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How A Subsidy POD Company Made Publishers Pay 50% Royalties

The Author’s Guild last week declared that no contract should offer an author less than 50% royalties on ebooks[2. They seem to have <a href=”http://www.authorsguild.org/advocacy/articles/the-e-book-royalty-mess-an-interim.html”>modified</a> their stance a little].

15 years ago, it was rare to see a number larger than 12.5% in any publishing contract for primary rights. It was common to see 10% or 7.5%.

How Did We Get From 7.5% to 50%?

Let me tell you a little story about the ancient days of the Internet.

In 1997 John Feldcamp, a digital printing guy and Chris Kelly, a finance guy, decided to set up Xlibris as an ebook and print on demand service (the first time anyone had figured out how to offer true POD services directly to authors) .

In 1998, they hired me to help them change the world. Whatever else Xlibris became or did right or did wrong, it was founded — and operated for a long time — on the burning beliefs that:

  • No-one had the right to tell any writer to sit down and shut up.
  • We were going to help every writer master the new methods of delivery technology was opening up to them.
  • We did not deserve any ownership of their intellectual property in exchange for helping them distribute it.
  • The author should get 50% of the proceeds[2. On print books 50% of the profit was a lot less than 50% of the list price, which is why the company eventually started using different numbers and the word ‘net’, and sounding a lot more shady, even though it was the same thing. But on ebooks? 50% was 50% of list, minus transaction fees, and we didn’t even bother charging for those at first].

50%?!

Barbarians At The Gates

Most people in the publishing industry, even many established authors, predicted that POD and ebooks would mean the end of civilization, that the world would be filled with dross and that not all writers deserved to share their stories with the world.

Three years later, in 2000, the big kahuna of traditional publishing, Random House, made a substantial investment in Xlibris. I listened with astonishment and pride as their spokesman started saying things like “Yes, we’ll be offering 50% on ebooks. That sounds like a fine deal”. I grinned to myself because behind Erik Engstrom’s words I heard the strong “Feldcampian” influence (John was not only extraordinarily clever, he was incredibly convincing).

From 50% to 25% in 8 Short Years

Eight years later Engstrom was long gone and Random House was changing the policy to 25%. Lots of other things have changed too: Amazon, Kindle, Nook, Apps…It looks like ebooks will eventually replace print books as a major sales stream. But authors will only get 25% royalties on ebooks, and the big publishers will get moremore of the profit than ever before.

Last week the Author’s Guild finally snapped and issued this outraged math lesson to illustrate the realities of the 25% royalty:

“The Help,” by Kathryn Stockett
Author’s Standard Royalty: $3.75 hardcover; $2.28 e-book.
Author’s E-Loss = -39%
Publisher’s Margin: $4.75 hardcover; $6.32 e-book.
Publisher’s E-Gain = +33%

“Hell’s Corner,” by David Baldacci
Author’s Standard Royalty: $4.20 hardcover; $2.63 e-book.
Author’s E-Loss = -37%
Publisher’s Margin: $5.80 hardcover; $7.37 e-book.
Publisher’s E-Gain = +27%

“Unbroken,” by Laura Hillenbrand
Author’s Standard Royalty: $4.05 hardcover; $3.38 e-book.
Author’s E-Loss = -17%
Publisher’s Margin: $5.45 hardcover; $9.62 e-book.
Publisher’s E-Gain = +77%

from The Author’s Guild site

The Rights Of Authors

The fact that my bosses convinced Random House, 12 years ago, to use the words ‘fifty percent’ is huge. I believe that Feldcamp and Kelly made 50% a number we writers can ask for today without being laughed out of the room (they endured that several times, on our behalf).

Some of the authors who hailed the ‘publishing services’ companies as Visigoths are now listing their own out-of-print titles with Amazon (at a 70% royalty rate) and keeping them in print independently via POD. They are demanding their due from their publishers, on a scale proposed by the former barbarians at the gate.

I am proud to have been one of those barbarians. And I am proud to have been friends with the men who smiled up at the publishing Caesars and convinced them to agree, for eight shining years, that 50% was, yeah, equitable.  The royalty and distribution debates of the future will be shaped by what they did back in the 1990s.

Writers, join me in raising your glasses today in a toast to Mr. John Feldcamp and Mr. Chris Kelly, founders of Xlibris, Kings of the 50% royalty.

Do you want to become an insanely productive writer? Need a big boost? Need a challenge? Sign up for the StoryADay Advance List to be among the first to hear about this year’s StoryADay May Extreme Writing Challenge. Or read more at www.storyaday.org

[Markets for Writers] Fiction Fridays at Write Anything

This one is less a true ‘market’ and more a community writing opportunity.

Fiction Fridays at Write Anything

The excellent folks at Write Anything (a multi-author writing blog) put together a challenge every Friday. You write, you post it at your own blog and you post a link at their site. Simple!

Upcoming themes include: “The Million Dollar Idea”, a Valentine’s theme, and a challenge to write a story in an 1880s, Western town.

From the website:

How To Play:

1. Check this page for the weekly challenge.

2. Write for a minimum of 5 minutes… AND THEN KEEP GOING!

3. NO editing. ( well.. do the obvious spelling and punctuation.. but nothing major)

4. On Friday, post it to your blog.

5. Come back to Write Anything and leave the link to your post using the Link generator.

6. Visit other’s posts and leave constructive comments.

7. Use Twitter (with our hashtag of #fictionfriday) or Facebook etc to tell your network about the stories posted up….

They also encourage you to record your story and submit the link for Spoken Sunday. I’m a real sucker for both reading aloud and listening to other people read aloud, so I’ll definitely be doing this!

Writers’ Corner: How Do You Feel About Contests and Facebook Groups?

Thanks for all the great feedback about the user blogs. It’s a relief to know I can sidestep that technical challenge. Your comments helped me stop worrying and move on, so thanks. On that note, here are a couple of other questions up for discussion:

chat

FACEBOOK GROUP

Popular writers’ blog Writer Unboxed recently opened a Facebook Group to complement their website, so now their readers can start discussions, not just comment on blog posts.

I have some opinions on whether or not StADa should start a Facebook Group, but I would like to hear yours. Should we have a Facebook Group?

COMPETITIONS

I also wondered if people would be interested in a StoryADay May competition, with judges and prizes and all that. You could opt to submit your best one or two stories at the end of May and we’d have judges and prizes and all that good stuff. Would that seem like fun or would it introduce an element of “Oh crap, this needs to be good’ into what is supposed to be a free-floating writing extravaganza?

Thanks again for your feedback!

Delegate Your Way To Writing Success

Part of the Time To Write Series. Interested? Subscribe to the blog

Inside the Box 2289
Do try to make sure the tasks you delegate are age-appropriate!

When my children were tiny I didn’t do a lot of writing. But there would come a day when I simply HAD to write. With a toddler in two, however, it became almost impossible to get through a full sentence without hearing that darling little voice yap,

“Mama? Mama! MAMA!!!”

I got to the stage where it was quite a relief when my boy unexpectedly ditched “Mum” and started calling me by my given name. At least it took a while for that to start to grate on my nerves!

The Delegation Revalation

One fateful afternoon, when my son — previously happily playing with toy cars at my feet — suddenly popped up and asked for a drink. For the third time that hour. I groaned and tore myself away from my half-finished sentence to fetch him a drink.

Then it hit me. My job as a parent was not to raise him to be helpless. My job as a parent was to teach him self-sufficiency. So what if he was only 3?

I started delegating.

That day I moved some plastic tumblers onto a low shelf in an under-the-counter cabinet and made a big deal of at last unlocking the water dispenser on the fridge. Sure, I had to clean up a few spills, but it was a price I was willing to pay to get a few uninterrupted minutes.

We quickly moved on to solo hand-washing, using a stool to get the toothbrush and toothpaste (creating a few precious extra minutes before bedtime). Then I packed away any trousers that didn’t have an elasticated waist and presto! I was freed from having to accompany him to the bathroom!

How Much Can You Give Away?

As the kids have grown, so has my hunger for writing time.

I now delegate all kinds of things.

  • Where I used to be in charge of bath-time and bedtime, my husband and I now share bedtime duty.
  • When I was deep in the crunch of StoryADay last May my seven year old, a-hem, learned how to make peanut-butter and jelly sandwiches.
  • While I toiled on my novel last November, my husband taught the boys how to fold their school clothes and put them away neatly.

I could feel guilty about deserting my family when I feel the need to write. Or I can celebrate my awesomeness as a mother who cares enough about them to teach them the life skills they will need when I eventually kick them out of my house. (Ten more years, Eldest. I’m counting.)

Delegation can be fun!

It’s not always, easy of course. Things go wrong. There is often a learning curve for the people you’re delegating tasks to. There might be occasional tears.

But stick with it. You CAN find ways to nudge the people around you become more independent, while also clawing back some of your precious writing time.

What about you? What one task will you try to offload this week? What poor helpless soul will you set on the road to independence?

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[Writers’ Markets] EveryDay Fiction

EverydayFiction.com sends short fiction to readers via email every day of the year.

Everyday Fiction screenshot

I was really excited when I read about this, because what are writers without readers? It’s all very well for someone to slap up a website and hope readers come, but this one has a built-in distribution system and it has over 2000 subscribers.

They pay $3 per story and take First Internet Rights and an option on First Anthology Rights. They have published two print anthologies so far.

They accept stories of up to 1,000 words and use the standards SFWA boilerplate contract (this is a Good Thing).

from EverydayFiction.com’s guidelines:

We believe in the importance of being paid for your writing, even if it’s only a token amount. At this time, we are able to offer three dollars for each published story, to be paid via PayPal, with the option to donate it back to Every Day Fiction if you are so inclined. In addition, if requested we will set up a free Author Forum for you right here at EDF where you will be able promote your own writing.

More importantly, publication also includes an opportunity to promote your writing beyond Every Day Fiction. We will gladly provide a link to your blog or website, and if you have a book on Amazon, we can link to that as well.

Finally, the author whose story is the most read in a given month will be featured in Every Day Fiction’s monthly Author Interview–a chance for our readers to get to know you, and a further opportunity for you to promote your blog or website and any books or other publications you may have out there.

[Markets For Writers] Portland Review Online

What to do with your stories once you’ve written and polished them?
Submit, of course! Here’s this week’s market:

The Portland Review

The Portland Review has been publishing exceptional short prose and poetry since 1956. The most recent issue featured poetry by Ursula LeGuin.

They read submissions from Sept-March update: Reading period has been extended until April 1 2011

Full submission guidelines

Special notes for the online edition:

We’re looking for new or established authors of flash fiction/micro/prose-poetry and poetry for our website. We need your scannable, digitizable art. We need your willingness to interview and to be interviewed. Most of all we need your attention.
Written works should be under 1,000 words. Neat on the outside, hot like a Mexican jumping bean on the inside.
Art (graphic, mixed media, etc.) should be in pdf, jpeg, gif, tif form and reasonable in size. We don’t necessarily need ideal beauty, but evidence of an attempt at mastery or sloppiness in leaving at least your heart or brain in the work you produce.
Both art and written work may be sent to: portlandreviewonline@gmail.com

I’ll Write Any Damned Thing I Want, Thank You Very Much

This tweet and the article it links to got me all riled up on Sunday[1. With all due respect to Colleen Lindsay who is an extremely generous tweeter and knowledgeable publishing person who you should totally be following.And I do sympathise with her points, from her perspective.]

Now the thread goes on to make some valid points, from the point of view of a publishing insider. The article she links to however, gets my hackles right up and I call for a rallying cry of:

“Yah boo sucks to you! I’ll write any damned thing I want”

And so should you!

The Problem With New York[2. Not the whole city, obviously. Just the centralized publishing industry part of it]

The publishing machine exists for a reason (to help authors distribute their work to the masses). For some authors that still works just fine.

For the vast majority of writers, however, the publishing machine is broken. They don’t have a big audience, so they don’t fit the economic model.

The problem comes when publishing insiders forget that the limitations of their system are exactly that: economic.

If something is deemed ‘unpublishable’ it does not mean that,

  • That people aren’t interested in it,
  • That it’s bad,
  • That you shouldn’t write it

It might mean that,

  • Not enough people are interested in it to justify a huge print run, distribution deals and a massive marketing campaign.
  • You won’t sell very many copies. (Although you may. You never know.)
  • It will be intensely interesting to a tiny number of people, who are easily identifiable because they a, live in the place you’re writing about or b, join associations of other-people-who-do-similar-pastimes, etc.

The Soul-Eaters

My problem with “Oo, the peons shouldn’t write their stories” articles [3. Apart from the short-sightedness, a lack of awareness of subaltern studies school of historical research and the insufferably smug arrogance, obviously]  is that they are destructive to the very soul of humanity.

I’m not exaggerating here.

We are a story-telling people. It’s how we make sense of our lives and our world. It’s what separates us from the brute beasts. It is an essential part of our nature.

  • Think about the friend who makes you laugh the most. What is she doing? Telling stories — stories with pacing and suspense and great twists.
  • Think about the most boring person you know. What does she do? Tell stories — terrible, unending, pointless, rambling stories.

Sometimes we make up stories about our origins and pass them on to our progeny. Sometimes we write beautiful epics that explain the human condition. Sometimes we unwittingly preserve a way of life that is destined to die out and be forgotten, except for our stories about it.

What does it do when some arbitrary gatekeeper says, “No, the story of your life growing up in Hicksville with a quirky family isn’t important enough to be published. Don’t even waste your time writing it down.”?

What arrogance! What utter idiocy!

Take Back Your Stories

We’ve been trained by a couple of generations of TV, music labels, and yes, publishers, to believe that we little people aren’t qualified to tell stories, make music or entertain our friends.

  • Homer [4. or the composite historical phenomenon that has come to us in the stories handed down] kept people spell-bound around the fire with tales of Ulysses and his epic journey.
  • Jane Austen catalogued a lifestyle long since extinct but nonetheless fascinating to us all these years later.
  • My grandparents hosted get-togethers where my grandmother played the piano for sing-a-longs, my grandfather told uproarious lies and everyone had a great time.

What do we do? We watch pre-packaged, fake ‘reality’; we listen only to homogenous music on stations that only play one style of music, and we read only the stories that an intellectual elite has chosen for the universality of their appeal.

There’s Room For Everyone At The Digital Inn

There is nothing wrong with best-sellers, nothing at all. I love me some pulpy paperback mystery and sci-fi, and I read the big ‘literary’ hits whenever I can stomach them.

The problem I have with the top-down model of publishing (whether books or music or art) is that it stifles the creative lives of ordinary, gloriously creative people. Because that’s what we are, us humans. Endlessly creative and passionate and social animals.

Luckily, we live in a great age for do-it-yourself distribution of creative products, whether stories, music or video.

No, not everything that people put out into the world is my cup of tea.

Yes, there is a lot more dross to sort through these days.

But it’s also a lot more likely than ever before that I’m going to find something fascinating to read, on a topic of my choosing, by asking around online and getting recommendations from people with similar tastes.

And One Final, Not-Insignificant Point

This flowering of creativity and distribution is going to be an absolute gold mine for anthropologists in the future.

As someone with an MA in History, I am incredibly excited about the breadth of primary sources we are leaving to future historians[5. Part of my Masters’ research was on the travel journals of explorers to the New World in the 1500s. Some of my other research invoved the shopping lists of Ventian guilds and what they could tell us about what was going on in the city and the world at the time. I’m betting the people who wrote those documents never imagined they’d be considered important by scholars 400 years into the future] Imagine if everyone in the Bronze Age had had a handy, dry cave wall where they could have documented their daily deeds. How much more would we know about our ancestors than we do now from a few scratchings in Lascaux and the occasional stomach-pumping of a frozen ice-mummy?

So go. Write your memoirs. Make them as detailed as you like. Make them as vivid as you can. And don’t listen to anyone who tells you it’s all been said before. Because it hasn’t.

Not by  you.

And your story deserves to be written.

Can I Kill The StoryADay User Blogs?

This post is a house-keeping one for people involved in the StoryADay challenge. I would love to hear comments from past and potential participants as I work to get the site ship-shape for the 2011 Challenge.

The Way It Was

Last year each user could sign up for both a member name and a blog at storyaday.org/membername. Some people used them, some people didn’t. Spammers snapped them up like nobody’s business, which put a huge strain on the sites’ resources and my time.

The good thing about user blogs were:

  • Having a dedicated place to post your Story A Day writing
  • Any posts you made at your StoryADay blog were automatically noted in the Activity Stream, so all members could see that you had posted.

The bad thing about user blogs were:

  • Spammers moved in by the metric ton and registered all kinds of blogs. This put a strain on resources and on my time.
  • A lot of people didn’t use them because they were posting at their own sites instead.
  • If a lot more people sign up this year, the back end of the site is going to need a lot more technical TLC than I am qualified to give it, and my host might shut me down if too many blogs get created.

So the questions are:

  1. Do I stop new members from creating new blogs?
  2. If you already have a StoryADay blog would you care if it went away altogether? (Assuming I give you fair warning and let you export all the content to somewhere else — I would provide instructions and help if this becomes likely)

Please do chime in, in the comments, if you have any thoughts one way or another.

I’ll have more questions about the design and functionality of the site in the weeks to come, but lets start with this one:

To blog, or not to blog?

Are You A Writer Or Just A Wannabe?

Nobody finds time to write. We make time for everything we have to do. Do You Really Want To Write?

Nobody finds time to write.

Few people have spare hours just lying around in the back of the closet, waiting to be discovered (and if you do, you probably have more trouble with motivation than time-management. That’s a different blog post!)

We make time for everything we have to do.

The crucial lesson, however, is that unless someone else has give us a deadline, we only make time for the things we find important; the things we enjoy.

Do You Really Want To Write?

Ask yourself: of all the things you did today, which of them mattered most to you?

  • What did you get out of reading all those tweets?
  • Did you get lost in Wikipedia doing ‘research’ for your novel? Did you really need all that information?
  • Did you need to watch another repeat of The Simpsons tonight, when you can already replay it, at will, from your memory?

Or would it have been more satisfying
to sit down and write something?

Do you even know where all your time went?

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The Difference Between You and a Published Writer

What IS the difference between you and a published author?

Time.

In one sense, linear time: they were discovered before you were. Bad luck for you, good luck for them.

But in another, more useful sense: they made time to write. Have you?

Who Do You Think Does Stephen King’s Laundry?

Well OK, maybe HE can afford a housekeeper. But it’s just as likely that he still has to schlep down to the basement himself with a load of unmentionables whenever he runs short.

And you can bet your boots that your favourite midlist author doesn’t have a housekeeper. Or a nanny. But they still keep churning out the books year after year.

Things only get worse for your favorite author if they happen to be writing Literary Fiction. They are almost guaranteed to be a commercial failure and have to subsidize their income teaching rich kids at private universities to appreciate the rebellious soul of art. If they’re lucky they might negotiate a semester’s sabbatical in which to write their next book, but only if  they agree to eat nothing but oatmeal, turn off the heating and bust out the fingerless gloves.

And even if your favorite commercially-successful author can afford an assistant to make sure the cat gets fed, they  can’t pay her to write the book, do the revisions, talk to the agents and editors, catch the planes and go on the book tour for them.

When Do Authors Find Time To Write?

Just like us: in the gaps between Real Life’s obligations.

If you’re commercially successful one day (or have no life) you might be able to wedge those gaps open a little wider.

But life is happening to everyone. And somehow, thousands of people finish books every year.

When Will You Make Time To Write?

Part of the Time To Write Series.

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How It Feels To Be Published

StoryADay alumnus Mart Pelrine-Bacon shares her submission success story: how she worked on the story, how she found the market and how it feels to be published.

StoryADay May alumnus Marta Pelrine-Bacon shared some fabulous news yesterday: one of her StoryADay stories has been accepted for the May 2011 issue of Cabinet Des Fees, a journal of Fairy Tales (and a paying market, at that).

I got in touch to ask Marta to tell us about how she worked on the story, how she found the market and how it feels to have a submission accepted — hint: there was a lot of ‘all-caps’ on Twitter yesterday 😉

Cabinet Des Fees banner

What is the story & when did you write it?

The story is titled The Fear of Apples and I wrote it fairly early during Story-A-Day May.

Have you written others like it?

I thought writing a story a day would be easier if I had a overall idea–in this case, fairy tales. Every story that month was a modern fairy tale.

Did you do much revision after StoryaDay?

That particular story I went over about three times–though I did not make any major changes. Most of my edits were attempts to fix an awkward sentence or add (or delete!) a detail for the plot.

Hw did you find the market?

I found the market when I friend told me about Duotrope. I’ve always been intimidated by figuring out the marketplace, and duotrope made the process seem manageable.

How did you feel when you heard?

Shocked–because I’d gotten so many rejections for other stories. And I almost cried I was so happy, and then I danced into work and told everybody. I am not a cool character.

Are you submitting more stories now?

I will be. This has certainly spurred me to realize publication can happen and not to give up.

Thanks for sharing Marta!

Have you had success submitting any stories the past year? Drop me a line: julie at storyaday dot org or leave a link to your ‘bragging page’ in the comments. Everybody loves to hear how other writers ‘just like us’ are making things happen!

If this has inspired you to write more, or maybe sign up for Story A Day May, take a look at my free, downloadable workbook The Creative Writing Challenge Handbook – 31 Days to A Writer’s Life. It’ll help prepare you for this year’s challenge.

One Simple Rule For Writing Success

Photo on 2011-01-11 at 10.36

Ever have one of those lessons that you know, but you need life to kick you in the face with again and again, because you can’t make yourself learn it otherwise?

I’m currently letting life kick me in the face with this one:

Write First. Then Let Life Happen.

It’s hard to make time for writing. It’s harder when you’re worrying about all the other things you have to do as well.

  • Do you peek at your email before you sit down to work on your current writing project?
  • Do you do a survey of all the projects you want to work on?
  • Do you check Twitter, because, c’mon each tweet is only 140 characters long?

And do you end up finding it harder and harder to start work on your actual writing?

Join me in my new pledge: Write First.

As much as I possibly can, I pledge to Write First.

The rest of life will catch up with me as soon as it possibly can, whether or not I invite it in. So when I sit down to write, I will write first, email later.

To help me with this pledge, here are some things I’m going to do

  • Plan what I’m going to work on before my next writing session begins – I don’t want to sit down and think ‘hmm, what will I work on today?’. I want to sit down, knowing that I’m working on that scene where my main character is doing this thing. Or that I’m going to take this story idea and turn it into a first draft. If I have to plan this the night before, fine. If I have to plan it while I’m driving home from a day of Real Life, that’s OK too. But I need to be ready to go as soon as I sit down.
  • I will not have any social media windows open until after I have reached my goal for the day.
  • I will not give up until I have reached my word count or project goal for the day. Even if I’m feeling stabby.

How about you? Will you join me? What will your ‘rules’ be?

The First Thing Writers Should Do Every Day

Beach Inspiration by Debbie Ohi
Used with permission from Debbie Ridpath Ohi at Inkygirl.com.

It’s hard enough to find time to write. Then, when you finally do, you face the paralysis of the blank page/blinking cursor.

The most useful tool I have discovered for getting past that frozen moment of potential is to do some warm-up writing.

Morning Pages And The Truth Point

I first discovered this technique in Julia Cameron’s The Artist’s Way in the form of her morning pages.

Cameron advises you to sit down first thing every morning and write three pages’ worth of nothing in particular, just to see what come out. She lets you get several weeks into the program before asking,

Have you discovered the Truth Point yet?

And I had.

I discovered that somewhere on the second page (if I was writing longhand), my writing went from being awkward to flowing. Try it. After a page or two, you’ll find something to write about or you might just find your descriptions getting more interesting, your turn of phrase more entertaining and natural.

After writing ‘nothing’ for three pages, you’ll be able to plunge into an actual writing project and be at your best on the first line.

750Words.com

Flash forward a decade or two, and the website 750words.com offers an online version of Morning Pages, complete with somewhere to do your writing in case you don’t want to write on your blog or in a notebook that someone might find.

The host of 750words.com credits Cameron with inspiring the site, and says that 750 words is the ‘truth point’ for many people.

I have writing friends who blog first thing in the morning just as a way of warming up. Other people write letters to friends.

Tips For Warm-Up Writing

The only thing I would add is that, like 750words.com, you should be free to protect your warm-up writing. It’s not meant for display. It’s meant as warm-up. If you’re happy posting your warm-up writing to a blog or posting it off toa  friend, great. But protect yourself as much as you need to.

And no sneaking off and reading Twitter or Facebook, or your favourite author, now!

Write1Sub1 – A New Short Story Writing Challenge for 2011

This week I’m bringing you news of a great new short story writing challenge from StoryADay member, Simon Kewin.

Next year Simon and his friends Milo James Fowler and Stephen V. Ramey have pledged to Write1Sub1 – that’s Write One Story and Submit One Story every week of the year (actually, Simon’s taking Christmas off, but still…). You can submit to magazines, websites, or short story contests – anywhere that takes writing seriously.

And they’re not keeping this challenge to themselves: they’re inviting everyone to kick their writing career up a notch by joining in. At the end of this year of intensive writing, you certainly should have figured out how to write a short story, don’t you think?

Here’s an interview with Simon to tell you more. Links to more short story writer’s information are at the end.

What were your inspiration and your personal motivation for this challenge?

Ray Bradbury was our original inspiration. He is supposed to have completed and submitted a short story every week for a year while establishing himself.

The idea for Write1Sub1 materialised during a comment discussion on Milo’s blog and it took off from there. The point is obviously to help our own writing : to provide a focus and an incentive, a sense of community. We’re all keen short story writers and this seemed like a great way to motivate us to write more.

What are the ‘rules’?

The idea is to write a story and submit a story every week for 2011. It doesn’t have to be the same story as obviously it can take more than a week to polish a piece! Those taking part can define “story” as they like : it could be as short as a flash or nano piece for example. It could even be a poem. Whatever works for you.

Some people like the idea but have decided to Write1Sub1 on a monthly rather than a weekly basis, which is fine. Hopefully the challenge will still be a help to them.

How do people join in?

There’s the Write1Sub1 blog to follow and there’s also a Linky there to “sign up”. We plan to do a weekly check in post on a Sunday for everyone to share their experiences of the week. We’ll do a monthly one too for those doing it that way. There is also a Twitter hashtag people can follow – #Write1Sub1 – and there are banners on the blog folks can download.

Where will you submit?

Good question! The people who’ve signed up write a wide variety of different things, so I suppose we’ll all have our own target markets. But we’re putting together a page of useful resources on the blog for tracking down markets, and obviously, sharing our experiences on the blog should be a great help.

How will you stay motivated (esp when the inevitable rejections come in) ?

Hopefully being part of the Write1Sub1 community will be a big help here. It’s definitely a help to know others are going through the same experiences! And of course, the thought of receiving the end-of-year “winner” banner will be a huge incentive!

Thanks, Simon!

There are so many articles in the world already about ‘how to write a short story’,  but I’m a firm member of the ‘learn to write by writing’ school or thought. (And reading, of course!). This is one project I’m not going to be able to resist, although I’ll be signing up for the monthly version (there are banners for that too, at theWrite1Sub1 site).
It should ensure that I don’t get lazy and forget how to write a short story between now and May, when StoryADay starts up again!

Useful Links and Writers’ Markets

Write1Sub1 Rules

About the guys behind Write1Sub1

Market Listings from Write1Sub1

2010 Novel & Short Story Writer’s Market from Writer’s Digest (aff)

Writer’s Market listings from Writer’s Digest (subscription required. Free email newsletter)

Writers Weekly Market Listings (mostly non-fiction, but occasional fiction listings)

Writing In The Real World – Interview with Gabi

iggi & gabiStoryADay participant Gabi (and her alter ego Iggi), also known as Gabriela Pereira is a writer/teacher/entrepreneur living in New York City.  She has just graduated from an MFA Program in Creative Writing with a special focus on Writing for Children.  She writes middle grade and teen fiction, with the occasional short story for grown-ups thrown in for good measure.  She has several post-graduation schemes up her sleeve, many of which include a Do-It-Yourself MFA program.

Before you started StoryADay how would you have described your writing life?

I would say my writing life was pretty busy. I was in a full-time MFA program and my writing life was very school-centric. I was looking for something to break me out of the MFA mindset. Don’t get me wrong, the MFA was a great experience, but I saw graduation looming at the end of May and I knew I needed to shake things up or I was going to have major separation anxiety come summer.

What made you decide to do StoryADay?

I was in the middle of rewriting my thesis for the third time and I needed a break. I also needed something to propel me into life-post-MFA and StoryADay came at just the right time. I wanted to do a project that was outside of school and outside my thesis, to force me to write for myself and not for school (because that’s what post-MFA writing is all about, right?)

What did you expect to achieve? What did you actually achieve? What did you learn during the challenge?

I expected to write a whole story every day. It lasted only a week and then my thesis deadline reared its ugly head and I had to reorganize my priorities. But the great thing I realized in StoryADay is that I didn’t need school deadlines to make me write–I could motivate myself. And that lesson was probably the most valuable thing StoryADay could have taught me. This is why, even though I didn’t come close to winning the challenge, I still see this past May as a success.

How do you make time for writing?

I try not to think about it. If I think too much about writing before I actually start doing it, I tend to psych myself out. Instead I just start writing and before I know it, I’ve got a bunch of words on the page and it’s time to call it a day. Also, I find that writing “out” is much more productive. My little paper notebook doesn’t have all those pesky distractions like email and twitter and blogs. Ooh, and a little trick I’ve learned: I try to end each writing session at a cliff-hanger or in the middle of a sentence so that when I sit down the next time, I can jump right in and keep writing.

Why do you write? What keeps you motivated?

I write because if I don’t, I start missing my characters. Also, I write because I want to know what will happen next. I live for those surprise moments when the characters do something I wasn’t expecting, or those a-ha moments when some pieces of the puzzle finally come together. It’s that constant feeling of discovery that keeps me motivated.

What are your aspirations?

The realist in me has dreams of writing and teaching and being able to make a reasonable living.
The dreamer in me hopes that DIY MFA might someday take the writing world by storm.

Tell us about your DIY MFA project. It sounds fascinating.

DIY MFA stands for Do-It-Yourself MFA. The premise is that while MFAs are great for some writers, they aren’t necessarily feasible for many writers out there. Either because of logistics, or finances, or family/work responsibilities, many writers who want to do an MFA end up not doing one. The idea here is that since I did an MFA, I wanted to share what I learned and help interested writers put together their own individual writing plan. The DIY MFA method consists of 4 branches: Reading, Writing, Community and Critique, which I divided into “classes.” I posted weekly articles on my blog through the month of September, each day of the week representing a different DIY MFA class. Now in October, though the September extrabloganza is done, DIY MFA will continue in a more organic fashion. But never fear, all the DIY MFA posts and classes will still be there so writers who missed the September fun can catch up. For more information on DIY MFA, visit iggi U. We also have a DIY MFA twitter hash tag (#diymfa) and an online community: http://diymfa.spruz.com/

For more information about me and my many projects, check out my blog at: iggiandgabi.blogspot.com

You can also follow me on twitter: @iggiandgabi

Thanks, Gabi!

 

Becoming A “Real” Writer – Interview With Heather Muir

Heather MuirAnother inspiring interview, this time with Heather Muir, a StoryADay alumnus who made it to 31 stories and then went off to Writer’s Camp and is working on her YA novel now.

Heather says she used StoryADay to help her “make the transition from student writer to ‘Real’ writer”. Yay!

Before you started StoryADay how would you have described your writing life?

Very sporadic. Just before StoryADay started, I had graduated with a B.A. in English with a creative writing emphasis. I only wrote for deadlines in class and I occasionally wrote something on my pet project, a fantasy novel I started when I was 16 that has been reincarnated so many times I don’t know what it is anymore. I needed a challenge.

What made you decide to do StoryADay?

A few weeks before StoryADay started, I had been accepted into Orson Scott Card’s Literary Bootcamp that would start at the end of June. I knew I needed to pump up my writing muscles as much as I could before the camp and StoryADay seemed like the answer.

What did you expect to achieve? What did you actually achieve? What did you learn during the challenge?

By the time I had heard about StoryADay, May was only two days away. My goal was to write a story every day as well as come up with the story idea every day. I wanted to test my ability to come up with stories quickly and from anything and everything.

I did write a story every day. I wrote a total of 10,987 words. On a few days my stories were only a few sentences long. Some I look back on and say “What was I thinking?” Only a handful of the stories are worth keeping and working on. One of them has spawned into an idea for a middlegrade book that I am in love with. Another is going to be incorporated into the motivations of the evil queen in a retelling of a fairy tale I want to work on.

What I learned from the challenge was that I could write everyday. It was hard certainly. But it really helped me make the transition from student writer to “real” writer. I no longer had school to fall back on, giving me deadlines. StoryADay was a great way to get that deadline and prove to myself that I was a serious writer.

How do you make time for writing?

Making time for writing is easy when you don’t have a social life and you are a bit of an insomniac. 🙂 I work at a 24-hour pharmacy so I never have a consistent time to write. Usually I try to write in the time before or after work. It’s never more than an hour or two but it is enough to stay consistent.

Why do you write? What keeps you motivated?

I write because I love stories. I was the kid who loved read-a-thons and going to the library. I write because I have to. I have tried to stop. I tried to start pharmacy school, to upgrade from technician to pharmacist but I could not get the story ideas out of my head. They haunt me until I write them down. And I also learned I could never be a pharmacist because I would hate my job. I don’t even want to hate my job. I want to live the dream and create for a living.

As far as motivation, I keep in contact with other writers. I have a writing group. I attend local conferences. I listen to a great podcast, Writing Excuses. I read a lot of books and remember how much those stories mean to me, how they have changed who I am. Now it’s almost unthinkable to not write.

The desire to create is too strong to ignore.

What’s Next?

As I said, I attended OSC’s Literary Bootcamp and returned triumphant. I’m now working on a YA novel about ghosts that I started at the camp. I hope to have a full draft finished in the next 6-8 months (judging by my pace so far). I have two other novel ideas on the back burner (one of them that came from story a day) as my next projects when the current novel is being submitted.

I hope StoryADay continues to be a success. It was very helpful to me though I don’t think I’ll participate again, now that I’m working on larger projects. It is perfect for the writer who lacks the courage to write and needs that support. StoryADay helped me. I hope it helps others.

Thanks Heather!

[And one more thing: I’d love to interview you about your writing, no matter what stage you’re at or whether or not you’ve done one of these creative challenges, so leave me a comment below if you’d be willing to chat.]

Make Time To Write — Because You’ll Never “Find” It.

Time
Time by Robbert van der Steeg

Acres of Internet space have already been devoted to this topic, because it’s a tough one. There are as many solutions as there are people who want to write, so there is always room for one more blog post on the topic.

In this 3-post  series, I’m going to give you some thoughts, some links and some tools, to help inspire you to find time for your writing.

 

TIME FOUND UNDER SOFA CUSHIONS!

There is a reason you never see that headline. Time is never found. Time is made, cadged, scrimped, stolen, begged, borrowed, spent.

There is always something else you could be doing. Always. The trick is, finding ways to make time for the things that really matter to you.

Make Tough Sacrifices

I’m saying this first, to get it over with because it sounds awful, but you will have to make sacrifices if you want to make writing a priority. Some of these sacrifices will be hard.

Today I turned down a walk with a friend, which I know would have been lovely. Sometimes a walk with a friend is the perfect thing to boost your creativity. But for me, this week, it would eat into the only clear time I have to Get Stuff Done. Some of that stuff is mundane, household stuff, but part of that Stuff is Writing & Writing Prep.

No matter how nice that walk would have been,  I had to say ‘no’.  Next week, I’ll budget my time differently to make sure I can say ‘yes’.

Make Easy Sacrifices

Some things will be easy to give up, or at least good for you.

Me? I overeat. When I’m stressed or bored I head for the pantry and strap on the nosebag. It uses up time and leaves me comfortably numb. But if I’m serious about my writing, I resist the nosebag, make light, healthy meals and get back to my notebook. Good for productivity and good for my heart.

An ‘hour long’  TV show is actually 42 minutes of content. The rest is commercials. Why not record your favourite shows or download them from iTunes? Even if you still watch two shows in an evening, you could carve out 36 minutes for writing just by watching it commercial-free and still get to bed at the same time.

What changes could you make, even if occasionally, to create more time for the thing you really love to do?

Accept That You Can Write In Bursts

You don’t need long swathes of time in which to write. In fact, that can be bad for productivity. As someone who has suffered prolonged bouts of enforced inactivity (lack of a work visa, looking after small children) I can tell you that more free time does not make writing easier. You just get more creative with your excuses.

Jamming in 250 words here and there on your commute — a 1000 if you’re lucky on a lunch break — keeps your writing feeling like a treat, not a chore.

Plus, it’s how most full-time writers started. Stephen King wrote after shifts at the laundromat. Scott Turow wrote bits and pieces while working as for the US Attorney’s office. Most ‘literary fiction’ writers have quite demanding schedules teaching at colleges and conferences. Even if they do get to take a semester off to finish a novel, they can hardly wait for inspiration to strike during that one precious semester.

Accept That You Can Write In Big Long Jags

If you do get the chance to write in a big binge on the weekends, go for it. Don’t feel guilty. Some people spend hours watching sports every Sunday. Do what you enjoy; what makes you a better person. Negotiate with family/friends for writing time if you have to, and write as fast as you can for as long as you can, whenever you get the chance.

Separate Your Thinking Time and Your Writing Time

On that note, don’t put off thinking about your story even if you don’t have time to sit down and write. When do get some writing time, you want the ideas to be flowing. You can think about the next plot development while you are doing any menial task (of which we all have plenty).

But do try to focus. It’s hard to stop your mind wandering off to the sequel or what you’ll do with your wealth when people are using your name where they used to use Stephen King’s. Rein it in. Focus on the next scene, the next bit of dialogue, the next plot twist. Make notes if you have to.  Better yet, commit the ideas to memory, then you’ll be turning them over and over until it’s time to write.

Then, when you do carve your 36 minutes out of the evening’s schedule, your fingers will be twitching. You’ll be ready to jump right in.

Scare Yourself Straight

If you find yourself frittering your time away on Facebook or Twitter or in front of the TV when you know you could be writing, take an excellent piece of advice from Jon Scalzi:

“Think of yourself on your deathbed saying, “well, at least I watched a lot of TV.”

Take a moment now. Picture it. Use that fertile imagination of yours.

If you aren’t already sweating, then maybe there is a whole other reason why you can’t and won’t find time to write.

And that’s OK, too. Maybe you’re really a reader, a critic, an enthusiastic conneseur of the narrative form. Join a book group or a film society and have fun with your life. Just stop beating yourself up about not finding time to write.

But if you’re a writer, make time. You’ll never “Find” It.

Am I being glib? Smug? Wrong? Have you found things that work for you? Tell me in the comments.

Writing In The Fast Lane – Interview With AdorablyAlice

As writers we’re curious. About everything. About people, technology, history, our neighbours, everything.

I’m particularly curious about other writers and how they work, what keeps them going, why they do it.

So here’s the first in a series of interviews with writers, starting with writers who took part in the StoryADay challenge last May.

AdorablyAlice was one of our most active writers during the first challenge. In this interview she gives a lot of credit for her writing success to her secret weapon: her friend and mentor: Cid (also a StoryADay veteran). I’d love it if you’d leave a comment below, picking out one thing from this interview that stood out for you: something that sounded sooooo familiar it made you smile, or something you’d like to try in your own writing life.


Before you started StoryADay how would you have described your writing life?

I used to write a lot when I was younger. Sometime after high school, I stopped. It wasn’t until NaNoWriMo 2009 that I began writing again. So between NaNo and StADa, I was still trying to find a balance between work, school, life and writing.

What made you decide to do StoryADay?

Cid. I found out about StADa through her, and because short story is my weakest point, I thought it would be a good challenge. Plus, I thought it would help me get into the habit of writing daily.

What did you expect to achieve? What did you actually achieve? What did you learn during the challenge?

I wanted to write something every day, and I wanted to get stronger at writing short stories. I did write everyday, but I think I’m still weak in writing short stories. I learned about Twitter fiction, which intrigued me, and I actually wrote a few TwitFic pieces.

How do you make time for writing?

This is a good question. And when I have an answer that doesn’t involve neglecting chores/cooking, I’ll let you know.

Why do you write? What keeps you motivated?

I am most productive on #writersdatenight (yes, I have to include the Twitter hashtag). Once a week a group of five writers (including myself) meet at McAllister’s to eat, socialize a little and write. Because the other four ladies have been writing longer than I have, I feel motivated to write a lot when I’m around them. The sound every one typing is motivating. I’ve tried other writing groups, but they’ve been more socializing than writing, so I don’t enjoy them as much. Lately, Cid has been setting goals for me. Write 5K and get a book. Write 5K and have a Glee marathon. It works. She’s awesome.

What are your aspirations?

Well, I’d love to be published and that’ s definitely a long term goal, but more short term…I’d like to finish a story. Well, I’ve finished a few, but I don’t revise. So a good aspiration would be to go back and revise…lol

Do you have a project or website you’d like to tell people about?

Well, there’s Book-Addicts. There are four of us (Cid’s one of them) and we basically review books across all genres, interview authors, have guest blog spots and book giveaways. It’s a pretty awesome place for people who are as addicted to reading as we are. www.book-addicts.com – get your fix!

I also have my personal website, www.adorablyalice.com, I keep up with how I’m doing as a writer, offering the lessons I learn as I delve into the mysterious ways of The Writer.

Thanks, Alice! (And you can read more about Alice’s experiences with her writers’ groups and productivity in this blog post – which features a fun cartoon from my own writing friend and secret mentor, Debbie Ohi.)

[And one more thing: I’d love to interview you about your writing, no matter what stage you’re at or whether or not you’ve done one of these creative challenges, so leave me a comment below if you’d be willing to chat.]

NaNoWriMo or No?

What are your best tips for approaching NaNoWriMo?

I love short stories

I love writing them, reading them, dissecting them.

…but for the past 10 years or so I’ve been tempted by National Novel Writers’ Month: Write a novel in a month.

I’m put off by the time commitment – with two small, demanding kids, a part-time job and a husband i actually like to spend time with – I can’t imagine making time.

But now I have writing friends from Story A Day who are urging me to try it for reals this year. And, for the first time, I don’t have a baby, visitors or crisis hanging over me.

So what are your best strategies for approaching NaNo, all you veterans and pushers?

What do you do before November, during November, when things are going well, when things are going badly? How do you pace your novel? What are the absolute must-do tactics for you? What are the traps and time-sinks?

Please comment below, or write your answer on your own blog and leave a link here. Remember: complete newbie here. Tell me anything, even things you’d forgotten you once didn’t know

What Every Writer Ought To Know About The Writing Life

I’ve been reading Doctor Who: The Writer’s Tale by Russell T. Davies and Benjamin Cook, which is a rollocking, inspiring come-along-with-me look over the shoulder of one of the busiest writers in British TV…Here are some excellent insights for less-experienced writers, pulled from the book:


I’ve been reading Doctor Who: The Writer’s Tale, , which is a rollocking, inspiring come-along-with-me look over the shoulder of the busiest writer in British TV. The book contains correspondence (mostly email) between Davies, the show-runner of the modern Doctor Who series and Cook, a journalist. The emails are written while Davies is in the midst of dreaming up, writing and producing not just one but three concurrent TV shows. It has a breathlessness and reality that you wouldn’t get if you just sat a writer down and said,

“So, how do you write?”

I came away from the book with a sense that successful, highly-paid writers have it no easier than the rest of us, even though we daydream that they do. They still get blocked, they still have to sit down and do the work, and in fact, it might be harder for them because the stakes are higher.

Here are some of my favorite excerpts about writing so far.

On Procrastination and Blocks

I spent all day stuck, not writing, because I couldn’t work out a way for the Doctor to meet Miss Hartigan… I couldn’t work out how to do it, where to do it, when. All day, gone. Pissed off. Then I sat down to write, with no solution and… thought of it! Immediately. Obvious. Simple. If I’d started sooner…Ah, the only way to write is to write. For all my banging on about what to do if you’re really stuck on something, there’s nothing dumber than sitting there writing nothing at all. Stupid bastard job.

(My emphasis.)

Doesn’t it make you feel better to know that someone as apparently prolific and actually successful as Davies still forgets this? I know I do.

Finding The Confidence To Write

I was astounded to run across the following line from this seemingly-somewhat-arrogant writer, written the night before a meeting to lay out a new series’ story ideas with other writers and production staff.

Oh god. I am dreading it. I feel out of my depth.

(Now bear in mind that Davies has been working in TV, very successfully, since the 1980s. He has created and written around 10 original TV productions,before he even got to the mammoth 5-series of Doctor Who and its two spin-offs. )

Most of the correspondence in this book is florid, energetic, conversational. This staccato yelp really leapt out at me. It seemed both true and familiar. Only Davies has a contract and a budget and a huge staff of people relying on him for their employment so he can’t scurry away from his fears and just stop writing.

On why we write (and why it is so hard):

…truth, in writing, is the only important thing. That’s what it’s for. The whole time, every day, all these pages, all my life, means sitting here looking for something – some line, some insight, some microsecond – that makes me think: yes. Yes, that’s true. That’s real. I recognize that. I know it. That’s all I’m after! It might be a truth discovered ten million times before by other people, but that doesn’t matter. If you discover it for yourself, then that makes everything worthwhile. No wonder writing is such hard work! You’re strip mining your own head, every day, searching for this stuff – and then those moments of revelation are like a godsend.

The discovery of a truth like that doesn’t come along often, though every other moment is spent working towards it.

It’s so worth it, when it happens. Oh my word. Gold dust. It feels like vindication.

I think I’m going to tape this one up above my desk.

 

Writers: Daydream Your Way To Success

On Writing

You want to write, and yet you find yourself reading other people’s writing, putting off writing, talking about writing, reading about writing… even writing about writing, but not actually writing.

Why Aren’t You Writing?

Writers have vivid imaginations, but we’re not always good at pointing them in the right direction. Instead of imagining what our characters eat for breakfast (or who they eat it with), we fritter away our creative energy on ourselves, our imaginary future careers and our disproportionate fears:

  • Fear of failure (“What if my writing is no good?”),
  • Fear of other people’s opinions (“What if my non-writer friends think I’m stuck-up? Pretentious? Ridiculous? Selfish?”)
  • Fear of success (“What if I am successful once and people expect me to do it again? What if I can’t? What if I can but it feels too much like work?”)

Daydreaming is what we do, though (Einstein called it ‘thought experiements’. Doesn’t that sound nice?)

So let’s take that skill and use it to propel you into a state where you can’t wait to do some actual, honest-to-goodness writing!

Think about your current project. The one that gives you butterflies in your stomach when you think about it. The ambitious one you really want to start but are stalling over.

What Are Your Goals?

  • Are you writing to prove to yourself that you can finish a piece in this style (a novel, a poem, a play, a short story?).
  • Are you trying to develop your style?
  • Are you trying to make one little girl in her bedroom feel the way you felt the first time you read “A Wrinkle In Time”?
  • Are you trying to win the Newberry Award?

(Hint the latter one is an outcome, not a goal. Shelve it and focus on finding what you love).

What Will Happen If You Succeed?

What will happen? How will you feel? Will you be more or less confident? What will you be able to do next?

Take a moment and be honest with yourself. Grab a pen and write down the answer to those questions. Now look at what you wrote and think about what you didn’t dare write.

For those results, isn’t it worth taking the risk?

Now go! Get writing!

If you’d like some free tools to help you explore these ideas more fully, sign up for the Story A Day Creativity Lab: a low-frequency mailing list containing workbooks and practical exercises to get you closer to your writing goals.

Finding Time To Write – Parents’ Version

Writing and taking care of small children are two not-entirely-compatible aims in my life, how about you?

Take today: I got up early, started to write… The kids started to ask me for things and I started saying, ‘In a minute,” and “hold on” and “Just ‘shhhhh’ a minute, would you?”

I was getting frustrated with them, they were getting frustrated with me, and no-one was getting what they needed.

Something had to give. So I came up with a technique that has been working out really well…

So it’s the summer holidays here in the US and that means fun with the kiddies for we stay-at-home parents.

Some days I just watch ’em play in the dirt…

Which is all great, of course, but sometimes you still want (NEED!) to get some writing done. It can be incredibly frustrating to try to write and take care of a family, especially if you have small children at home with you all day. But it can be done.

I know some people can get up early or stay up extra late, or write while their spouse watches sports. That’s not me. Or if it is, everyone else wakes up early too!

Take today: I got up early, started to write, got all inspired and came up with tons of great ideas. The kids got up and started to ask me for things and I started saying, ‘In a minute,” and “hold on” and worst of all “Just ‘shhhhh’ a minute, would you?”

Oh, the guilt. I was getting frustrated with them, they were getting frustrated with me, and no-one was happy.

Something had to give. So I came up with a method, that has been working out well.

Getting Stuff Done With Little Kids In The House

My sons are 5 and 7 so they can’t be left alone (or together) for too long. They can, however, be set up on different floors of the house (or different rooms if you don’t have floors) with whatever toy/activity has captured their attention recently.

Today, for us, that means the eldest has a project making his own versions of Pokemon cards, while the 5 year-old makes a massive messHot Wheels track in the basement.

They both inevitably needed help, sometimes at the same time, (leading to more ‘just a minute’s and frustration). Finally I struck a deal with them.

I took the time-out clock (a kitchen timer) and set it for 10 minutes. They agreed to leave me alone until the timer rang so that I could get some writing done. When the timer rings, I go and check on each of them and ask if I can help or see what they have been doing.

I get what I want (writing time) and they get what they want (an attentive, engaged parent).

Then, depending on how things are going, I negotiate another 10 minutes.

KEYS TO MAKING THIS WORK

-Pick a time of day when the kids’ energy levels are right (that might be ‘high’ or ‘low’ depending on their personalities. When you know they can concentrate on their favorite activity for a while, pounce!

-Work to an outline. I’m not sure that trying to do any brainstorming or really creative work could happen in 10 minute bursts, but writing a paragraph or two of a piece that I had already outlined worked brilliantly.

-Stretch the sessions to more than 10 minutes if it is safe or makes sense or if you find the kids can handle it.

-Sit where you can hear them (I’m in the dining room, and they are in rooms with doors open, where I can hear frustrated whining winding up or, worse, suspicious silences)

-Be willing to stop after two or three sessions. You can’t push this too far. Try to remember that they’ll be out of your hair entirely one day (if you do your job right) and that even these long summer days will be over sooner than you expect. Take some time to enjoy the kids — secure in the knowledge that at least you got a few things accomplished today.

Story A Day May 2010 In Review

Sick of starting and never finishing writing projects, in April 2010 I announced that I was challenging myself to write a story a day in May.

“Write a story a day. Finish them.” Those were the only rules.

Born of A Hunger To Write

Word spread around the writing blogs and the Twitter hash tag #storyaday was born. Within 3 days about 80 people had signed up to join in, and many more joined throughout the month. At last count (not counting spam bots) the active membership was in the hundreds.

Some people decided to write on weekdays only, some declared they would sketch a story idea every day, some weren’t sure what they could manage anything, but just the idea of committing to this hare-brained scheme with a bunch of other writers had got them so excited they couldn’t resist.

The enthusiasm for the project amazed me. It spoke of a hunger to write, no, a hunger for permission to write that I never dreamed was so widespread.

We gathered our story ideas and fragments and waited for the “off”.

Who Were The Writers?

The writers came from all walks of life and all over the world:

  • The youngest participant was a seven-year old home-schooled girl from Texas.
  • One of our writers from nearer the other end of life’s journey lives in New Zealand. Every day she had written and posted her story long before the US participants woke up.
  • We had participants from the US, Canada, Singapore, the UK, New Zealand and Australia.

What Did They Achieve?

While several of the writers did write 31 stories in as many days, many others declared victory on their own terms.

Some were simply thrilled to be writing actual stories again after years of putting it off.

BBC Writers' Room Screenshot
Honourable Mention from the BBC

Some were active novelists who found that writing stories every day jumpstarted their creativity and allowed them to try new voices and approaches, freshening up their prose.

Some have already had external success with their Story A Day stories: Matt Zandstra’s Story A Day idea turned into a radio play that was chosen as a runner-up in a contest at the BBC’s Writer’s Room — judged by a working BBC drama writer.

Me? I got to write (almost) every day, finish most of the stories and, in the process remember how to make a short story hang together.

But most of all, I got a huge creative boost from writing, reading and sharing stories with a bunch of other writers who understand the urge to write in a way that ‘normals’ in our lives, no matter how loving, really can. I found friends. I found my tribe.

What’s Next?

Please come back to the site between June 11-14, when we’ll be highlighting some of the best stories to come out of this, the first StoryFest.

Then, sign up for the mailing list, so we can send you details about next year’s challenge.

Whether as a writer or a reader, we’d love to have you as part of the family.

Lessons Learned After Writing A Story A Day

When I said I was going to write a Story A Day in May, plenty of people looked at me with *that look* in their eyes, or said thinks like,
‘Well, good luck…”.[1. I expect if you’ve ever taken on any kind of creative assignment (not directly related to a paycheck) you know what I mean by *that look*.]

“Why?” was the most common question. Good question. If we’re not writing for money, then why do we write?

“How ?” was the second most common question.

I wasn’t 100% sure about the answer to either. After a month of attempting to write a story a day I do have some answers.

How To Be A Prolific Writer – Even When You Don’t Have Time

I’m not going to lie and say it was easy to find time for writing this month. In fact, I almost never ‘found’ time. I ‘made’ time.

Making time means something else had to give. Sometimes it was housework, but more often it was the relatively random consuming of information that I do. The BBC news website might have been minus a few thousand hits this month, my personal blog was updated less. The grocery shopping got more, er, targeted.

But the biggest lesson I learned about the “How” was this:

How To Write Anything

  1. Start writing.
  2. Write until it is finished.

It is one of those annoying pieces of advice that mean almost nothing until you try it.

Sitting down to write can be paralyzing. It is so much easier to get up and walk away — tell yourself you don’t have time — than it is to start writing.

I had to, so I used story prompts, memories, jokes, other people’s stories, to get me started. I put my pen on the page (quite literally) and told myself to write a sentence. Anything. One day I started by simply describing where I was sitting. It turned into a story about a homicide detective!

So, the answer to ‘how to write’ becomes quite simply:

Commit to doing it. Make time. Start writing.

(I did learn a bunch of other trick for helping with that, which I’ll be writing about soon.)

Why Write?

Once I had started figuring out the ‘how’ I was amazed to discover a n amazing set of benefits in the ‘why’ column – some that I had not expected.

I found that, if I sat down and got a story started in the morning,

  • It energized me. I was more (not less) likely to take care of the laundry, the dishes, the 1001 other mundane things that we usually blame for getting in the way of our writing.
  • I became more responsible and attentive to all my obligations, from family to my business.
  • My brain was less fuzzy. I spent less time worrying about all the things I ought to be doing, and, instead, started crossing things off the list, prioritizing better than ever, in order to get back to my writing (to make time for it).
  • I paid attention to the world around me. I was doing that thing people talk about as ‘living mindfully’. I was doing it in order to gather ideas and snippets for stories, but no matter why you do it, mindfulness is acknowledged by religions, psychologists and hippies, to be A Good Thing.
  • I found I had more time to give to people, because I wasn’t constantly feeling like I ought to be doing something, or resenting the time they were taking from things I really wanted to do. I had made time for myself and my thing, and now I could take an interest in you and yours.
  • I even wrote my way out of a really foul temper one day, just by letting my characters do and say things I never would, in real life, being all well-brung up and all that.

So the sort answer to ‘why do you write?’ is just this:

It makes me a better, happier person.

As an added bonus, posting some of my stories, made some readers happy. Granted,a lot oft hem were related to me, but some were complete strangers.

If you have ever thought about doing one of those creative challenges like NaNoWriMo, or The Artist’s Way or any other challenge, I highly encourage you to commit to doing it. What you gain will be so much more than you sacrifice. What you learn will be so much different from what you expect.

Meanwhile, why not subscribe to the StoryADay.org mailing list, so that you’ll be among the first to know when we’re gearing up to do this all again next May?

Story A Day Festival

We have all worked so hard, don’t you think it’s fair that we get to show off a little; celebrate?

Announcing:

The Story A Day Story Fest, June 11-14, 2010: An Online Celebration of the First Annual Story A Day Challenge

What Is It?

From June 11-13 the front page of this site will change to the StoryFest Page.

The StoryFest page will contain blurbs about and links to each author’s favorite story (or collection of stories if you’re writing super-short stories)

Readers can come by on their coffee breaks, browse the best of our work, leave comments, tell their friends.

What Do You Do?

  • First, sign up for the mailing list so that I can contact you.
  • Next, pick your favorite of your Story A Day stories  that you wrote. If you need to, spend a few days polishing them up. Pick one, if it’s a long or multi-part story. Pick a couple if they are short. Pick ten if you’re Simon 😉
  • Write a short blurb about you/your stories/the challenge (about 50-75 words).
  • Optional extra: pick your favorite one or two stories by other people to recommend to readers.
  • Send me the blurb (@admin) and the links to your stories and your ‘recommended reading’ stories by June 9. I will put them on the StoryFest page for readers to find.
  • On June 10, start tweeting and blogging and Facebooking (sorry) and telling all your friends and family to stop by. (I will provide some sample messages, in case you’re uncomfortable with self-promotion, but you should feel free to write whatever you like.
  • During StoryFest be sure to share your recommendations for stories you’ve enjoyed by other StADa writers.
  • On June 14, send another reminder to people that time is running out, to access the StoryFest page, and discover all the wonderful new writers that you’ve been reading and enjoying throughout May.
  • Sit back and bask in the feedback.

I’m planning on creating a StoryADay StoryFest graphic that you can hang on your StoryFest stories, no matter where you posted them (here or your personal blog)

What Can Readers Do?

Readers can stop by any time between June 11 and June 14.

They will find the front page all decked out for StoryFest and featuring links to your favorite stories.

They can read, comment and, I hope, recommend stories to their reading friends.

What’s The Point?

It’s a celebration! Writing a story a day was hard, wasn’t it?

This is our chance to show off. This is our recital. (Tutus strictly optional).

It’s also a chance for readers and writers to connect. Readers are always looking to find great new writers and interesting stories. Writers want to be found.

I’ve been thrilled by the quality and diversity of the stories I’ve read here, and I want to share that with other readers.

Why So Short?

Making the StoryFest an event with a limited timeline gives readers a good reason to come NOW, not just think ‘that’s cool, I’ll stop by later maybe’ and then forget about us. Instead, we’re creating scarcity and a deadline. It’s basic sales psychology, and it works!

None of the Story A Day blogs will disappear (unless you delete them), so readers can still find your stuff for as long as you want them to.

The StoryFest is just a big promotional/celebratory party, and we all know that at some point, every party has to wrap up and someone has to turn out the lights.

Luckily there won’t be any dishes to wash after this one.

 

So remember, please SIGN UP FOR THE MAILING LIST so that I can contact you with more details about StoryFest and, after that, the plans for the Second Annual Story A Day May!

Daily Prompt – May 28: The Storm

Daily Prompt Logo I’m sitting here enjoying a raging thunderstorm. The sun is sinking pinkly under the edge of the storm and the ragged flashes and sheets of lightning are so much more thrilling than any season finale on TV. The thunder sounds like kettledrums.

And so, to the prompt:

Write a story featuring a storm

It can be figurative or literal, but it must be stormy!

Go!

It’s Almost Over. What Now?

Hey everyone,

We’re drawing to the end, and I know everyone is racing to complete their stories and write their “What I Learned During Story A Day May” (I kid), but I wanted to get your thoughts on what come next.

I have some thoughts (not least of which is getting you all to sign up to a mailing list so I can email you in April next year and do this all over again), but I’d really love to hear what you would like to happen next.

Thanks a million for making my hare-brained scheme such a success and soooo much fun. I couldn’t have done it alone!
Julie

Daily Prompt – May 22: Hobbies

Write A Story That Features A Hobby/Activity You Have Tried

Write A Story That Features A Hobby/Activity You Have Tried

The only rule in today’s prompt is that the hobby may not be “writing”.

I have my own special reasons for this — namely: that, as an adult, I cringe every time I see a book where the main character is any type of writer. It seems to betray a lack of imagination. (Of course I’ll make an exception when re-reading books by LM Alcott or LM Montgomery or some other beloved writers whose initials are not “LM”, but for today the rule stands).

The hobby does not have to be anything you have done recently or frequently. It could be basket-weaving or finger-painting. But it should be something of which you have real-world experience and so can describe in minute detail if you need to.

Go!

10 Days To Go

OK, so ten days to go and we’re all at various stages of “success” and we’re all still turning up.

It’s getting harder though, isn’t it? …

(Wow, it seems like no time at all I was posting that headline in my promo efforts for the yet-to-born Story A Day challenge!)

OK, so ten days to go and we’re all at various stages of “success” and we’re all still turning up.

It’s getting harder though, isn’t it? Finding a whole new story every day drains the well pretty quickly. We need to work on staying encouraged, finding new ideas, new angles, and remembering what inspires us to write.

@CidWrites wrote this really helpful self-pep-talk that I certainly benefitted from reading (so thanks, Cid)
(and then she went on to write a really fun and intriguing story that day)

@AdorablyAlice wrote a great blog post on writing during slumps, that I’m sure you’ll find something of use in.

@dorlamoorehouse has an upbeat, celebratory post here that makes me grin and think: I want some of that!

Don’t forget these posts from the Story A Day Blog archives:

Finding Ideas For Stories

Finding Time (and Ways) To Write

StADa participants’ Feedback After Week 1

and the Resources page which includes links to sources of Inspiration, Prompts, Productivity Tools and Tips from Great Writers.

If it helps, why not take a few minutes to read other people’s stories right here at Story A Day. OK, you might get intimidated, but on the other hand, you might just get inspired.

Onward!

Daily Prompt – May 21: Rewrite In The Style Of…Pt III

Today, rewrite a story you have written before, but this time as a dramatic monologue.
Taking a look at the story from another angle is a challenge in itself. Then add the challenge of making the dialogue seem real and you can really have fun with this…

Daily Prompt LogoThis is the thirdin a series of prompts that will encourage you to choose a story to write several different ways. You could choose a fairy story or a tale you’ve already told right here during Story A Day May. Each day I’ll give you a style to write in. You can reuse the same character, plot, timing, whatever works as you import your story into the new style. Feel free to ditch characters, change their names, switch out the endings, whatever makes sense.

Today, rewrite a story you have written before, but this time as a dramatic monologue.

Taking a look at the story from another angle is a challenge in itself. Then add the challenge of making the dialogue seem real and you can really have fun with this.

(NB, the character who is ‘monologuing’, to borrow a phrase, doesn’t have to be the original story’s hero. It could be someone who was walking by and saw the action; a minor character in the action; anyone really).
Go!

(PS Did I mention? Day TWENTY! And you’re still here? Awesome, dude!)