[Writing Prompt] – Twitter Fiction

Day three and it’s a holiday in the US, my kids go back to school tomorrow and frankly, I think we all deserve an easy day today so…

The Prompt

Write a Twitter length story. 140 characters. That’s it.

(But watch out. It’ll take longer than you think to come up with a real story and then trim it down to 140 characters. Get some inspiration here.)

Go!

 

And when you have written your story, log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] Wanted

You’re back for the second day for writing! Good for you! I’m proud of you.

The Prompt

Today, pick a character (maybe someone from your past, maybe someone you’ve been imagining for years, maybe someone you’ve written about before).

Give that character something to want. It can be as simple as wanting a place to sit down, or as grand as wanting to save the world.

Show us how much they want it, somewhere near the beginning of the story. Make it their guiding principle for every action they take, every word they say throughout the story. See how it shapes everything, and how it frees you from having to explain why they are doing what they are doing, all the time? Nice, eh?

Near the end of the story you’re going to have to decide whether we see your character get what they want, be thwarted, or limp off into the sunset still seeking after it. Show us that scene.

Go!

 

And when you have written your story log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Writing Prompt] – Saturday Morning

Welcome to StoryADay September 2012!! You’ve signed up. I’m so proud of you!

Well, while you are welcome to write whatever the heck you want today, here’s a prompt to help you out in the unlikely event that you can’t even come up with one idea 😉

The Prompt

Write a story set on a Saturday morning in the era during which you were a kid. It doesn’t have to be you (or a kid) in the story, but make your story capture the feel, the colors, the sounds of the time.

Don’t forget to make it a story though: something has to happen, someone has to change; we must see a beginning, a middle and an end.

Go!

And when you have written your story log in and post your success in The Victory Dance group or simply comment on this post and let the congrats come flying in.

[Write on Wednesday] – Mnemosyne Remembered

Hollywood is all about the ‘reboot’ these days: taking familiar characters from fairy tales and comics and even TV series, and telling their stories again, in a new way.

It seemed only appropriate to ask you to write a story that features Mnemosyne, Greek titan, mother of the nine muses, and the figure responsible for the telling of all the tales (and committing them to memory) before writing was invented.

Mnemosyne by Dante Gabriel Rossetti

“Of the female Titanes they say that Mnemosyne discovered the uses of the power of reason, and that she gave a designation to every object about us by means of the names which we use to express whatever we would and to hold conversation one with another; though there are those who attribute these discoveries to Hermes. And to this goddess is also attributed the power to call things to memory and to remembrance (mneme) which men possess, and it is this power which gave her the name she received.”

-Diodorus Siculus, Library of History 5. 67. 3 (trans. Oldfather) (Greek historian C1st B.C.) source

 

The story also goes that Mnemosyne was the daughter of Gaia (Earth) and Ouranos (Sky). It also says that Zeus spent nine consecutive nights with her and nine months later the nine muses were born. Later still, she watched over a pool in the underworld that was named for her. When people arrived in the underworld they would first drink from the waters of the Lethe (Forgetfulness) to forget all that had come before and then drink from the waters of Mnemosyne (Memory) so that he could remember what was to come.

The Prompt

Write a story in which one of your character shares some traits or life experiences with Mnemosyne.

Tips

  • Perhaps she IS Mnemosyne in a modern, futuristic or fantasy setting
  • Perhaps she only has one of Mnemosyne’s gifts: maybe she works for companies as a ‘namer’ of new products. What power does that give her? What does it cost her?
  • Perhaps she has a fast and furious romance with epic consequences.
  • Perhaps your Mnemosyne works as an counsellor for new immigrants to Mars, or elderly people, newly-arrived at a nursing home.

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Mnemosyne, Remembered  #WriteOnWed #storyaday http://wp.me/p1PnSG-Dc

This week’s #WriteOnWed short story prompt is all about the mother of the muses #storyaday http://wp.me/p1PnSG-Dc

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-Dc

See my story – and write your own, today: Mnemosyne Remembered #WriteOnWed #storyaday http://wp.me/p1PnSG-Dc

 

[Write On Wednesday] Subtle Signs

Over at Wikipedia, today’s Picture of the Day is At Breakfast by the Danish artist L. A. Ring.

Apart from being quite beautiful, the picture is a study in subtlety. According to the accompanying text, the artist is supposed to have surrounded his model (his wife) with subtle signs of his affection for her.

The Prompt

Write a story in which the objects surrounding your characters reflect how they feel about each other.

Tips

  • Your characters don’t have to love each other. They might be enemies with jagged, broken window in the background of your scene.
  • Don’t overload your story with details like this, but pay attention to the surroundings and include one or two clues.
  • Or, alternatively, you can go crazy with this. Be silly. It’s just an exercise!

The Rules:

1. You should use the prompt in your story (however obliquely you use the ‘want’, it should be there in the character and all their reactions).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Subtle Signs  #WriteOnWed #storyaday http://wp.me/p1PnSG-CW

This week’s #WriteOnWed short story prompt is all about subtle signs in the background #storyaday http://wp.me/p1PnSG-CW

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-CW

See my story – and write your own, today: Subtle Signs #WriteOnWed #storyaday http://wp.me/p1PnSG-CW

[Write On Wednesday] – What A Girl Wants

I used to get hung up on The Big Idea: having something to say; writing a story that was somehow meaningful.

It wasn’t until I tried to write a story a day for the first time, back in 2010, that I realized: the idea doesn’t come first.

The idea (the theme) often doesn’t come until the end of the story when you suddenly realize what it is your characters have been yapping on about for the past few pages.

The character — what the character wants, what the character doesn’t have, and why — are where the story happens.

The Prompt

danglies
"Danglies" by Keera Russell
  • Today, come up with a character (could be based on someone you know).
  • Think of one thing the character really wants and doesn’t have. (It doesn’t have to be a life-changing thing. It could be a pair of diamond earrings.)
  • Make this ‘want’ the central motif of the story.  I think you can learn a lot about a person by how they deal with what they don’t have.
  • Tell the story of a moment, a day, an incident in the life of this character.

The Rules:

1. You should use the prompt in your story (however obliquely you use the ‘want’, it should be there in the character and all their reactions).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: What A Girl Wants  #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

This week’s #WriteOnWed short story prompt is all about what your character wants #storyaday http://wp.me/p1PnSG-zy

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

See my story – and write your own, today: What Your Character Wants #WriteOnWed #storyaday http://wp.me/p1PnSG-zy

[Write On Wednesday] Storytelling in Real Time

This week’s prompt revolves around taking a very short span of time (impossibly short) and stretching it out over the length of a complete short story.

Quick question before I get onto the prompt. We’re having a discussion on the Advance List about the possibility of doing a bonus StoryADay in September. I’d love it if you could share your level of interest in this poll

[poll id=”2″]

Thanks! Now, on with the prompt!

This week I read a great new novel called Billy Lynn’s Long Halftime Walk by Ben Fountain. One of the many remarkable things about this novel is that almost all the events in the novel happen on one afternoon.

I heard the author talking about this. It was a deliberate decision on his part, a challenge to himself to see if he could (with very few exceptions) avoid flashbacks or set-pieces that happened out of the timeline of the book’s one day. He also didn’t want a mystery or huge amount of suspense to pull readers onward. I was so intrigued that I had to get hold of a copy and see how he pulled it off.

Of course, he did it by Continue reading “[Write On Wednesday] Storytelling in Real Time”

[Write On Wednesday] Portrait of the Artist

Writers are inspired by many things, not least of all: other writers and artists.

This week I saw a blurb for a new book called “How Georgia Became O’Keefe“. [1. Isn’t that a great title?]

And it immediately suggested this week’s prompt:

Becoming “X”

(where “X” stands for an artist or author)

The Prompt

Write a story featuring an author you admire (or hate) and how they became an artist, or how a moment in their life sparked their definitive work (this can be completely made up. No need to do any research. Just use your imagination.

Other options:

  • Create a fictional encounter between the author and your main character
  • Write a fictionalized “autobiography” or diary entry by the author,
  • Go the “Possession” route and have your characters researching the artistic development of a writer and having their own adventure along the way.

The Rules:

1. You should use the prompt in your story (however tenuous the connection).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Portrait of the Artist  #WriteOnWed #storyaday http://wp.me/p1PnSG-yu

This week’s #WriteOnWed short story prompt is a chance to ‘meet’ your fave author #storyaday http://wp.me/p1PnSG-yu

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-yu

See my story – and write your own, today: Portrait of the Artist  #WriteOnWed #storyaday http://wp.me/p1PnSG-yu

[Write on Wednesday] Why Would You Say That?!

Communication

It happens all the time:

  • You say one thing, your boss hears another.
  • Your kid’s teacher tells him to finish an assignment by Friday, he tell you Monday.
  • He says he’s busy, she hears “I don’t love you anymore”.

Miscommunication is part of life. It can lead to hilarity or it can be tragic. Crises can be averted, or opportunities can be missed. A story based on miscommunication can be frustrating or poignant.

The Prompt

Write a story where two characters misunderstand each other.

Tip

  • Try to make the miscommunication something that couldn’t easily be solved if the characters simply ‘fess up and talk like adults. Keep them apart, have someone interfere, find another way to make the miscommunication believable.
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

1. You should use the prompt in your story (however tenuous the connection).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: miscommunication  #WriteOnWed #storyaday http://wp.me/p1PnSG-ym

This week’s #WriteOnWed short story prompt is all about miscommunication #storyaday http://wp.me/p1PnSG-ym

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-ym

See my story – and write your own, today: Why Would You Say That?  #WriteOnWed #storyaday http://wp.me/p1PnSG-ym

[Write On Wednesday] Changing Seasons

Sprinkler

I don’t know about you, but where I live, the season has definitely changed.

A month or so ago, the weather was changeable, spring-like and hanging on to the old season. Now we are fully into the next season: hot, humid, and surrounded by school-free kids running wild through the backyards.

The Prompt

Set a story on a day when your character notices the season has changed.

Include details in your story that let the reader know how this new season expresses itself in your character’s setting. (And, if you’re writing something futuristic, on a space station, it can be the turning of a new season without any reference to weather at all. Humans have a way of dividing up time and marking it off on the calendar.)

Use the change of season to echo some significant change in your character. Be as subtle or obvious as you please.

Tips

• Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

1. You should use the prompt in your story (however tenuous the connection).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Changing Seasons  #WriteOnWed #storyaday http://wp.me/p1PnSG-yh

This week’s #WriteOnWed short story prompt is all about change #storyaday http://wp.me/p1PnSG-yh

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-yh

See my story – and write your own, today: Changing Seasons at #WriteOnWed #storyaday http://wp.me/p1PnSG-yh

[Write On Wednesday] Passages

Just a number

Today is my birthday!

It’s a big one too: one of those round numbers that everyone finds so significant. The big four-oh.

When I saw it coming I decided to emulate a friend of mine and and throw myself a party. Another friend is running away to a secluded beach when her time comes next month.

 

We humans love to mark our lives with milestones like this: New Year, birthday, anniversaries, this-time-last-year-s. The milestones can be happy or sad, full of surprise or deeply disappointing.

The Prompt

Write a story in which a character reaches, anticipates or reminisces about a milestone. 

How does she react? Is it as meaningful as everyone said it would be? Does he run towards it or shy away from it? Does it change anything?

 

Go!

 

The Rules:

1. You should use the prompt in your story (however tenuous the connection).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story about milestones!  #WriteOnWed #storyaday http://wp.me/p1PnSG-ya

This week’s #WriteOnWed short story prompt is all about milestones! #storyaday http://wp.me/p1PnSG-ya

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-ya

See my story – and write your own, today: Passages at #WriteOnWed #storyaday http://wp.me/p1PnSG-ya

[Prompt] Picaresque

I first came across the term “picaresque” when I was about 13 and assigned “Catcher In the Rye” to read for school.

It meant, I learned, a story about a journey: literal or figurative, or ideally both.

Today I’m traveling to New York for Book Expo America 2012 and while I’m taking a literal journey, your assignment is to

Write A Story In Which Your Hero Takes A Literal And Figurative Journey

Go!

20120606-082116.jpg

[Prompt] May 31 – Best Friends and Endings

Today is the last day of StoryADay!.

I don’t know about you but I’ve had a blast – not just writing but meeting up with old friends and making new ones. And now the challenge is ending. So I decided to make the prompt celebrate both those things:

Write a Story Featuring Your Best Friend

and

Give It A Kick-Ass Ending

This can be a fictional version of your real life best friend, or it can be a story about best friends, but make us love the hero as much as you love your very best friend ever.

Put problems in her way, kick him when he’s down, then let him rise up towards a kick-ass, crowd-cheering, fist-pumping ending. Make us care and make us cheer. Imagine the best, funniest, more heart-warming, most satisfying ending you would want for your real-life bestie, and let your character live out the dream.

Go!

(But don’t forget to come back and for StoryFest,  to read a whole bunch of StoryADay short stories. Bring your friends!)

[Prompt] May 30 – The Climax

We’re almost there…but not quite. You might call this The Climax: that moment right before the resolution. So today’s prompt really has to be:

Focus on writing a great climax

The climax is the action the protagonist chooses to take after facing the moment of crisis, where he or she is pushed to the edge with no way out.
–Candace Kearns Read

(If you need to ‘cheat’ and take a previously-written character or plot for this one, that’s fine. If that helps you move through the early parts of the story quickly enough to focus all your energy on writing a great climax.)

This is a great moment to show that thing I’m always banging on about: the journey of the character. How has she changed since the beginning of the story? Or how have we?

Remember, the climax is not the resolution (that comes tomorrow, sob!). The climax is action packed (even if the action is internal, or is, in fact, inaction). No wishy-washy stuff here. This is the moment to let your characters shine.

Go!

[Prompt] May 29 – Make Your Hero Heroic

Congratulations. You’ve been writing stories all month. You’ve written more short stories this month than most writers write in a decade [1. This is not a scientific fact. But doesn’t it seem likely, doesn’t it, what with the elves slacking off?].

My guess is you’re getting pretty good at this by now. Sure some of your stories will be ragged urchins hanging around the door making you feel guilty — with their unfinished clothes and dirty faces. Some will remind you of those relatives you never talk about because…well. But some, oh, some will be your new best friend, shiny and guaranteed to make you feel a flutter inside every time you think of them: grateful they are here, amazed they came to you, flattered that their attractiveness somehow rubs off on you now.

And more than this, you have learned a ton about your own strengths and abilities; your favorite styles; the things you never tried before; the ways you can present a character; and, hopefully, that other people love your stories even in their rough-and-ready StoryADay form.

If you’re still writing at this stage, you’ve already figured out how to not be scared of writing, how to sit down every day and do it, and you’re pretty confident that you can squeeze out three more stories and bask in the warm June glow of victory.

So I’d like you to make things just a little harder for yourself today.

Don’t just write a story.

Write a story with a real, compelling, heroic main character.

Take some time to think about how you will present your main character.

  • Is she more compelling than anyone you meet on an average day? Is she funnier? Weaker? Stronger? More scared? Required to be braver?
  • How will you highlight his strengths and weaknesses? Through inner-monologue? Other people’s reactions to him? Other people’s conversations about him?
  • How will you put your main character through the mill? What flaws will that reveal,  and how will you make the readers still your hero?

Give the world a new hero today.

Go!

[Prompt] May 18 – Description

Today we are going to focus on description.

Yesterday’s dialogue-heavy prompt probably resulted in very little descriptive language (unless your characters were poets). Today we’re going to remedy that.

Write a story where you concentrate on descriptive language.

Pick a tone and try to stay with it throughout the story (rich, natural metaphors lathered on, Tolkein-style; sardonic observations from your main character; floral imagery, the soundscape or ‘smellscape’ of the world your characters are walking through…). Or perhaps you’ll identify which of your characters’ perspectives we are in by giving your descriptive writing a different tone for each character.

Make us feel, smell, hear, see, touch and taste your world today. But don’t forget to make it a story (beginning, middle, end, action, moving the characters forward).

If you need a little inspiration, read this letter written by an aspiring screenwriter (he got the job).

Go!

[Prompt] May 27 – Dialogue

Today it’s time to work on our dialogue.

Write a story that focuses on writing realistic dialogue

I’m a fan of the podcast Writing Excuses hosted by 3-4 working science fiction/fantasy/speculative fiction/comic authors and occasional guests. Even if you don’t write in these forms, don’t let that put you off. It’s 15 minutes long and almost always inspiring.

The reason I mention this is because of their episode with guest Jon Scalzi who gave an excellent, and kind of hilarious theory of why dialogue often comes out sounding less than realistic. I recommend you listen here, but the embarrassingly-accurate gist is that writers spend a lot of time reading. That means that when it comes time to write dialogue we have a tendency to write it as if we are, well, writing it. We don’t tend to write how people really talk, with all the interjections, interruptions and selfishness of people in everyday conversation.

So lets try to capture some of that in our stories today. Let’s write how people really talk and not how we wish they would.

Go!

[Prompt] May 26 – Dramatic Monologue

Aren’t there times when you wish you could just say your piece without anyone interrupting you? Well, today’s the day — for your protagonist, at least.

Write A Dramatic Monologue

Have your protagonist tell their story out loud, in a self-aware way. Make it clear that they know they have an audience – whether or not you spell out why. (Perhaps they’re telling their story to the first police officer on the scene, perhaps they’re talking to a grown-up grandchild, or recording their story for StoryCorp’s National Archives project). You can have them refer to the reason, or simply ramble on.

Make it clear that this is their story and that no-one is going to interrupt, then let them go.

  • Will your protagonist be scrupulously honest, or portray herself in a good light, her enemies in a bad light? Will that be subtle or blindingly obvious?
  • Will your hero use humor? What emotions will he betray?
  • Does the language your character use tell us something about their personality, their upbringing, their age?

Go!

[Prompt] May 25 – Shifting Perspectives

Today’s prompt is a little different. It’s going to show you just how much difference Point of View can made.

Rewrite A Story From A Different Perspective

Take a story that you have written (either this month or at some other point) and rewrite it from a different point of view. If it was third person, limited, try making it first person, or third person omniscient. What new avenues of empathy does that open up for you? What new language can you use (see this article for useful examples).

You can choose to rewrite someone else’s story for this exercise (as long as you promise not to try to get it published and get yourself — and me — for breach of copyright for producing unauthorized derivative works) but it’s better to try this with one of your own. I’m not actually terribly worried about us getting sued. It’s just that rewriting one of your own will show you just how much the same story, written from a different point of view, changes even when written by the same person.

I strongly suggest choosing a story you are already happy with, for this exercise. If you already love the story, you’re much more likely to enjoy playing with it from a different point of view. Or you might hate doing it, but remember: you’re not deleting anything. You’re just doing an exercise.

Go!

[Prompt] May 24 – Epistolary

Not quite a POV today, but still playing with character and point of view, today’s prompt is a secret love of mine:

Write an Epistolary Story

I’ve always loved stories played out through letters  – though now you can tell these stories in emails, phone texts, even Facebook updates and Tweets if you want to update the form. (Here’s an example from the very first StoryADay May, written by Amanda Makepeace).

You can write this as a series of exchanges between two or more people, or as letters, diary entries, or text messages from a single person (as in Amanda’s story).

  • What if you discovered a cache of letters in the attic of a house you just bought. What would be in the one-sided conversation?What would be missing?
  • What if you were a 13 year old who has finally got  on to Facebook?
  • What if you were an increasingly-enraged citizen writing letters to the editor of your small-town newspaper?
  • What if you were caught in a flame war in an online forum and all we, the reader, get to see is what goes on the screen?

Go!

[Prompt] May 23 – Third Person, Omniscient

Continuing this week’s theme of POV prompts, here is today’s prompt:

Write a story from the Third Person, Omniscient perspective

This is the perspective you know from all the classics (Dickens springs to mind): the author can say anything, pop inside any (or all) character’s heads, travel backwards and forwards in time, insert herself and her own commentary onto the page…

Have some fun with this. Take an episode and tell it from one character’s perspective, then leap into another character’s head and give their read on the situation. Try out your authorial prerogatives and make a comment about what’s going on (think of that moment when a TV character turns to the camera and talks directly to us, the audience).

This can get quite complicated (which is why it works so well for novels) but give it a bash and see what you come up with.

Go!

 

[Prompt] – May 22 – Third Person Limited

This week’s prompts are all about point of view and narrative voice.

Write a story from the third person limited POV.

“Third Person, Limited” means that, unlike yesterday, your narrator never says “I did this”, rather you talk about “he went to the door”, “He opened it.”

The ‘Limited” part means that all the judgements and assumptions, all internal thoughts are limited to those of the character through whom you are telling the story. No popping out of Dave’s head to jump across the room and tell us what Mandy is thinking as she looks at him. The only thing we’re privy to is what Dave thinks Mandy might be thinking about him.

Within this framework you can still play with the form: your limited persona can be like Nick Carraway, reporting on Jay Gatsby’s life, rather than telling us about his own adventures. You can give your limited persona the ride of her life through a whitewater canyon and let us see it all from her perspective.

Third person limited is great for short stories, because it lets us – the readers – identify with one character, and ground the story somewhere. You don’t have much space in a short story and the last thing you want is to confuse your readers (unless, of course, the whole point of your story is to confuse your readers!). Letting them get to know a character by showing their reactions to events, puts you half way to rooting for (or against) the protagonist.

Go!

 

[Prompt] May 21 – 1st Person

This week’s prompts are all going to focus on Point Of View.

 

It’s easy to get stuck in a rut, writing in third-person, or first person, or inside or outside your character’s heads. So this week we’re shaking things up. Ready?

Write A Story Using The First Person Voice

The whole thing should be told in the “I” voice, and preferably should be a story about something that happened/is happening to the person telling the story.

Go!

[Prompt] May 20 – Revenge

I saved this one for last (in the plot prompts series) because it has the potential to be the most fun of all!

If you’re a writer, the chances are you think a lot (too much?) about everything that happens to you. And you probably remember every little slight anyone has ever perpertrated upon you.

Now’s your chance to have your revenge.

Today you will write a revenge story. (Use examples from real life if you like!)

If you want to keep your main character sympathetic, make sure they’re seeking revenge for something outrageously unfair and that the bad guys are really bad. And make sure that your main character doesn’t just slide through the revenge process unchanged.

Of course, it doesn’t have to end well for your main character. Maybe they start out nice-but-wronged and end up avenged-but-twisted. Or maybe your protagonist is a real bad apple, to start with.

As usual, keep the scale of your story small: focus on one incident – probably the moment of confrontation. Start right in the action and show the backstory in dialogue, allusions, images. Bring the story to a climax and show us how it has affected your main character as s/he walks off into the sunset.

Write A Story of Revenge

Go!

Thanks to James Scott Bell for a week’s worth of inspiration. Check out the StoryADay.org exclusive interview with JSB, his Plot & Structure book, or any of his suspense novels, zombie legal thrillers (who could resist?!), historical romance or books for writers.

[Prompt] May 19 – The Quest

This week’s prompts are inspired by ‘plot patterns’ from James Scott Bell’s Plot & Structure.

Today your hero is restless. S/he can’t simply live the way everyone else does. Your hero needs to go on a quest.

Whether this quest (and what they seek) is literal or figurative, make sure the goal is something absolutely critical to their survival, and the obstacles huge.

(In a short story you may only be able to give them one obstacle as the set-piece but you can use the action & dialogue to

  • Imply a whole lot about who they are,
  • Explain why they are here and
  • Show the scale of the quest before and after this point,

If you pay attention to doing this, you’ll end up with a complete  story, not just a trailer for a novel

Send Your Character On A Quest

Go!

[Prompt] May 18 – The Loner

This prompt is inspired by ‘plot patterns’ from James Scott Bell’s Plot & Structure.

Your prompt today revolves around a protagonist who holds him/herself apart from the rest of their society. Perhaps they are an anti-hero, perhaps a loner, perhaps an introvert in a family of extraverts.

Make something happen to tempt/force this person out of their alone-ness. Will they step into their society during the action of the story? When all is resolved will they stay involved or retreat once again?

Write a story about a loner/anti-hero

Go!

[Prompt] May 17 – The Chase

This week’s prompts are all inspired by ‘plot patterns’ from James Scott Bell’s Write Great Fiction – Plot & Structure.

Write a story in which your protagonist is being chased by someone or something. If you choose to show what/who the hero is running from, make sure that pursuer has a vested interest in catching the hero (make it their obsession). Will your hero get away? Stay on the run? Find a safe haven? Convince their pursuer it’s all been a terrible mistake?

Write A Story About A Chase

Go!

[Prompt] May 16 – Love Story

Daily Prompt LogoOne of the nine plot patterns highlighted in James Scott Bell’s Plot & Structure is:

The love story.

(A billion romance readers can’t be wrong!)

You don’t have to write a traditional romance to be writing a love story. There’s a love story embedded in almost every story you read or watch. From Homer’s Odyssey to Homer and Marge Simpson, love is in the air.

All that is required for a love story is for two protagonists who are in love, and an obstacle to that love. Resolving the obstacle, one way or another, is the plot of your story.

To avoid writing a schlocky, saccharine formulaic romance, “one or other of your lovers [should] grow as a result of the pattern,” says Bell.

Write A Love Story

Go!

[Prompt] May 15 – Fairy Story

Whether you like the Disnified Happily Ever After versions or the grim Grimm originals, fairy stories are a great source of inspiration for a writer.

You can rewrite the tales with a modern twist, or a funny one, or you can simply take the morality-play form and use it for your own story.

I come back to this prompt idea again and again because it is such fertile ground and because EVERYONE knows a fairy story or folk tale (if you need a reminder of some, go here).

Alternatively, you could choose to write an allegory (think: Narnia, or Animal Farm). If you do write an allegorical story, however, bear in mind this advice from James Scott Bell’s book Plot & Structure:

“Allegory is difficult to do well, since it may just come off as merely preaching in the guise of an imaginative tale…Make the characters real and not just stand-ins for your ideas.”

Rewrite a fairytale/folk story or Get Allegorical

Go!

 

[Prompt] May 14 – Fish Out Of Water

After last week’s character focus, this week’s prompts are going to focus on different plot archetypes.

First up: the fish out of water story.

This ties in nicely with the focus on character, since the fish out of water story lays a great emphasis on the characters – either the alien character, or the ones who are trying to deal with having him in their lives. Think: Mork and Mindy, The Wizard of Oz, Hitchhiker’s Guide To The Galaxy… It also allows you scope to have fun with descriptions, point of view, dialogue, belief systems, you name it.

Write A Fish Out Of Water Story

Go!

[Prompt] May 13 – What Your Character Wants

Every character should want something, even if it is only a glass of water.

-Kurt Vonnegut

A concrete way to ensure that you are writing a story — not a scene or a character sketch — is to make sure your character wants something. Give your hero a want or a need, then move them towards or away from that thing. Et voilà! You have a  story.

There isn’t much room in a short story. You can’t afford to give your main character two or three things she wants (unless it’s two things that are diametrically opposed). She will have other things that matter to her, of course. It’s just that now — at this moment in her life, the one we’re spying on — she has one overriding want or need that she must resolve.

Secondary characters have wants and needs too, but you don’t have much room to talk about them. If your secondary character is the antagonist (or villain) you can spend more time on their ‘wants’ since exploring them is probably part of explaining why your hero isn’t getting what she wants yet. Otherwise, mentioning their dream in one sentence can be a great way to flesh out secondary characters.

Make Your Characters Want Something

Today, write a story in which you give a character a very specific want or need (you don’t have to spell it out at the start). Move them towards their goal, put rocks in their path, grant or deny their wish.

Give every secondary character a specific need too – even if it never makes it into the story, be sure you know what that person’s dearest wish is.

For more inspiration on this subject, check out Nathan Bransford’s post on the subject.