Arthur C. Clarke stated, as one of his ‘three laws of prediction”: Any sufficiently advanced technology is indistinguishable from magic.

 

Your prompt today is to write about something that is inexplicable to the people in your story. You may choose to offer, as a twist, a modern, scientific explanation, or you may leave it to the imagination of the reader.

 

Go!