How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A Story In The Form Of Letters
An epistolary story is one that is written in:
letters,
memos,
texts,
voicemail messages,
video messages…anything that is communicated directly to another character, not in real time.
Make this conversation between two or more characters.
Make sure to give everyone a distinctive voice,
Think about how we communicate in writing vs in dialogue and how a character’s voice might change in writing, when they are in no danger of being interrupted and can explain themselves fully.
Go!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write The Same Incident From Three Different Perspectives
Use this exercise to sink into character: how would different people tell the story of the same incident? What are their motivations? Who are they talking to? What are they hoping to achieve?
Go!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
write A Story In The Form Of A list
This is part of a week of prompts designed to get you to play with form.
TIPS
Use established cultural lists, or your own.
Use an imagined list (“the lists my mother gave me when I left home”, or “Mr Renquist’s Classroom Rules”) to tell a character’s story.
Pick your favorite of the 7 Deadly Sins, 7 Gifts of the Holy Spirit, 9 Circles of Hell, 5 Pillars of Islam, 12 Labors of Hercules, 3 Rules of Robotics, 3 Laws of Motion, 6 Principles of the Scientific Method…
Consider writing a series of stories from these ideas
Remember: short story readers like puzzles and gaps. Let them figure out why they are reading this list, as they go.
Go!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A story in three different moods
This begins a week of prompts designed to get you to play with form.
Short stories are not mini-novels and they needn’t read that way.
Jump around between characters in this one. Jump around in time. Do whatever you need to, to give your story three distinct sections and three different emotions.
Make sure to make your characters sound like real people, not actors on a stage reading soliloquies.
Go!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
Write a sketchy first draft today. Tear through it. Get the story written.
Then go back and craft an opening line that contains a strong sense of who is telling the story, when it is set, where it is set and what kind of story it’s going to be (Is it going to be a murder mystery? Get the body into the first line. Is it a historical romance? Give me gas lamps and corsetry!)
Next, work on your ending. Echo the opening scene with a similar-but-different scene, symbolizing your character’s growth/change. Or leave us with an open-ended question, but make sure we know enough about your character to have an idea what their next action might be. Or use a poetic line that sums up the theme of the story.
Finally write a title that doesn’t tell me what your story is about but intrigues me with an unusual idea, phrase, pun or twist on an old saying or song title. Remember the title is the sizzle that sells the story.
Some of my favorite short story titles:
Vampires in the Lemon Grove
Baby’s First Kill
‘Gator Butchering for Beginners
An Open Letter To The Person Who Took My Smoothie From The Breakroom Fridge
Stop — because if you’re paying attention, it represents two different meanings of the word
The Lady Astronaut of Mars
A Perimenopausal Jacqueline Kennedy, Two Years After the Assassination, Aboard the M/Y Christina, off Eubeoa, Bound for the Island of Alonnisos, Devastated by a Recent Earthquake, Drinks Her Fourth Bloody Mary with Mrs. Franklin Delano Roosevelt, Jr. — a fine example of how to circumvent the word-count limit in flash fiction!
Afterthought, Aftermath, Aftershock
The Worshipful Society of Glovers
A List of Forty-Nine Lies
I’d love it if you’d leave your opening and ending lines and title, below!
Leave a comment and let us know how it went today.
How did you get on yesterday? Did you write a story?
This is when the challenge gets really tough: the novelty has worn off and the end of the month seems a long time away. But keep going! If you keep writing through this week, you’ll still be writing at the end of the month and that is going to feel really good.
Lean on the support in the comments, to spur you on!
The Prompt
Write A story about yesterday’s character, all grown up
Yesterday I challenged you to write about an incident earlier in the life of a character you’d come back to, today.
Today I want you to bear in mind the inner struggle of that character, once they’ve had time to create some damaging behaviors based on the incident in yesterday’s story.
Now, pick an action, a physical act, that they can perform in this story. Make it significant to the character.
My example: in Die Hard, when John McClane picks up a photo of his family (back when they were a happy family), he winces, and it shows us everything we need to know about what this character wants, and what’s standing in his way (hint: it’s his own behavior).
Add a moment like that to your story today. No inner-monologue. No telling the reader why it’s significant. Just use all our senses to pull us into the moment.
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A story about the childhood damage of a character you’ll write about tomorrow
Today’s story owes a lot to Lisa Cron’s book Story Genius, in which she talks about how childhood beliefs can become problems for adult characters.
Behaviors that protected your character as a child (for example, an abandoned child’s tendency to keep people at a distance, or conversely to be too clingy, doesn’t serve them well as an adult.)
Every character needs an inner conflict, to make them interesting.
Today write a vivid story about something that happened early in life to a character you’ll come back to, tomorrow.
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A story centered on conflict
Without conflict you don’t have a story, you just have a series of things happening.
Be sure to put your protagonist in a situation today, where they need to do something they really don’t want to do, talk to someone they really can’t stand, or run from something they’d rather stay and do.
Conflict can be car chases or it can be the story of an alcoholic trying to resist taking that first drink in 25 years.
Go!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
The Prompt
Write A FLASH FICTION STORY
Chances are, most of the stories you’ve written so far would qualify as Flash Fiction if all we meant was “under 1200 words”.
But Flash is more than that. It is deliberately taut, vivid, and short. It should contain one or two vivid moments or images that stay with the reader long after they’ve gone.
Write your story of 1000 words today, and work on making it flash.
How did you get on yesterday? Did you write a story?
Remember, set your own rules, and stick to them. If you miss a day, don’t try to catch up. Just keep moving forward!
Check back every day for more prompts, and don’t forget to come back and leave a comment to celebrate your writing successes, every day!
The Prompt
Set A TIMER FOR 40 MINUTES
Don’t spend too much time on your opening.
Brainstorm for five minutes, spend the next five on an opening and then give yourself 20-25 to dig your characters into a hole and let them start to climb out of it.
Try to start wrapping it up when you have about five minutes left on your timer. Even if you have to write some brief notes [“this is where they make their great escape”], put an ending on the story.
This will make it so much easier when you come back to revise it later.
Today’s post comes to us from gifted memoirist Jane Paffenbarger Butler. You can read more about Jane, below, but in the meantime, enjoy mining your memories for Story Sparks! – Julie
When I was a child, my mother and sisters and I spent hours making our clothes at home. The memory of those long quiet days together is etched in my mind because we did it over and over. That makes it a perfect resource for my writing because it is etched in my mind. But even one-time events can be seared onto our brains and serve equally as sources of inspiration.
Because we have kept a memory, stored it for some reason, it holds a significance that may be useful. When I try, I can remember many details and images about that repeating scene of sewing. Recording a memory, in writing, however disjointed or unclear or insufficient, means we capture whatever clarity there is to be observed. The overriding feeling of the sewing room was one of having to focus on the details, such as being sure of our measurements, even in our pinning, and whether the machine was threaded correctly and if we were following every direction. There was little conversation and there was little sound besides that of our movements.
However fuzzy, our memories are infused with feelings that give them an emotional power that can make our writng richer.
I may want to write specifically about sewing, the memories of the creaking old house, the stale state of the space we shared, the silence so thick I heard the buzz of a fly trapped at the window pane trying to escape. But I may prefer to let this description inform whatever other writing I do. These recalled images and ideas are newly acquired and because of their source resonate with authenticity.
Our theme here at StoryADay this month is “Openings & Endings” so here’s a prompt to help you with the first of those.
The Prompt
Your opening line is: The chairs, the tables, the pictures on the walls, everything was right where it ought be, but something wasn’t quite right.
Tips
This prompt seems like it could be leading you to write a contemporary, realistic, narrative story, but don’t let that hold you back. If you want to write an absurdist, stream-of-consciousness piece with four different perspectives, you go right ahead!
Think about who might care about things being right (or wrong) and why?
What has happened up to this point in your character’s life to make them so suspicious…or paranoid?
Is your character like Columbo or Monk, a person with an obsessive eye for detail? Or is this a room that they know well because they spend a good portion of their day in it?
What kind of room has chairs, tables and pictures on the walls?
I’ve reached the age where people have started to make TV shows about my childhood and teen years (and yes, I know I should be watching Stranger Things; I just haven’t got to it yet…)
It got me thinking about how we capture not just a place but a time as well.
The Prompt
Do an image search for the place you grew up in a year from your childhood. Write a story set in that town/street.
Tips
I didn’t search for the place I grew up but for the part of town my grandparents lived in. (Govan, 1976, when I was really too young to remember it, to ensure it would look as foreign to me as possible).
Part of me thought I might find the exact street I used to walk along with my Gran to get bread rolls for the obligatory after-church bacon rolls. We’d get them from the newsagent’s — the only shop open on a Sunday morning in Glasgow. I didn’t find that street, but I found one nearby, that felt familiar enough.
Really look at the picture. What do you remember? What didn’t survive in your memory?
Does it look idyllic or more run-down than it is in your memory?
What do you see in the picture that a stranger wouldn’t notice? What kinds of stories does it suggest?
In my picture I see the Tennant’s Lager sign outside the Rob Roy bar, and the fact that the doorway on the corner is marked ‘public bar’, but I know that what that really means is ‘men only’. (There’s a good chance my own grandfather is in there, now that I think about it, and what a thought that is. My lovely Granda, alive and well, and chewing on his pipe behind the yellow facade in this picture? There’s some emotion I can use in a story!)
Look at the shop-fronts, the road signs, the aged cars, whatever is in your picture that speaks of the era.
Maybe your picture has a fresh new housing development with saplings in the front yards and a single car in each driveway. What does that neighborhood look like now? What would today’s stranger never know about life on that street when you lived there?
Pick a moment and allow two characters to interact. It doesn’t have to be anything earth-shattering, because the third character in this story is going to be your setting. Do everything you can to capture the sounds, sights, smells and tastes of life in that moment.
Did everyone still smoke? Was the air quieter because nobody was running an air-conditioner? Did everyone barbecue on a Saturday afternoon? Were the buses more noxious? Was there more litter? Less? Why do the windows look different?
Allow your two characters to interact for a moment, perhaps foreshadow the changes coming to the neighborhood, perhaps grousing about a change that they’ve already seen.
Short stories revolve around a single moment. Go to town with that today—literally! Your town. Paint me a picture of a moment in the life of your childhood home.
Today’s prompt is all about a misunderstanding, and comes to us from the writer Wayne Anthony Conaway.
The Prompt
Write A Story In Which One Character Misunderstands Another, With Far-Reaching Consequences
Tips
Today’s prompt focuses on misapprehension – that is, interpreting something incorrectly. Too often, in fiction, every character communicates perfectly. That’s not the way it happens in real life.
Example: award-winning author Harlan Ellison once misheard a conversation at a party. He overheard a woman say, “”Jeffy is fine. He’s always fine.”” What Ellison actually heard was “”He’s always FIVE.”” That inspired the story “”Jefty Is Five,”” about a boy who never grows up.
Alternately, the misapprehension could be visual.
True story: when I graduated college, I moved to a southern town – one of those places where anti-intellectualism seemed to be the prevailing attitude. I met lots of girls there, but I was looking for an intellectual girlfriend. One day, while sitting in dingy waiting room, I saw a pretty girl outside. To my amazement, she wore a tee-shirt with the letters “”SPQR”” on it. SPQR stood for – in Latin – “”The Senate and the People of Rome.”” What kind of woman wore a tee-shirt that referenced Ancient Rome? I had to meet her! I rushed outside, saw the girl…and discovered that her shirt didn’t say “”SPQR.”” It said “”SPORT.”” The final letter was hadn’t been visible from where I sat! (I was so disappointed, I didn’t even speak to her.)
So that’s your prompt: misapprehension, either verbal or visual.
About Wayne Anthony Conaway
Born in Philadelphia, PA, Tony Conaway has written and ghostwritten everything from blogs to books. He has cowritten non-fiction books published by McGraw-Hill, Macmillan and Prentice Hall. His fiction has been published in eight anthologies and numerous publications, including Blue Lake Review, Danse Macabre, Rind Literary Magazine, qarrtsiluni, The Rusty Nail and Typehouse Literary Magazine.
[Note from Julie: if you want to know how to wow an audience at a reading, check out Tony’s advice here. I’ve never seen an author do better than Tony!]
Last night my local writing group held a Reading Night. It was a wonderful thing.
For one thing the participants got to read their stories to an appreciative audience who simply wanted to have fun (as opposed to sending their story to an editor or a critique partner who is looking for things to reject).
And for another, there were some experienced performers in the group, who gave feedback and tips on the actual performance part of the reading. Invaluable stuff.
Reading your work is something you’ll be called upon to do as published author, so practice the skill (very different from writing!) as often as you can!
Last night’s reading prompted this, er prompt, because so many of the characters came alive when they had a distinctive voice, a distinctive patois. One story featured a rising politician, who used all the kinds of phrases you might expect of a rising sleazebag politician.
Another story featured a 1968 California Happening dude, who talked just like you would expect (expertly performed by a man who looked the right age to have been there.)
These stories, more than all the others, stuck with me because of the authenticity of the character’s voice. And that’s what I want you to practice this week.
The Prompt
Give Your Character A Distinctive Voice
Tips
Make your character have a job or a background with a specific set of jargon (for example: a stock broker would sound very different from a tuned-in, turned-on dude from 1968 Haight-Ashbury)
Get them into conversation with another character as soon as possible and see if you can keep their voices so distinct that you rarely have to write ‘he said’.
Concentrate on the rhythms of speech and the special phrases or jargon your character might use.
How would your character deliver their lines? Tentatively? With lots of preamble? Stridently? Rather than using these adverbs, let your characters use words that capture the content of their character
If you need more inspiration watch a supercut of Robin Williams as the genie in Aladdin and try to capture that kind of vigor in the words you put in the characters’ mouths! (But set a timer, so you don’t end up disappearing down a YouTube rabbit hole…)
Short stories don’t have a lot of space for non-main characters, but if you’re going to include a best friend or comic relief, make sure they earn their word count!
The Prompt
Write A Story That Gives Your Secondary Characters Something To Do
For today’s Write on Wednesday writing prompt, I’m digging into the archives.
This writing prompt, from 2012, talks about how to use your character’s desires to power a story and contains important tips on how to keep your short story from become a barely-begun novel.
The Prompt
Write a Story In Which Your Character WAAAAAAANTS something
How is your writing going, now that StoryADay May 2019 is over? Are you ready to write a story today? Leave a comment!
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