[WriteOnWednesday] The Day My (Blank) Quit

Today I want you to think of a character and a relationship that should never be broken. Then break it.

The Prompt

The Day My _______ Quit

Tips

  • You might think of a professional relationship. We don’t normally think of dentists or therapists or trainers or doctors or laywers firing their clients. But it happens. It happens for innocuous reason (they’re moving away) and for hostile reasons (they think you’re a jerk).
  • You might think of a family relationship. Parents shouldn’t give up on their kid. What if they did?
  • You could go surreal or fantastic: the day my pet rock quit. The day the aliens stopped calling…
  • Thnk about what could cause such a rift. Is anyone at fault? Who?
  • Is it a good thing or a bad thing for the protagonist? Does it feel that way?
  • You can show us the break up or the aftermath (or even the events leading up to it). But you probably shouldn’t show all three in a short story.
  • Make sure you show us why the break up matters to at least one character.

Go!

 

 

 

[Write On Wednesday] Insults

I read this delightful essay on the literary insults writers hurl at each other, and it inspired a writing prompt!

The Prompt

Write a letter or review full of insults

Tips

  • Imagine a correspondence between two writers, one whose writing you admire, one whose writing you loathe. What would your favorite writer pick up on, in the writing or reputation of the other, to criticize. What style would he/she use?
  • Write an insulting letter to someone who regularly annoys you or someone who picked on you at school. Banish compassion. Write it with style, wit and ruthlessness. Be clever, artistic, snide. Have (guilty) fun.
  • Write a rebuttal of an imagined unfavorable review of your work. Be sure to point out the critic’s shortcomings in the most colorful, inventive language you can, but challenge yourself to keep it fit for print (no profanity).
  • Damn someone with faint praise.
  • Create a rich picture in your head of each of the characters in your story (insulter and insultee). Allow their personalities to shine through you words.

Go!

[Write On Wednesday] Metaphor To Reality

Yesterday’s Reading Room story started out with magnificent metaphors and then flipped to a story about a suburban guy. It brought back the metaphor at the end.

It was an extreme example and tough to pull off (I’m still not sure it entirely worked), but today we’re going to try something similar.

The Prompt

Start a story with a vivid image and weave the metaphor throughout the story

Tips

  • You still have to make this story about a character. Think of something that matters to your character and create the metaphor/story imagery from that. (e.g. if your character gardens, all the metaphors could be horticultural)
  • You can weave the tie-in metaphors throughout the story or, like the Reading Room story, start with a vivid image and come back to it only at the end.
  • Try to dig deeply, and go beyond the obvious, clichéd metaphors. I worked with a reporter on a weekly newspaper who would open a file and think of all the puns and metaphors he could, on a particular topic, before he started writing an article. The top of every file he wrote was a groan-fest! Try creating your own list of imagery before you start to write, to help yourself push past the cliché.

Go!

[Write On Wednesday] Can’t And Won’t

Does a story have to have conflict? Does it have to have a beginning and a middle and an end? Perhaps not.

Lydia Davis’ story “Can’t And Won’t” is pages of complaints about life:

My sheets get all twisted in the dryer.

The carrot cake was a little stale.

When I toast the raisin bread, the raisins get very hot.

The bridge of my nose is a little dry.

I’m sleepy, but I can’t lie down.

The sound system in the examining room playing folk music.

I don’t look forward very much to that sandwich.

There is a new weatherman on the radio.

Now that the leaves are off the trees we can see the neighbors’ new deck…

There is no ‘happening’, no crisis, no rising action, but do you get a sense of character? I do.

What is a story if not a portrait of a character or characters?

The Prompt

Write A Non-Narrative Short Story That Allows The Reader To Experience Another Character’s Life

Tips

  • You can copy Lydia Davies’s idea and write a story of complaints. Make sure all the complaints belong to one, very specific character. (They can be like you, or unlike you. It can be a secret portrait of your annoying coworker, your ex-mother-in-law, your little brother…) [remember, this is an exercise. If you decide to publish this, you might want to credit Davis as the inspiration!]
  • Write a List (like they do in McSweeneys)
  • The “character” doesn’t have to be one person. It could be an institution: write the Standard Operating Procedures of a big firm.
  • Write about a collection of objects (e.g. The Things They Carried) and allow the reader to infer what they will about the owners.
  • Come up with your own way of writing a non-narrative short story.

Go!

[Write On Wednesday] Objects In Space

When I was ten or eleven years old, our teacher marched us over to the cafa-gym-itorium (didn’t your school have one of those?) and sat us down in front of the rolling cart that held (hooray!) the TV set.

The film they showed us featured a tumble weed. There was no dialogue, just a stirring score that swooped and whispered as the tumbleweed rolled through its day. First it rolled down a deserted street and across an open plain. Then it started to have adventures. It was nibbled by animals, it got stuck on a fence and, in a climax that had the whole class gasping and biting our nails, it had a run-in with an 18 wheeler. We were sure it had been destroyed. Silence fell in the huge room as 26 preteens stopped fidgeting and tried to make sense of our feelings of loss. Then, oh joy, the tumbleweed rolled across the now-empty road and we all cheered.

Why did we care, asked our teacher. We all shrugged, a little embarrassed, as the spell broke and we realized we had been rooting for a bundle of twigs.

“That,” pointed out our smug teacher, “Is called ‘personification’.”

More than 30 years later, I still remember the experience and the discovery.

 

The Prompt

Write the story of normally-non-sentient object

"Dawn Flight Configuration 2". Licensed under Public Domain via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Dawn_Flight_Configuration_2.jpg#mediaviewer/File:Dawn_Flight_Configuration_2.jpg
“Dawn Flight Configuration 2“. Licensed under Public Domain via Wikimedia Commons –

Tips

  • This week, the NASA Dawn Spacecraft settled into orbit around Ceres, a dwarf planet in our solar system’s asteroid belt. Imagine what it’s like. Could you imbue Dawn with a personality and report back for us?
  • What other object catches your interest?
  • Decide whether or not you will tell the story in the third person (as in my tumbleweed story) or the first person.
  • If you work in the third person you can decide to have your object pass through the hands of several people or you can observe the object and anthropomorphism your narration, to give it life.
  • If you work in first person, you can have a lot of fun figuring out what characteristics such a thing could possess. (Think of Disney’s Beauty and the Beast: Cogsworth, the butler-turned-clock is, in his own words, a bit ‘wound up’)

Go!

[Write On Wednesday] Time Yourself

Today’s exercise is designed to help you see that you CAN write, even when you think you don’t have time. Take 30 minutes today to write a complete story. Here’s how…

Sometimes life gets in the way of writing. We must find ways to work in a time-crunch.

Today’s exercise is designed to help you see that you CAN write, even when you think you don’t have time.
time flies
The Prompt

Write A Story In 30 Minutes

Tips

  • Turn your phone off, mute your email, hang a sign on the door, put on huge silly headphones. Do whatever you need to do, carve out 30 minutes today to Just Write.
  • Use only 30 minutes, start to finish, brainstorming to ‘the end’.
  • Set a stopwatch. Take seven minutes to brainstorm. Think of a character. Give him/her a problem/desire. Pick a reason why solving this problem/achieving this desire causes them extreme heartache/peril (examples: Wesley loves Buttercup but is too poor to woo her. Becoming good for her means risking being murdered by pirates, a prince and a rodent of unusual size. A bookworm’s heart’s desire is simply to read, but his wife thinks its a waste of time so he can’t read at home; and his boss threatens to fire him if he catches him reading at work.)
  • Pick a good opening line that sums up the character and the problem. (“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.” – J.D Salinger: The Catcher In The Rye)
  • You should be at about 10 minutes into your time now. Spend the next 15 minutes getting to the meat of the problem, throwing complications at your character, and having him start to try to resolve them. Fail at least once. (If it’s an interior kind of story, you can let that failure be ‘temptation to give up’)
  • Five minutes to go! At some point in the past 15 minutes your character should have started to tell you how the story should end. Tie up the last challenge you gave them and move immediately to the ending. Two sentences. Don’t worry about connecting the middle to the ending just yet. That’s what rewrites are for. Just write “[connecting stuff]” and move on to the end.
  • There. Didn’t that feel good?

What you have in front of you is likely not a complete short story. It’s a sketchy first draft. But it’s a sketchy first draft that moves. It has an interesting character. It has action. It has a sense that it’s going somewhere, and it has and ending.

Now you have a draft you can rework. Add a few lines to help clarify setting and description for the reader, if it’s that kind of story. Change some of your ‘info dump’ paragraphs to dialogue and move them to earlier/later in the story. Expand or delete details. Figure out your theme and how you can (subtly) strengthen it.

Do this, and I think you’ll have a pretty good story. All from taking 30 minutes to squeeze a little short story writing into your day.

[Write on Wednesday] Inventor’s Day

Did you know Feb 11 is Inventor’s Day in the USA?

Oxford Words Blog Screenshot

Well, it is. The terrific OxfordWords blog has an entry about 10 products that were named after people (did you know them all? I knew some, but others were a surprise!).

The Prompt

Write about an inventor or his/her invention

Tips

  • You can use a real invention or make one up.
  • You could write a faux scholarly article/history of the person/invention.
  • Your story could be set at a middle school inventors’ faire, where kids have to dress up as famous inventors.
  • Perhaps your story follows an incident in the life of your inventor years before, during or years after the work on the invention. What brought them here? Where did their life go after the invention? What’s it like to invent something that took on your name? (If you want a tragic example, look at Richard Jordan Gatling, who was convinced he was inventing a weapon that would lead to smaller armies and less suffering).
  • You could go whimsical, with an invention of the type that ends up in an As Seen on TV box.
  • You could throw a little magical realism into this story as the invention produces unexpected results.

Go!

[Write On Wednesday] (re)Committed

After scaring you all with my writing prompt headline last week, I’m going much more positive this week.

The Prompt

(Re)Committed

Write a story about a character who is determined to achieve something difficult.

Tips

  • Tell us why that something matters to your character
  • Think about what obstacles you can put in her way. Go beyond the obvious.
  • Show us one way in which she is better, more determined, more heroic than we ourselves would be.
  • Let her triumph — or flop gloriously.

Go!

[Write On Wednesday] Giving Up

No! I don’t mean you! And I don’t mean me.

But there comes a point in any venture when a person thinks of giving up.

I recently wrote about how glad I was for the tenacity and commitment of the star of a show I went to see. And it got me thinking about all the other stories that could have resulted from each decision he had made during his life. And that I have made. And that you have made. And that our characters make…

The Prompt

Giving Up

Write a story in which your character is tempted to give up on something that matters to them. Or maybe they already have.

Tips

  • Think about the emotional ramifications of making that decision. Is it something they have wanted for a long time, or just a whim? Your answer dictates how big a deal the decision is.
  • Think about the fall out from the decision. Who does it affect the most? Do the consequences match the expectations of your character? Is it easier than they thought it would be? Harder?
  • Think about how you can convey these things without directly telling the reader “She was finding it harder than she had expected”. What does it do to a person’s energy level, gait, relationships, ability to focus, when things are tough? What does it do to all these things if the character is surprised by how happy they are, after giving up?
  • You can write about the process of coming to the decision, or about the consequences, but remember to include some immediacy, some sense of movement in the events of the story. Don’t just tell it as if everything was resolved before you put pen to paper.

Go!

Post your story in the comments, or tell us how it went.

[Write On Wednesday] Christmas Redux

It’s the perfect time to write a Christmas/New Year/Winter story!

Don’t believe me? Take a lesson from the wily Dutch.

Everybody knows that the time to plant spring bulbs is in the autumn and yet every spring I receive multiple catalogues from dutch tulip and daffodil distributors. Six months after (or before) I should (have) plant(ed) their products. What lunacy is this?

The bulb marketers know that in spring I’m experiencing floral beauty and regretting not having planted more bulbs last year. It’s all fresh. I can see where I could put this Red Matador and that Orange Empress to fill a scraggy gap in my flower beds. I am full of good intentions about next year.

And, in January, is that not how you feel? As you pack away the holiday decorations, are you not full of regret over the things not done? The gifts unsought? The cards unsent? Is the memory of your brother-in-law’s annual jokes about your dessert not fresh in your memory?

Indeed. So now is the perfect time to write a story set in the season we have just endured enjoyed.

The Prompt

Write A December/Jan Holiday Story[1. No, I’m not conducting a War on Christmas. I, myself, celebrate Christmas. I just feel it’s polite to acknowledge the other 68% of humanity. It has less punch than “write a Christmas story”, I grant you. But if that’s the price for doing unto others, then I’m willing to pay it here in my blog…]

Tips

  • Think back over this past season and watch for strong emotions that pop up. What are they related to? Regrets? Vows of ‘never again’? Longing for next year’s repeat? Write those things down.
  • Think of moments that stood out for you. Why? What was the emotional resonance?
  • Think of a character you can put in a seasonal story who wants something. It can be something that is in tune with the message of the season or at odds with it, but they must feel strongly about it.
  • Now go about messing with their day. Put obstacles in their path. Put obnoxious visitors underfoot. Burn the turkey. Send in the ghosts of Christmas to settle their hash. Whatever works for your story…

Go!

There. Now you have a story ready to post on your blog/submit to a seasonal publication in early autumn/send out with your Christmas cards next Black Friday (you are going to send Christmas cards next year, aren’t you? Unlike this year? I know, I know, it’ll be our little secret…)

Now, excuse me while I check my mailbox for the Breck’s Bulb Catalogue…

 

 

(Do you send out a holiday story in seasonal cards to your friends? Make a note now on your calendar to do this next year!)

[Write on Wednesday] Day 1 Of Your New Routine: Madlibs

I know, it’s January 14 and you haven’t quite got that whole ‘Write Every Day’ thing down yet. I’m not sure many of us have.

So here’s a ‘story formula’ prompt to get you going again. Today is Day One of your new routine. Yes, you! You know I’m talking to you!

(Take heart! Any day can be Day One!).

Go through this exercise quickly and then write a fast & messy story from it. Have fun. No pressure! No standards! Post it, if you dare, in the comments!

Go!

 

Follow along with this exercise to get your creative juices flowing:

why do [these people] never [verb][nouns]?

(e.g. Why do corporate raiders never fall in love with the woman who owns the indy bookstore they are about to destroy? OR, my husband’s suggestion: “Why do chemists never eat broccoli?”)

What would happen if they suddenly did?

(e.g. What would happen if Tom Hanks fell in love with the adorkable indy bookseller? OR What would happen if a chemist suddenly tempted fate by eating the forbidden brassica?)

What if they stopped? What if they didn't?

(e.g. What if Tom Hanks resists Meg Ryan’s charms? OR What if Tom’s bosses tell him to break it off, but he doesn’t? Two different stories, no?)

What if their friends staged an intervention

(Imagine Tom’s bosses, or our chemist’s colleagues, sitting around in a room, ready to lay out the stakes for Tom, the chemist, and the story, not to mention the adorkable lady bookseller and/or the diminishing stores of broccolonium, the one potential source of Everything This Planet Needs, that non-chemists are wantonly chowing down on, right left and center!)

What if we walked into the room just before they decide how to respond?

(Take a moment to picture this in your mind. Who’s there? Who does it matter to?)

We can see [nouns]

(Who is there? Where are they? Standing? Sitting? What does their posture tell us? Where is our hero? What’s in the room with them? What does that lend to the atmosphere? What do the objects in the room tell us about the overall setting of the story? What do the objects tell us about the tone of the scene? Corporate furniture=an ambush. Cosy bookstore=Our hero on home turf)

We can hear [what?]. We can smell [what?]

(What details can you draw on to color in the scene for the reader?)

It feels...

(Is the atmosphere convivial? Is it adversarial? Are people witty? Are there undercurrents? What are those undercurrents?)

Start Your Story Now

 (Write anything! Except the broccoli story. That one’s mine!)

Bonus Points: Post your story in the comments. Read and comment on other people’s stories.

How did they turn out? Did you get something original and *you*? Did you write something different from everyone else?

[Write On Wednesday] Effin’ Elf

Elf on the Shelf
My Facebook feed and RSS reader are full of posts from angst-ridden parents who already—three days in—hate their stupid Elf On The Shelf[1. A craze that took off a couple of years ago and is like the Tooth Fairy crossed with an advent calendar, and a nightmare for parents].

People seem to be held hostage to this thing at the same time that they are plagued[2. thanks to Pinterest postings from uber-mommies] by a sense of inadequacy and overwhelm.

The Prompt

Imagine a character who is trapped in a situation beyond their control for a finite amount of time. Write their story.

Tips

  • What is the situation and why is it so torturous for THIS particular character?
  • How do they react on Day 1. How does that change by Day 15?
  • What is the crisis point? What brings things to a head?
  • What hilarious (or terrifying) events happen at the climax?
  • What fallout does this have for the character and the people around him/her?
  • What lessons are learned at the end? What vows are made?
  • Think about something that drives YOU crazy. Create a character who is also driven crazy by this thing, but make them more extreme. Amplify everything. Make the lows lower than they ever get for you. Make the highs higher.

Go!

 

[Write On Wednesday] Overwhelmed

The Prompt

Write a story about a character who is, in the moment the story takes place, completely overwhelmed.

Tips

  • This story can be dramatic, comedic, or both!
  • Perhaps your character is, oh I don’t know, preparing for a big family holiday on top of all their normal commitments. How do they feel? What are their triggers?
  • Give the character a moment of crisis that forms the kicking-off point for the plot of the story. Then think about how he/she would react on a good day, and how differently they react under stress. Show us that reaction.
  • Brainstorm three or four things that could be the tipping point for your stressed character and choose your favorite.
  • Start right at the tipping point and then make things much, much worse: if your character is planning for Thanksgiving dinner, let her always-better-then-her sister call to say she’s inviting a food critic as her date. Then break your main character’s oven. Then let Grandma get a surprise pass from the nursing home, and have her turn up in full foul-mouthed-rebellion-mode; give your character hives; there should probably be a point at which the police turn up…that kind of thing 🙂

 

  • Go!

[Write On Wednesday] Groundhog Day

This morning I dreamed I woke up and told my husband about my dream. Then I woke up and told him about my dream. And I STILL hadn’t had my coffee yet.

VERY Groundhog Day!

The Prompt

Write About A Repeating Routine/Event

Tips

[Write On Wednesday] Laughter

Following up on the recent theme of emotional writing prompts, here’s one that’s good for a laugh.

smile!
smile! by Lin Pernille Photography LLC, on Flickr

The Prompt

Write A Story That Features Laughter

Tips

  • Laughter can be cleansing, hysterical (in a bad way), nervous, comradely, cruel. Pick one, or cram as many as possible into one story.
  • Think about the physicality of laughter at the moment it happens.
  • Think about the emotions the memory of the laughter (happy or cruel) elicits later.
  • Use the moment of laughter as a plot device. It is the start or the end of something. It is some place/time/state your character wants to get back to or escape from.
  • If you’re showing laughter-following-a-joke, take a tip from Joss Whedon’s Firefly. He has a couple of scenes where he skips the joke and cuts straight to the characters laughing uproariously at whatever was said just off camera. That saves the audience from having to analyze the joke (“was it really that funny?”) and allows them to watch how the laughing characters react and interact. It allows for the sense of catharsis from the laughter without having to share the writer’s sense of humor. (Watch for the dinner scene in the episode Out Of Gas, around the 5:00 min mark).

Go!

[Write On Wednesday] Anger

Continuing a trend from last week and the week before, here’s another prompt that leads you into plot via your main character’s emotion.

Rage Wallpaper
Rage Wallpaper by Thoth God of Knowledge, on Flickr

The Prompt

Write A Story That Features Anger

Tips

  • You can start your story with an angry outburst then spend the rest of it unpacking what prompted the rage, or exploring the consequences of one person’s rage for all the characters around them.
  • You can build up to a big, angry finish — showing your character giving in to something they’ve been fighting all the way through the story.
  • Think about how you have experienced anger in your own life — both in yourself and observing it in others.
  • Try to get inside the head of someone who has a very different ‘anger vector’ than yourself. (If you’re a ‘push me for weeks until I explode’ person, think about writing a character who is a ‘rage and forget it’ sort).
  • Remember there is such a thing as righteous anger.
  • To avoid the story becoming too intense, use the concept of the opposite emotion to show that your character(s) is/are capable of other emotions too. (What is the opposite of anger? Depends on the type of anger, doesn’t it? It might be charm, or humor, or kindness, or gentleness.
  • How can you tell a story that includes one character containing two opposing attributes. Think about what a character like that wants and go from there).
  • What kind of language will you use? Animal metaphors? Short, choppy sentences? Dialogue? How will you avoid clichés?

Go

 

[Write On Wednesday] Joy

Write A Story In Which A Character Experiences Joy

Continuing on from last week’s prompt about a character experiencing an emotion, this week we’re focusing on Joy.

joy!
joy! by atomicity, on Flickr

The Prompt

Write A Story In Which A Character Experiences Joy

Tips

  • How to define ‘joy’? I’m going with ‘a momentary experience of intense happiness’, though CS Lewis famously mixed that feeling of happiness with one of ‘longing’ in his definition of joy.
  • The main character does not have to be the character experiencing the moment of joy. They can be an observer.
  • How do the characters observing the joy-filled character’s behavior react? Do they reflect the joy? Do they feel bereft because they lack it? Do they envy the other person? Do they show that directly by being sad, or do they bury it and act like a jerk?
  • Will the joyful moment happen at the beginning of your story and kick off all the events that follow? Will the character be sustained by the fleeting sensation or spend a miserable existence in a futile attempt to recapture it?
  • Will you build up to the moment of joy at the end of your story (huge climax? Happy ending?)
  • What does it actually feel like to experience (or witness) joy?
  • What kind of a character could really use a little joy, and how can you put them in a situation where they experience it? Do they deserve it? Does that matter?

Go!

[Write On Wednesday] Homesick

Write A Story In Which A Character Is Homesick

Character is king, in stories, but how can you make your character more realistic? Share an emotion that all of us have experienced. Examine it in the context of what your plot is doing to the character. This is an especially useful skill to work on if your stories tend to be set in fantastic, futuristic or historical settings. We can’t easily identify with Frodo fighting off goblins, but we can feel his pain as he longs for the Shire (and shed a tear when he and Sam face the reality that they probably won’t make it home again).

The Prompt

Write A Story In Which A Character Is Homesick

Tips

  • Make the homesickness fuel the plot somehow – have the character make a truly stupid decision in reaction to their homesick impulse. Or have them do whatever it takes to overcome it.
  • Put the homesickness in a surprising context — maybe a soldier finds himself ‘homesick’ for the place he had the worst experience of his life; maybe a 90 year old immigrant smells something that catapults her back to her childhood in a faraway land…
  • Maybe it’s not your main character who is homesick. Who else could be homesick and how would that affect your protagonist?
  • Are the people around the homesick character sympathetic? Impatient? Uncomprehending? Oblivious? Why?
  • Lead the reader through the emotions of homesickness as your character experiences it. Is it an ache in their forearms as they resist the temptation to call their old home phone number and see who answers? Is it a yawning hollow in their belly, as if they’ll never be able to eat enough to fill it? Is it a prickle behind their eyelids and a digging of nails into palms? Think about how you’ve felt when you’ve had that yearning to go home again.
  • If you’re not managing to conjure up the emotions to mine, try this: go to Google maps. Type in the address of somewhere you went once, for a shining hour or day or year — somewhere that holds special memories for you. Go into Street View. (Look up your first family home, your first school, that place you went on vacation once and had the torrid affair with  a local boy…). Look at the light, the sky, the architecture, the sidewalks, the window frames, the shop fronts. What do you feel? What do you notice? What had you forgotten? Use details like this to make your character’s longing for home seem real to a reader.

Go!

[Write On Wednesday] An Argument

A Pretty Argument
A Pretty Argument by Just Ard on Flickr

Today I was writing a scene for a longer story in which my fish-out-of-water character comes up against people she has befriended but disagrees with. It’s very difficult for her to do this, and it was so much fun to write, that I’m recommending you try something similar.

The Prompt

Write A Story Centered Around An Argument

Tips

  • Make sure you make it clear what each character wants and what the stakes are for each character in this argument (in my case, my main character desperately wants to fix a mistake she has made that had consequences for her new friends, without getting them in more trouble. They want to help her and she’s determined to go it alone. The new friends variously want to help her because: they like her; they have a lot to lose too; it’s the right thing to do; they’re bored and want adventure; and simply to take advantage of an opportunity to tease a big brother mercilessly. Each character in the argument has a reason to be in it.)
  • Think about how you FEEL when you’re in an argument. Try to use some of that physicality — but without resorting to cliché. Be outrageous. Make up new metaphors that suit your setting. Have fun with this. You can always edit them out later.
  • If you want this to be more than a ‘talking heads’ situation, have your characters DO something as they argue: maybe they’re hiking along a dangerous ridge so they must remain in control or they risk plunging over the edge; maybe they’re doing the dishes; maybe they are hiding from the bad guys and the whole argument must be whispered…
  • Have some fun with this. Let your characters say things you would NEVER say, because you’re such a nice person (you are, aren’t you?)

Go!

[Write On Wednesday] Fall Into Autumn

Fall is coming (at least in my hemisphere). Can you smell it? Do you live somewhere with autumn colors. Have you ever been to a place like that? Have you missed it? Have you never lived somewhere like that and wonder what all the fuss is about.

The Prompt

Write a Story With An Autumn Theme

Tips

  • You can do bonfires, leaves, Halloween, whatever your local ‘color’ is.
  • If it’s not autumn where you live, think of this as ‘banking’ a story that you can revise and begin to submit to seasonal markets in the next couple of months. Lead times, people, lead times!

[Write On Wednesday] – Write A Letter

dear joe
Photo by Meredith Harris CC Some Rights Reserved

Today’s prompt was suggested by the story I read yesterday, Incognito by Susan M. Lemere.

The Prompt

Write a story in letter form

Tips

  • Use two or more voices, or let us see only one side of the conversation.
  • The ‘letters’ can be email exchanges, text messages, Facebook updates, or imaginary hand-written correspondence from sweethearts separated by war, an ocean, feuding parents…whatever makes sense to you.
  • Try to introduce some mystery, some misunderstanding, or some desire on the part of one of the participants. Frustrate us, tease us, keep us guessing about how it’s going to turn out.

Go!

[Write On Wednesday] Stolen Secrets

Thanks to StoryADay-er Jeffrey T for recommending this resource!

Postsecret.comPostSecret is a site where people confess their secrets online, via postcard. Some are sweet, some are sad and some are downright disturbing. They are all fantastic moments that suggest short stories.

The Prompt

Write a story based on a secret shared at PostSecret.com

Tips

  • If you’re worried about ‘stealing’ someone’s story, don’t be. You’re inspired by the emotion behind their postcard, or the moment that it evokes. What you write won’t be their story. It’ll be yours.
  • Don’t quote the actual words on the postcard (that’s plagiarism). Just think about what inspired the person to confess this secret and go from there.
  • Don’t choose one of the tragic ones unless you like writing tragic stories. I liked this one, this one, and this one.
  • Don’t be surprised if your story veers away from your first assumptions.
  • Focus on the moment suggested by the secret. Write only about that. Use as little backstory as possible, for a taut, emotional story.

Go!

[Write On Wednesday] The Big Day

Solid shadow
Today’s prompt was inspired by my recent strong reaction against the short story Heat by Joyce Carol Oates.( I hated it.)

The story is set in a past that I presume is similar to the author’s own: a world where ice deliveries still happened and kids spent long summer days largely unsupervised in their dusty country town. Then one day, something happened that no-one in the town will ever forget.

The Prompt

Mine your childhood for an event that you’ll never forget. Create a story based around it.

Tips

Continue reading “[Write On Wednesday] The Big Day”

[Write On Wednesday] Examine An Object

Today’s prompt is inspired by three things. The first was the release this week of a US prisoner of war. It made me think of the many hostage and prison stories I’ve read, where people have lived in tiny cells for years on end and how it changes them. The second is the story “The Yellow Wallpaper” by Charlotte Perkins Gilman, in which a woman, trapped in her domestic life, fixates on the wallpaper of her room and always finds something new to see. The third is the essay “Fish” by Robin Sloan, which shares an observation exercise, in which students are asked to observe a dead fish long past the point when it would seem to be interesting.

If you can, read both those stories and then try this prompt.

Seeing My World Through A Keyholeby Kate Ter Haar
Seeing My World Through A Keyholeby Kate Ter Haar

The Prompt

Write about a person who is forced, by circumstance or outside agency, to observe a limited view for an unlimited time.

Tips

  • Describe what they see, remembering that their use of language will reflect how they feel about the situation they find themselves in.
  • How what they see and how they feel about it change over time?
  • What do they think about when all they to do is look at the same thing over and over again?
  • How does this change over time?
  • What does this tell us about the character?
  • What universal truths might there be in what your character is thinking?
  • If you get stuck, just start a new paragraph as if some time has passed. Have your character describe the view again, and think about how they might have changed in the intervening time.
  • Don’t worry if you don’t think this is making a great story. Keep going. You’ll find a way to end it if you let the character speak.

Go!

 

Celebrate StoryADay May 2014!!!

StoryFest June 13-15, 2014 logo

Coming to this site, June 14-15, 2014 (nominate your stories here!)

Today is the last day of StoryADay May 2014!!

Even if you haven’t written a single story yet this month why not write and finish a story today? Writing and finishing one story in a single day is quite an achievement. You’ll be proud, I promise.

To those who have been writing every day: wow! You are awesome and every other writer on the planet envies you.  Well done!

Things You Have Done This Month

Q: Can you improve as a writer by writing a lot? CLUE: There’s a reason this challenge is in a month named “May”…

STORYFEST REMINDER

Don’t forget to submit or nominate stories for StoryFest by June 10 (and yes, there will be more details, a link to a form and another reminder, in the next few days). Then start planning to tell the world to visit StoryADay.org on June 1-15 for StoryFest!

(Seriously. This is your party. I don’t have email addresses for all the people you’d like to invite. You’ll have to do it!)

WHAT NEXT?

I’ll still be writing away, bring you interviews with writers, the Tuesday Reading Room, the Write On Wednesday writing prompt and regular Kick-In-The-Pants articles on Thursdays, with the newsletter serving as a regular digest of articles.

Take a moment today (or maybe tomorrow) to recap. Write an End of StoryADay report for yourself detailing any or all of the following:

  •    how you felt at the start,
  •    what you did,
  •    what you failed to do,
  •    how you kept going,
  •    what you learned,
  •    what you’re proud of
  •    how you plan to use the lessons learned this month to keep moving on your journey to literary superstardom (no wait, fulfillment. I meant to say ‘fulfillment’).

If you do write a recap and would like to share it, please post a link to it in the comments or simply send me a link in an email. I’d love to read about your experience.

Then get back to writing, polishing and submitting your short stories.

Further Reading

  • For help on developing the craft of writing, I suggest checking out DIYMFA.com.
  • For accountability and camaraderie in the year-round world of writing and submitting short stories, I refer you to Write1Sub1.

(Both of these sites have been started by former StoryADay writers since their first StADa experiences. I’m so proud!)

COME BACK EACH WEEK AND WRITE ON WEDNESDAY

Every Wednesday throughout the year I post a Write On Wednesday prompt. (If you are subscribed to the Daily Prompt email list you’ll receive these Wednesday prompts in your inbox).

The ‘rules’ for the Write on Wednesday prompt are: write a rough and ready story to the prompt within  24 hours, post it IN THE COMMENTS and comment on someone else’s. You don’t have to write it on Wednesday, but you’ll probably get the most feedback if you do.

Don’t miss out. Subscribe now!

AND FINALLY

Thank you, thank you, thank you to everyone who has talked about StoryADay, taken part, read stories, left comments, sent me an email, or written in secret. It is an absolute honor to have been your ringmaster again this year and I will be bereft … until we do it all again next time!!

[Writing Prompt] An Ending And A Beginning

It’s the end of the StoryADay May 2014 challenge.

But it is just the beginning of the rest of your writing life.

I hope the challenge this year has opened your eyes to how very, very creative you can be; to how well you can write; and how important it is to the world that you keep writing.

Stay tuned for more information on the upcoming Revisions course and do keep in touch!

The Prompt

An Ending And A Beginning

Tips

Without wishing to sound like a motivational poster, the end of one thing leads to the beginning of something else. Write your story today in that moment of transition.

Will your character struggle with the idea of the ending, or be wildly excited about the new beginning? Will your character’s expectations be upset? By what?

Every stage of life has transitions. Some are expected (leaving school, getting married, starting a new job) and others come completely out of the blue (a death, the end of a friendship, a job offer, a pregnancy, someone else leaving home). Think about how this affects your character’s reaction.

Go to town on this story. Use everything you have learned this month about: how you write best, when you write best, what length works for you, what tone/style works for you, what kinds of characters speak to you most, the kinds of dialogue or description that you enjoy,  the use of suspense, beginnings, middles, ends, theme, character, conflict, action, the ways you’ve learned to get yourself into the writing zone… Everything you have worked on in your writing this month is a tool you can use in this story, today. Have fun. Let yourself go. Finish the story.

Get up tomorrow and keep writing.

GO!

AWOOOOOOOOOOHAAAAAA! We have reached the end of the month. Take a moment to let out a whoop of joy and accomplishment (if you finished even one story then you’re a winner in my book. But if you finished 31? I bow in awe!). Then leave a comment, write a blog, pop into the community. Share your joy. Share what you’ve learned. Share your frustrations. Make plans for the future. Tell us, tell us, tell us, and never stop writing!

Thank you for making this month and this challenge so utterly amazing. The world is a better place for having your stories in it!

[Writing Prompt] 215

There are 215 days left in 2014. What will you do with them?

As the StoryADay May challenge for 2014 winds down, it’s time to look back a bit, forward a bit, and plan how you’ll use the lessons learned in this month of extreme writing. Hop on over to the community hand have a chat about your plans.

But not until you’ve written today’s story.

The Prompt

Two Hundred And Fifteen

Tips Continue reading “[Writing Prompt] 215”

[Writing Prompt] Start A Riot

On May 29, 1913, Igor Stravinsky’s ballet score The Rites of Spring premiered in Paris and sparked a riot!

(Wouldn’t you love to have a short-story-reading public that was so passionate about the art, they were willing to throw punches?!)

The Prompt

Write About A Gathering Of Experts That Degenerates Into A Rammy

Tips Continue reading “[Writing Prompt] Start A Riot”

[Writing Prompt] A Holiday Story

And yes, I do mean the winter/Christmas/Thanksgiving/Hannukka/Samhain/Diwali/Hogmanay/New Year/Kwanzaa/Chinese New Year/Solstice/Saturnalia/Festivus November/December/January type of holiday.

If you ever think of submitting your stories to literary magazines, contests, anthologies, or other publications, you need to know two things:

  1. They are often themed and holiday stories are always popular,
  2. Your story needs to be written, edited, submitted, selected, corrected, and green lit, month in advance of the actual holiday.

Write your December stories now. Time’s running out.

The Prompt

Write A Story Tied To A Holiday That Takes Place In November/December/January/February

Tips

  • Evoke the sights, smells, sounds and emotions you associate with that holiday.
  • Put on some appropriate holiday music to get you in the mood.
  • Go beyond the obvious idea for the story associated with your chosen holiday. No saccharine tales of redemption or bitter humbug retellings of A Christmas Carol, for us!
  • Make the characters stronger than the trappings of the holiday.
  • Write the story for someone who has never participated in your holiday traditions. Show them what it’s like to be you at Christmas/Hanukkah/Hogmanay/Groundhog Day.

Need more tips? Here’s a podcast episode that talks you through it:

GO!

Which holiday did you choose? What did you do to get in the mood? Do you think you’ll revise and submit this story to a publication? Tell us in the comments or join the conversation in the comments

[Guest Prompt] Debbie Ridpath Ohi – Illustration

Happy Book Birthday to Debbie Ridpath Ohi, whose illustrations are featured in the new paperback editions of Judy Blume’s classic books (yes, Judy Blume!!). The new editions come out today! Today Debbie has supplied us with a visual prompt that made me laugh out loud. What can you do with this?

The Prompt

2014-LiquidPaperGuy-1000

Debbie Ridpath Ohi writes and illustrates books for young people. Based in Toronto, Debbie is represented by Ginger Knowlton of Curtis Brown Ltd. Her illustrations appear in I’M BORED, a picture book written by Michael Ian Black (Simon & Schuster Books For Young Readers, 2012) and was selected by The New York Times for its list of Notable Children’s Books.

Her upcoming books include NAKED! (by Michael Ian Black, illustrated by Debbie, coming out from S&S in Summer/2014) andWHERE ARE MY BOOKS?, which is written AND illustrated by Debbie (coming out from S&S in Spring/2015). She is currently working with Simon & Schuster Books For Young Readers, Harpercollins Children’s and Random House Children’s Books.