Food can trigger visceral memories and strong emotions. Think of your favorite thing to eat and also your least favorite. Today, write a story inspired by food. Maybe your character is at a grocery store, or maybe they’re cooking at home with the kids. Maybe they’ve come across a fruit stand on the side of the road. The item you choose can be of central importance to the story or not. Anything goes!
Windy Lynn Harris is the author of Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published (Writer’s Digest Books). She’s a prolific writer, a trusted mentor, and a frequent speaker at literary events. Her long list of short stories and personal essays have been published in literary, trade, and women’s magazines across the U.S. and Canada in places like The Literary Review, The Sunlight Press, and Literary Mama, among many other journals.
P. S. A little bird tells me it’s Windy’s birthday today, so feel free to celebrate in the comments! – Julie
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Buy Now
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Venture into an unfamiliar thrift shop or antiques market and find an object you’ve never seen before. Even better–one whose function you can only guess! Then, tell a story in which that object plays a key role. Perhaps you can explain how it arrived there; perhaps it’s a lost heirloom or the key to unimaginable power. Or perhaps the object itself isn’t as important as how it brings two strangers together–or sunders a seemingly impenetrable bond.
Michele E. Reisinger’s short fiction has been featured online and in print, most recently in editions of Stories That Need to be Told, Sunspot Literary Journal, and Dreamers Creative Writing.
She studied English and Political Science at the Pennsylvania State University and received an MA in English Literature from the University of Delaware. She teaches senior and AP English at a New Jersey high school and lives near Philadelphia with her family. You can find her online at mereisinger.com.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Rin Chupeco has written obscure manuals for complicated computer programs, talked people out of their money at event shows, and done many other terrible things. They now write about ghosts and fantastic worlds but are still sometimes mistaken for a revenant. They are the author of The Girl from the Well, its sequel, The Suffering, and the Bone Witch trilogy. Find them at www.rinchupeco.com.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Here’s a prompt from Edna St. Vincent Millay’s poem Travel:
. . . there isn’t a train I wouldn’t take, No matter where it’s going.
Create a character who cannot wait to leave their town. Why do they want to leave? What or whom will they leave behind? Will the decision to start anew prove to be a good one?
Robin Stein writes fiction and memoir in Newton, MA. Her inspiration comes from music, family and nature. For information on her children’s book, My Two Cities, and her workshops, please visit robinsteincreative.com.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This prompt idea came from an episode of Valley 101, a podcast about Arizona This episode was about who writes their funny highway signs, the history of them and what sort of messages they deliver. The idea of constraints appealed to me, often it drives creativity in unexpected directions.
Arizona’s highway sign messages are three lines long, with up to 18 characters per line. You can have commas, spaces, apostrophes, and dashes, which all count toward the 18 character limit. Now 18×3 characters isn’t long to tell a story, but it is long enough to deliver an important message. So the prompt is this:
Your character is in the middle of doing something mundane when they see a message that causes them to change course. The message could be something they see on a highway sign, a sign on the window of a store, a dashboard displayed in an office, or even a text message, but the limit is 18×3 characters and the message causes the character to change what they were doing/going to do.
Janine Griffin writes fiction and non-fiction, and things that fall in between.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
At the midpoint of May, I want you to write a story where your character is half way between one thing and another — at a transition. This can be literal, emotional, or metaphorical.
Julie Duffy is a writer and the founder and host of StoryADay. She sounds Scottish to her American friends, and American to her Scottish friends. Everyone else assumes she’s Canadian, which is no bad thing…follow her on Twitter and Instagram @storyadaymay
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Your character is doing something innocuous and habitual like washing dishes or driving in a car or picking up dry cleaning or taking a walk in the neighborhood when a ghost/spirit appears to them. Whether it is human, animal, or other, what is it saying and why has it appeared to the character at this moment?
(This is good for dredging up something from the character’s subconscious and also for throwing your character off track with something unexpected.)
CAROLINE KIM was born in Busan, South Korea but moved to America at an early age. She has lived on the East Coast, Midwest, and Texas but now makes her home in Northern California with her family.
Her poetry and fiction have appeared or are forthcoming in TriQuarterly, The Rumpus, Pleiades, Porter House Review, MANOA, The Michigan Quarterly Review, Spinning Jenny, Meridian, Faultline, Pidgeonholes, Cosmonaut’s Avenue, Ms. Aligned 3, and elsewhere. Her collection of short stories, The Prince of Mournful Thoughts and Other Stories, won the 2020 Drue Heinz Literature Prize and was longlisted for the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Write a story from the perspective of a character that is not a human or other animal.
The character could be something from nature, like a rock or a puddle or a tree, or it could be something built (for example, a lamp or a shoe or a fountain pen).
To consider:
How does your character think? And what do they think about it?
What is most important to them?
What happens to them and how are they able, or not able, to react?
Monique Cuillerier is a science fiction writer living in Ottawa. When not writing, she likes to run, knit, garden, and get angry on Twitter (@MoniqueAC). Her most recent story was published by Diabolical Plots this month. Past work can be found at NotWhereILive.ca
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Michael X. Wang is the author of FURTHER NEWS OF DEFEAT: Stories, a finalist for the PEN/Bingham Prize. His novel, LOST IN THE LONG MARCH, is forthcoming from The Overlook Press. Find him on Twitter: @MichaelXWang3
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Julie Duffy is a writer and the founder and host of StoryADay. She juggles and knits, though rarely at the same time.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Write a letter to your 14-year-old self. Address that young person’s fears, concerns, questions, and insecurities. Offer reassurance based on what you now know as an adult.
Deesha Philyaw’s debut short story collection, THE SECRET LIVES OF CHURCH LADIES, won the 2020/2021 Story Prize and was a finalist for the 2020 National Book Award for Fiction, the 2021 PEN/Faulkner Award for Fiction, and a 2020 LA Times Book Prize: The Art Seidenbaum Award for First Fiction.
THE SECRET LIVES OF CHURCH LADIES focuses on Black women, sex, and the Black church, and is being adapted for television by HBO Max with Tessa Thompson executive producing. Deesha is also a Kimbilio Fiction Fellow. Learn more at deeshaphilyaw.com.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Write a six-word story complete with a beginning, middle, and end. Classic example from Hemingway: “Baby shoes for sale. Never worn.” Suggested prompt word: May. Could be the month, a person, a permission request, a game (e.g. Mother May I?). Or use another word. Bonus points if every word starts with the same letter.
J.E.M. Wildfire danced on the edge of creative writing throughout her life, culminating with lawyerly briefs and memorandums filled with facts presented as creatively as possible while remaining truthful.
After retiring, she decided to dispense with facts and concentrate on creativity. She discovered that the diversity of StoryADay May prompts sparked her late-blooming talent and led down writing paths she would not have stumbled upon otherwise. Most recently, her work has appeared in the April 2021, issue of “Love Letters to Poe.”
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
In a mysterious valley, two rival abbeys of nuns and monks serving the same strange god play a secret game unbeknownst to their superiors. When the stakes for the game become souls, how can the game be ended — and the debts to the demon of chance be paid?
Premee Mohamed is an Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She is the author of speculative fiction novels ‘Beneath the Rising’ (2020), ‘A Broken Darkness’ (2021), and novellas ‘These Lifeless Things’ (2021), ‘And What Can We Offer You Tonight’ (2021), and ‘The Annual Migration of Clouds’ (2021).
Her short fiction has appeared in a variety of venues and she can be found on Twitter at @premeesaurus and on her website at www.premeemohamed.com.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Write a story that doesn’t use unhappiness as its narrative catalyst. That is to say, write a happy story, one that is textured, interesting, not overly sentimental, but that is at its core, a happy story, however, you choose to imagine that.
Roxane Gay’s writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, A Public Space, McSweeney’s, Tin House, Oxford American, American Short Fiction, Virginia Quarterly Review, and many others.
She is a contributing opinion writer for the New York Times. She is the author of the books Ayiti, An Untamed State, the New York Times bestselling Bad Feminist, the nationally bestselling Difficult Women, and the New York Times bestselling Hunger. She is also the author of World of Wakanda for Marvel. She has several books forthcoming and is also at work on television and film projects. She also has a newsletter, The Audacity.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
Neha Mediratta is a freelance writer and editor based in Mumbai. Her interests include swimming, tai chi along with studying natural and human systems of organization. Check out her writing at https://www.amazon.com/Neha-Mediratta/e/B08CJSLD2H
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
This prompt comes from thinking about point of view and you could use it to write the whole story in two parts.
For the first part create a character who does something that you did during that week: e.g. go to the grocery store and you buy oranges. now. Now write about it in the third-person perspective and fictionalize it.
In the second part move your story 10 years into the future. Change perspective to make it a first person perspective. And it turns out that that non-momentous moment from your life (e.g. going to the super supermarket and buying oranges) ended up being extremely important to this character.
Don’t forget to include how the world has changed from 10 years ago to now and how the character’s world has changed, how they think of the world, and how they move through the world differently.
Would you like to wake up to a video pep talk and writing lesson from me every day during the challenge AND be invited to writing sprints with me and the Superstars during May? Get a sneak peek of what you’re missing here.
MATTHEW SALESSES is the author of the bestsellers The Hundred-Year Flood, an Adoptive Families Best Book of 2015, and Craft in the Real World, an Esquire Best Book of the 2021, which explores alternative models of craft and the writing workshop, especially for marginalized writers.
His latest novel is the PEN/Faulkner Finalist Disappear Doppelgänger Disappear, Matthew was adopted from Korea. In 2015 Buzzfeed named him one of 32 Essential Asian American Writers.
Matthew is an Assistant Professor of English at Coe College, where he teaches fiction writing and Asian American literature and studies.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Write a story or a scene in a setting you have never used before. It can be somewhere you have been or somewhere you have always wanted to go. It can be real or imagined.
A.T. Greenblatt is a mechanical engineer by day and a writer by night. She lives in Philadelphia where she’s known to frequently subject her friends to various cooking and home brewing experiments.
She is a graduate of Viable Paradise XVI and Clarion West 2017. Her work has won a Nebula Award, has been in multiple Year’s Best anthologies, and has appeared in Uncanny, Beneath Ceaseless Skies, Lightspeed, and Clarkesworld, as well as other fine publications. You can find her online at http://atgreenblatt.com and on Twitter at @AtGreenblatt
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
There is a point, in the distance, that your character very badly wants to reach. What is it?
What is the point from which they’ve started out, what are they willing to do to get to that point in the distance? What will they sacrifice?
The bridge is the point between those two places. The bridge is where what they must do to get there, what they’re willing to sacrifice, and the consequences of those decisions coexist.
Write their story, on the bridge.
Are we ready? Today is Day 1 of StoryADay 2021!
Today’s prompt is from Fran Wilde. Fran is a wonderful short story writer among other things, and she writes weird little stories, but weird little stories that win awards…so let’s pay attention to what she’s asked us to do.
Fran has asked us to write a story where your character is on a bridge.
It’s a wonderful metaphor for where characters are in short stories. A short story can be just that moment on the bridge where they can see what they want and they know where they’ve been.
But they have to do something.
They have to do something they probably don’t want to do to get to the next step, to get where they want to go.
Your character wants something and it’s over there. Something is stopping them from getting there. If they’re the three Billy goats gruff, it’s a troll. If it’s a fantasy story, maybe there are rogues on the bridge. If it’s an adventure novel, maybe the bridge is rickety. If it’s a family drama, maybe their spouse is trying to tell them not to go any further….
So many possibilities, but all of them will keep you focused on the fact that, in a short story, a character has a choice to make and they have an action to take. And all the story needs to be is about that.
You don’t need to do much setup.
You don’t need to really tie it up with a bow.
You just need to tell us what happens and why it matters.
So good luck with Day One!
This is a fairly meaty prompt, but on Day One you’ve got lots of energy. You’ve planned for this. You haven’t used up all of your good ideas yet. (That actually is never going to happen)
Go out there and get your teeth into this prompt.
I’ll see you back here tomorrow, but before that, stop by and let me know what you wrote, how it went and just leave a quick comment for us when you’re done today.
Good for you for showing up. I’m very proud of you.
Keep writing.
Would you like to receive this kind of enhanced content every day during May AND get to attend Zoom writing sprints with me and the Superstars?
The Author
Two-time Nebula winner Fran Wilde writes science fiction and fantasy for adults and kids, with seven books, so far, that embrace worlds unique (Updraft, The Gemworld) and portal (Riverland, The Ship of Stolen Words), plus numerous short stories appearing in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, Uncanny, and multiple Year’s Best anthologies.
Her work has won the Eugie Foster and Compton Crook awards, been named an NPR Favorite, and has been a finalist for six Nebulas, three Hugos, a World Fantasy Award, three Locii, and the Lodestar. Fran directs the Genre Fiction MFA concentration at Western Colorado University and writes nonfiction for NPR, The Washington Post, and The New York Times.
Have you ever lost an afternoon reading all about how to market your novel…before writing the novel, never mind figuring out how to revise or publish the thing?
Or figuring out if you should take part in the latest writing challenge all your friends seem to be doing?
Or maybe you spent way too much energy deciding whether to invest in a new writing workshop or class instead of buckling down and practicing our creative writing skills.
Yeah, me too.
Instead of trusting that the work we’re doing will inevitably lead to progress, we get distracted by Shiny Object Syndrome!
But going down endless rabbit holes will leave us no closer to our goals than we were before.
In fact, it can leave us overwhelmed, discouraged and stalled.
How can we make the courageous choices that really lead to progress in our writing life? And how can you decide if that new writing course, challenge or book is Shiny Object or a Shiny Opportunity?
What do you hope for when you open a new book about writing, sign up for a course, or embark on a new writing project?
You don’t just hope to complete the course, or the book or the challenge.
When tempted to try a new Shiny Object, you probably build an image in your head of Future-You, a you who has unlocked something with a magical key that is this Shiny Object.
What does Future-You look like? Happy? At ease?
When they sit down to write, does it feel inevitable that they will write and write well?
Hope motivates us to learn that new thing, take that new course, or start that new project: the hope that we will become the writer we’ve always wanted to be.
And that this Shiny Object will be the one that gives it to us.
And it maybe it will be, if we do it properly
(Download the workbook for some tips on how to do that).
But sometimes it backfires and we end up discouraged, and no closer to our goals than we were when we first caught sight of the Shiny Object.
The ABCs of Learning The Writing Craft
We can’t absorb everything at once, nor can we progress faster than we progress!
When considering how to learn the craft of writing, we should do it with care.
ASSESS
What are you trying to achieve?
Be specific.
Ask yourself when do you want to achieve it by/when you will reassess and see how much progress you’ve made?
BRAINSTORM
Ask yourself what resources you already have on tap? A bookcase full of books on writing? The StoryADay site’s prompts, feature articles and podcasts? Online courses that you have signed up for but not completed? Course notes from conferences and courses you took in the past?
What wealth is hidden in those treasure chests?
Might you find the answer to ‘how should I show that my heroine’s heart is breaking, without saying that?” in one of those resources?
CELEBRATE
Sometimes we’re tempted by Shiny Objects because of our own lack of confidence.
Can you become your own best cheerleader and give yourself permission to keep working on what you’re working on now?
Ask yourself:
What do you already know how to do well?
In writing – what are you doing when writing seems easiest?
In life – and how might those skills support your writing. Are you already an expert organizer? Can you schedule (and stick to) writing/learning time on your calendar? Are you excellent at connecting meaningfully with other people? Can you use that to write powerful emotional scenes? Or are you the one people trust to set up writing dates, for accountability?)
Now that you’re feeling secure in the skills you already possess, you should be able to more clearly assess whether or not you really need the Shiny Object and whether it’ll really help you, right now.
A Process For Investing In Yourself
Sometimes, of course, a great opportunity comes along: a teacher you’d love to work with, a writing challenge that seems exciting, a book recommendation that you can’t stop thinking about.
Sometimes taking advantage of those opportunities is the right thing to do.
How can you tell which Shiny Objects are actually Shiny Opportunities?
Don’t stress, I’ve got you covered. Here’s the StoryADay Shiny Object Decision Flowchart. Go through it any time you need to make a decision. But, before you go, download the free workbook that goes along with it and expands on each of the flowchart questions.
Download the StoryaDay Shiny Object Workbook now (with bonus Decision Flowchart!)
Download this flowchart and the accompanying workbook now
Leave a comment: what Shiny Object/Opportunity were you most recently wrestling with? How did you make your decision? How did it work out?
If you’re serious about your writing, doesn’t it seem like you should be working on your novel or the story-you-want-to-get-published rather than messing about with writing prompts?
Respectfully, no.
Using writing prompts has many benefits, if you’re getting good prompts and you know how to use them.
Immodestly, I’ll dispense with the first point quickly: search the writing prompt archives here at StoryADay. Most of them are not frivolous, and all of them are aimed at giving you a push to write complete, crafted stories.
You can tell the difference between a good prompt and a ‘meh’ prompt, because a good one pushes you to think about the character and a reason for why they’re doing what they’re doing. A good writing prompt offers some tips about how you might work with it.
‘Meh’ writing prompts can be random collections of ideas that don’t help you craft a story. Sure, there’s some fun in thinking “how on earth can I get a postal worker onto a beach holding the antidote to a deadly toxin?” but the ‘person, place, thing’ kind of prompt can make it hard to find something to care about in the story — for you and the reader.
The Benefits of Working With Prompts
So, here I am, warning you that sometimes working with prompts can feel like a waste of time and yet I’m still encouraging you to work with prompts. Why?
Because writing prompts
Force you try out new ideas
Allow you to try out new voices
Inspire you to experiment with form
Encourage you to write even when you don’t feel like you have any good ideas
Allow you to practice getting to ‘the end’ – a storytelling essential skill
Lower the bar – prompts allow you to dismiss your ranting inner critic with a simple ‘yes, I know it’s silly, but it’s not like I came up with the idea….”
Limit your choices – too much choice is tyranny and it’s paralyzing!
Give you confidence that you can write, even when you think you can’t
Every year, I hear from writers who are delighted to find themselves writing every day, on topics and in styles they never would have tried otherwise. Their confidence in their abilities soars, and — more often than you might suspect — I hear from them, months later that a story they drafted during StoryADay is about to be published.
How can you get this experience, working with prompts? I have some tips:
Tips
Don’t be too literal – you’re allowed to use the prompt as a springboard. It’s not a contest where you have to use every element of the prompt. If the prompt suggests your character is standing in a doorway, it is entirely appropriate for that doorway to be metaphorical — a mystical portal between two worlds; the threshold between two parts of their lives….
Get emotional – find a character who fits into the scenario and ask why they care. Then ask who might care about them?
Lean in to the prompts you resist – Every year I hear from writers that the prompts they really, really didn’t want to try (to the point of getting grumpy and maybe storming off for part of the day) are the ones that sparked the most interesting stories. In some cases, this experience has led to stories that ended up published. So if you hate a prompt, consider trying it anyway. Set a timer, promise yourself a reward, tell a friend you’re writing…whatever you have to do to get yourself working.
Work in shifts – sketch out a few ideas as soon as you see the prompt, then go about your business until later in the day when you can devote another stretch of time to actually putting words on the page.
Make it a story – the problem with some writing prompts is that they don’t prompt actual stories. They might set up an interesting scenario (you are walking along the road and meet a dragon. What happens next?). That prompt is likely to spark a whacky series of ‘stuff that happens’ but there’s no necessity to have a story connecting the pieces. In the StoryADay Challenge you’re trying (at least I am) to write stories. That requires some cause and effect (remember, from the Short Story Framework: a character makes a decision and because of that… repeat to end). So do think about your character and why they care, and why they react they way they do…and because of that what happens next?
Treat them like origami – Origami is supposed to be transitory, of the moment. Working with writing prompts is often best approached the same way. A prompt may spark a story that’s not necessarily anything you had planned to write. It can dredge up some long-forgotten memory, or uncover a subconscious issue you didn’t know you were carrying around with you, or simply send you off on a little flight of fancy for 40 minutes. You may find that you’re writing about the same kinds of characters and issues in prompted writing that you write about in your more ‘serious’ work, but it may not.
Try to treat prompted work as a vacation. It’s lovely, but it’s not meant to last.
If you end up with something you want to work on, great! But let’s not put that expectation on prompted stories. Let’s treat them like more-effective writing exercises than simply writing a scene or describing a feeling. You’re still crafting complete stories, but hold them lightly. It’s OK if they only ever exist while you’re writing them.
Use writing prompts to help you break through the perfectionism that often ends up becoming writer’s block. Use them to experiment. Use them to prove that nothing bad happens if you write a ‘bad’ story. And, most importantly, use them to remind yourself that yes, you can craft a story, any time you want, and that yes, writing can be fun.
Do you relish or resist prompts? What additional tips do you have? Leav a comment!
I’ve been thinking a lot recently about how we build characters (both in real life and in fiction). So much of what we ‘know’ is based in the stories we tell about ourselves. That’s what this week’s prompt is all about.
The Prompt
Write a story in which a character tells the same story at three different times in their life.
One of the fastest ways to find your way to the plot of a short story is to come up with a character who wants something and see how they pursue that desire.
The Prompt
Think of a character who wants something really, really badly. Put an obstacle in your way and let them react to it
Welcome to the Serious Writers’ Accountability Group!
Post your goals for this month and let us know how you got on with last month’s goals.
Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.
(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)
Examples of Goals Set By SWAGr-ers in previous months
Finish first draft of story and write 3 articles for my school paper. – Courtney
Write on seven days this month – Clare
Extend my reading and to read with a ‘writers eye’- Wendy
write 10,000 words – Mary Lou
So, what will you accomplish this month? Leave your comment below (use the drop-down option to subscribe to the comments and receive lovely, encouraging notifications from fellow StADa SWAGr-ers!)
(Next check-in, 1st of the month. Tell your friends!)
Take a story you wrote earlier this month, and write it again in a different way.
The Author
Julie Duffy is a fan of not making things harder than they need to be.
Read A Book, Support An Indie
This year’s StoryADay May official bookseller is Reads & Company, a privately-owned indie bookseller in Pennsylvania. Any purchase from the site this month supports Reads & Co.
Leave a comment and let us know how you used the prompt, and how you’re celebrating!
It’s that time again: make your writing commitments for the month with the Serious Writers’ Accountability Group
Welcome to the Serious Writers’ Accountability Group!
Post your goals for this month and let us know how you got on with last month’s goals.
I’m pretty sure I know what ONE of your goals might be this month 🙂
Leave a comment below telling us how you got on last month, and what you plan to do next month, then check back in on the first of each month, to see how everyone’s doing.
(It doesn’t have to be fiction. Feel free to use this group to push you in whatever creative direction you need.)
Examples of Goals Set By SWAGr-ers in previous months
Finish first draft of story and write 3 articles for my school paper. – Courtney
Write on seven days this month – Clare
Extend my reading and to read with a ‘writers eye’- Wendy
write 10,000 words – Mary Lou
So, what will you accomplish this month? Leave your comment below (use the drop-down option to subscribe to the comments and receive lovely, encouraging notifications from fellow StADa SWAGr-ers!)
(Next check-in, 1st of the month. Tell your friends!)
With StoryADay May just around the corner, I’m taking an opportunity to do something different today: prompting you to create some back-up writing prompts of your own, for days when the official StoryADay prompt leaves you cold (it happens. I’m not offended!)
The Prompt
Write several lines that might work as writing prompts for stories during StoryADay in case there are days when the official prompt doesn’t speak to you.
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