[Writing Prompt] It Ain’t Easy, Being…

Today’s writing prompt is a traditional ‘scenario’ prompt. I give you the scene and a character, you run wild with it.

The Prompt

Tonight is the kid’s talent show. Your character is determined to be there. Unfortunately your main character is no run-of-the-mill suburban parent. This time, thought, they’re not going to let that job get in the way. No matter what comes up they’re going to let someone else handle it. They can’t stand the thought of getting that look from the kid one more time…

Tips Continue reading “[Writing Prompt] It Ain’t Easy, Being…”

[Writing Prompt] Date With Destiny

OK, so for most of this month I’ve been encouraging you to write, write, and nothing but write. No thoughts of publication or audience to scare you into writers’ block. But you’ve been at this for 24 days now. I think you’ve probably proved a thing or two to yourself (like a, you’re stubborn; b, not everything you write is garbage and c, you can do this!). So today, just for a moment, let’s remember that part of writing is a desire to connect with other people. We can do that by having our work published in magazines that already have a reading-audience built in.

The Prompt

Find a contest or submission deadline on a theme you like, and write a story as if you were going to submit to that market

Tips

  • You don’t have to submit the story in the end (and if you do, you probably shouldn’t submit the version you write today. Put it away for a couple of weeks, show it to writing-friends, revise it, format it according to the market’s guidelines and then send it).
  • You can find market and contest listings at Duotrope.com, WritersMarket.com (subscription), Poets & Writers and many, many other places online. I have subscription to Duotrope and find it to be the best managed market listings site I’ve come across in almost 20 years of using the things.
  • Go beyond the obvious ideas suggested by the theme or guidelines. Try out several different characters and scenarios. Push your ideas into the realms of the ridiculous and beyond, before you ever start writing one of them. Remember, editors are going for receive hundreds of entries for every publishing slot they have. Your best bet is to be original. Part of that is your voice, but part of it is your ability to push past the first, obvious idea you have.

Go!

How did writing to spec or with a deadline, feel? Did you find a market that seemed particularly promising? Did you choose a contest with an upcoming deadline? Share them (if you dare) in the comments or the community.

[Writing Prompt] Title Recall

Today we’re stealing from the Beach Boys. Use their title to write an original story

The Prompt

Write A Story Titled “Good Vibrations”

Tips

  • You can write a Beach Boys-related story about surfing and California if you want.
  • Think about the ways you could use the words in the title — ways  that have nothing to do with the original song.
  • Write 10 different ideas for plays on the words ‘good’ and ‘vibrations’
  • Write a story about a person who was influenced by (or grew up listening to) the song
  • Set the story somewhere completely unexpected (like 10,000 years in the future, on an alien moon colony), or under the sea.

Go!

What did you do with this prompt? How are you holding yup 23 days into the challenge? What do you need to get you to Day 31? Comment or talk about it in the community.

[Writing Prompt] Will’s Words

Today we’re stealing from another master: William Shakespeare.

The Prompt

Write A Story That Incorporates This Quote (or its spirit)

“If you prick us do we not bleed? If you tickle us do we not laugh? If you poison us do we not die? And if you wrong us shall we not revenge?

Tips

  • If you don’t like this quote, here’s another to play with: “A fool thinks himself to be wise, but a wise man knows himself to be a fool.”
  • Consider making the quote the last line (or first line) of your story.
  • How can you incorporate the actual line into your story? What kind of story will you write if you opt to use the spirit of the quote rather than Will’s words?
  • Shakespeare endures, not because we’re interested in Elizabethan life, but because the characters he wrote were so true to human nature. Make your characters similarly realistic.

GO!

Which quote did you use? Did you use it verbatim or only in the spirit? How did this prompt help with your writing today? Comment below or join the conversation in the community.

[Writing Prompt] Word List Silliness

This is an extremely silly way to start a story, but it always seems to work — maybe because it removes any pressure you may be putting on yourself to write something “good”. Today you write a story using these words from my Third Grader’s spelling list.

The Prompt

Use These Words In A Story: Lettuce, Happen, basket, Winter, Sister, Monster, Supper, Subject, Puppet

Tips

  • Don’t worry too much about this one. Just write something!
  • Don’t forget to give us a character who want something (perhaps a lettuce? A sister? A monster?).
  • Post your story somewhere we can see it (in the comments or in the community) and read everyone else’s stories. Revel in the weirdness!

Go!

Did you remember to post your story in the comments or in the community? Did you have fun with this? Was your story, nevertheless, serious? What does that tell you about writing in general?

[Writing Prompt] Write an Epistolary Story

Breaking with the narrative form again today, after flogging it’s poor dead horse corpse at the beginning of the week. Today we tackle a form for which I have an inexplicable and enduring love: letters!

The Prompt

Write An Epistolary Story (i.e. One Told As A Series of Letters/Documents)

Tips

  • Take the term “Letters/Documents” with a huge pinch of salt. Write a story made up of Tweets, Facebook updates, text messages between friends, comments on a Vine video, an author Q&A, whatever tickles your fancy.
  • Write a ‘story’ as a list (think McSweeneys).
  • Write a mock guidebook to some place you know well (or some experience you’ve been through)
  • Write an open letter to someone your character hates/loves/has a bone to pick with. Consider including a response from their object of scorn/affection/correction.

GO!

What form did you choose? How did it work out for you? Leave a comment or join the conversation in the community.

[Writing Prompt] Multiple Perspectives

I’ve been going on (and on) about the importance of not ‘head-hopping’ between characters in a different scene, to take things easy on the reader. Today I say: mix it up! Make the reader work for their entertainment!

The Prompt

Write A Story From Multiple Perspectives

Tips Continue reading “[Writing Prompt] Multiple Perspectives”

[Writing Prompt] Third Person, Limited Perspective

Today, it’s back to the tried and true, a format you’re probably much more familiar with than yesterday’s Second Person. Yes, today we write in Third Person, Limited Omniscience, perspective.

All of which means, you get inside a character’s head and stay there.

The Prompt

Write A Story in The Third Person, Limited Perspective

Tips

  • As with First Person, there is no head-hopping in Third Person, Limited. The difference is that everything is told in ‘he’ or ‘she’, rather than “I” and the character is not talking directly to a reader.
  • In Third Person, Limited, you still have to stay with the protagonist and what he/she knows. No popping out of character to look behind the curtain. Oh, there’s an example: the Wizard of Oz movie. The audience learns everything about that world at the same time that Dorothy does. The Wizard knows he’s just ‘the man behind the curtain’ all along, but Dorothy — and therefore, the audience — learn it in a big ‘reveal’ near the end. If this story was being told in Third Person, Omniscient, the film makers could have cut away and shown us the sham-wizard before Dorothy even gets near to her goal. That would have made for a different experience for the audience, don’t you agree?
  • The fact that the reader stays with the protagonist is one reason this is such a popular format for thrillers and mysteries. You, as the writer, can keep secrets from audience, only revealing them when it’s important to the character. Because you are pulling the strings, however, you can use your knowledge to foreshadow things that are coming up (if you’re a plotter. Otherwise, you’ll have to go back in and do this in the revision stage!)
  • Use today’s story as an exercise in trusting the reader. Pledge not to use the words “he thought” or “she felt” or “he assumed” or anything like that. Allow your protagonist to make declarative statements in their thoughts, without explaining that ‘she thought’. Here’s an example: “Sykes flops his entire torso out the window and yells, “Hell yes I’m drunk baby and I’m married too! But I’ll still love you ugly in the morning!” This gets the girls laughing and for a moment there’s hope, but Billy can see the light already dimming in their eyes. He sits back and pulls out his cell; they were probably never serious anyway.” (Billy Lynn’s Long Halftime Walk: A Novel by Ben Fountain) It’s pretty clear that “they were probably never serious anyway” is Billy’s thought, isn’t it? But the author never feels the need to tell us this. Try it out in your story today.
  • As an experiment try re-writing your First Person story in Third Person Limited today.

Go!

Did you rewrite an earlier story in a new POV? Tell us about it in the comments.

[Guest Prompt] Charlotte Rains Dixon

The Prompt

Write about the best gift your character was given.  Incorporate one of the seven deadly sins (wrath, gluttony, sloth, greed, pride, lust, envy) into the story.

 

Charlotte Rains Dixon is the author of Emma Jean’s Bad Behavior. She is a novelist, writing teacher, free-lance journalist, ghostwriter, and author. Continue reading “[Guest Prompt] Charlotte Rains Dixon”

[Writing Prompt] Second Person, Awkward

In the Second Person, the story is told like this, “You are walking around in the depths of winter and you find yourself shivering”.

It’s not a format that we see much and as a result it can be tricky to pull off. But it’s worth a try if only to show up the advantages of the other points-of-view available to you. Or maybe you’ll be one of those people, like Jay McInerney, who turns it into a work that is acknowledged as a contemporary classic.

The Prompt

Write A Story in the Second Person Perspective Continue reading “[Writing Prompt] Second Person, Awkward”

[Writing Prompt] Putting ‘I’ First

This week we’re going to be playing with point of view. It’s easy to get stuck writing from the same perspective in every story. To break you of that habit, we’re going to be trying the all this week! Feel free to write the same story over and over again, this week, playing with perspective.

The Prompt

Write A Story Told In The First Person

Tips

  • First person is relatively easy because it’s how we tell all our stories in every day life (“Oh, you’ll never believe what happened on the way in this morning! I was standing in the line for coffee, and …”)
  • Because your story is all from the perspective of one person, we can never know what any other character is thinking. We can know what the “I” character thinks another person is thinking, but remember that this is always colored by the protagonist’s feelings about the issue and the other person.
  • Grab a book off your shelf to see how this is done: check-lit and Young Adult are often written in First Person. If you have a copy of To Kill A Mockingbird, Jane Eyre, Gulliver’s Travels or The Great Gatsby, pull them off the shelf and see how First Person was handled by the masters.

GO!

[Writing Prompt] Your Voice Is Unique

One of the things newer writers worry about most is originality: how can I have an original idea when all the stories have been told.

Today we’re going to do a little exercise to prove that originality is not about the characters, the even the events of the story. Originality comes from you, writing in your voice, as only you can.

The Prompt

Write A Cinderella Story. Share (At Least An Excerpt) In The Comments 

Tips Continue reading “[Writing Prompt] Your Voice Is Unique”

[Writing Prompt] Practice Your Descriptive Writing

Yesterday’s prompt about dialogue, probably didn’t leave you much room for descriptive writing .Today, on the other hand, is you change to channel your inner Tolkein.

The Prompt

Write A Story Rich In Description

Tips

  • The trick to good descriptive writing is to pick which details to highlight and which to exclude. You are like a photographer, framing a shot, not a draughtsman, capturing every detail of a room.
  • Description sets the mood: a dark and stormy night suggests something about the story that’s about to be told. You can, of course, play with the reader’s expectations and set a funeral on a sunny day, but again that sets the mood. The jarring quality of the weather and the occasion tell us something about how the characters feel about the events.
  • A description of a person can tell the reader more than simply what you, the author, sees in the character you’re describing. It can tell them how the character sees herself, or how the character is viewed by the person viewing them. Perhaps you can have two different characters describe the same person, and show how their feelings about the person color their description.
  • Don’t forget to include action and character development in your story. Use the descriptive writing to serve them. Remember, you’re writing a story, not painting a still life!
  • Browse the archives for other articles about descriptive writing, if you’re stuck.

GO!

Are you a fan of descriptive writing or do you tend to skip over those parts when you’re reading? Did you find this an easy or hard exercise. Did you learn anything today? Leave a comment or join the discussion in the community.

[Writing Prompt] Give Your Characters A Voice

Today we’re going to focus on dialogue.

Gripping, realistic dialogue can bring a story and its characters to life. Writing great dialogue, however, takes practice.

The Prompt

Write A Story Told Almost Completely In Dialogue

Tips

  • Remember that how we speak (what we say and what we don’t say) is heavily influenced by how we’re feeling — what kind of day we’re having; how we feel about what we’re saying; how we feel about who we’re saying it to.
  • Use emotions to dictate word choice, length of sentence (if you’re breathless because the object of your affection is actually talking to you, your sentences are going to be fragmentary. If you’re talking about a your life’s work, you’re going to use big words and jargon and hardly pause for breath).
  • Remember that no-one really talks like they do in plays: no-one listens carefully and answers appropriately, and no-one tells the whole truth.
  • You can use play format to write this (” STAN: I can’t believe you said that! / MOLLY [walking away]: Believe it, bub.”).
  • You can write this is a more traditionally narrative way (“I can’t believe you said that!” / “Believe it, bub” / “Come back, please! Honey?”)
  • You can include dialogue tags and ‘stage directions’ if you feel you need them. This can be helpful if more than two people are talking. (“‘I can’t believe you said that!’ / ‘Believe it, bub,’ Molly said. / ‘You are so screwed, bro.’ Dan shook his head as he watched his friend’s wife walk away, her head held high. ‘I think she means it this time.’ “)
  • Don’t go crazy with the dialogue tags (…she cheered; she exulted… “She said” is usually fine). And watch your adjectives, unless you’re writing a Tom Swift parody!
  • People rarely use each other’s names in everyday speech. Resist the temptation to have your characters do it. Instead, focus on making each character’s way of expressing themselves distinctive. (How often have you heard a story your friend told you, laughed, and said ‘yup, that sounds like something he’d say’? People DO sound different from each other. Use that.)
  • It might be easiest to limit this story to two characters so you can really focus on each of their voices — with maybe a walk-on part from a waiter or a cop or the person they’ve been waiting for, just to mix things up.

GO!

What form did you decide on? How did this go for you? Do you usually write a lot of dialogue or was this new for you? Leave a comment below or chat about it in the community.

[Writing Prompt] Lights, Camera, Action!

How did you get on yesterday? Did you post in the comments or the community about your writing? Which proverb or ‘theme’ did you use?

Every story — even the most literary, introspective story — needs action.

Stuff must happen.

Action is the agent of change and your characters must change (even for a moment) or face an opportunity for change,  for your story to interest people. “Stuff happening” is what gives you the opportunity to show that opportunity for change.

The Prompt

Write A Story Wrapped Around An Action Scene

Tips Continue reading “[Writing Prompt] Lights, Camera, Action!”

[Writing Prompt] Gabriela Pereira – Musical Cues

The Prompt

Choose a piece of music from the list below. Listen through it once or twice and get your mind in the mood of the music. Then start writing.

  • Danse Macabre by Camille Saint-Saens
  • Fanfare for the Common Man by Aaron Copland
  • Egmont Overture by Ludwig van Beethoven
  • Piano Concerto No. 2 in C minor, Op. 18 (II. Adagio Sostenuto) by Sergei Rachmaninoff
  • The Planets by Gustav Holst (choose one movement)

Gabriela Pereira is the Creative Director and Instigator of DIY MFA, the do-it-yourself alternative to a Masters degree in writing. She creates workshops and tools to help writers get the MFA experience without going to school.

DIYMFA.com logoGabriela holds an MFA in Writing for Children from The New School. When she’s not teaching or designing learning tools for DIY MFA, she enjoys writing some fiction of her own. She especially loves writing middle grade and teen fiction, with a few “”short stories for grown-ups”” thrown in for good measure. Visit DIYMFA.com to learn more about Gabriela and DIY MFA.

[Also, don’t miss the Writer Igniter visual prompt machine at Gabriela’s site. So much fun!]

[Writing Prompt] From Scene To Theme

The theme of a story doesn’t always become clear to a writer until the story is written and revised (and often, ready by others and discussed).

Today, however, we’re going to turn that on its head.

The theme can be summed up as ‘the moral of the tale’, or a proverb, or the overarching lesson in a fable. Let’s take a well-worn proverb and construct a new story to illustrate it.

The Prompt

Choose A Theme And Write A Story That Illustrates It

Tips

  • The danger with starting theme-first is that stories can get preachy. Remember to base your story firmly in the character (unless you’re being intentionally experimental).
  • There’s no need to explicitly quote the moral or proverb you based your story on.
  • Try to go wa-ay beyond the first idea suggested by the theme/proverb you pick (no frogs carrying scorpions across rivers, please). Dig deep for a different idea. Try lots before you settle on one.
  • Use the theme less as a lesson for the reader and more as a guidepost to keep you on the right track as you write.
  • Don’t think I’m telling you to start theme-first with every story you write. Use this as an experiment to see what happens, what changes, when you start writing with a fixed theme in place.
  • If the theme is constraining your story too much, throw it out and follow the story where it wants to go (post about this in the comments or the community, if it happens. I’d be interested.)

GO!

 

[Writing Prompt] Setting The Scene

Write A Story Set In A Hospital
(or any other high-tension setting, if you’re not familiar with hospitals)

This week we are concentrating on the different parts of the short story. Of course ALL the elements need to be there, but each of these prompts focuses on a particular element more than the others.

How did your character writing go yesterday? Did you learn any interesting lessons about creating a character with a strong desire, that you can carry forward into your future stories? Did you leave a comment or post in the community?

Today we’re focusing on setting.

The Prompt

Write A Story Set In A Hospital
(or any other high-tension setting, if you’re not familiar with hospitals)

Tips

  • You still need to include fully-realized characters, each with specific (and possibly opposing) desires. (For example, your patient might just want to go home. Their doctor probably wants them to stay put for now. Their next-of-kin might have a whole other set of issues and the nurses probably just want to go somewhere quiet and put their feet up for a few minutes…)
  • Make the setting integral to the story. Have events that could only happen in this high-tension setting.
  • Use all your senses to set the scene — everyone talks about the smell and the colors of hospitals, but what about the noises? I heard a news story on the radio recently about the incessant beeping of alarms in hospitals. That was something I wouldn’t otherwise have thought of. And again, someone once told me how it hurt them that their child’s hospital blanket felt so rough. All they could think of was getting a fuzzy blanket for the child. These are the kinds of details that bring a story alive.
  • If this setting doesn’t work for you, check out these other prompts I’ve provided with different (possibly more cheerful) settings.

GO!

 

[Writing Prompt] Character Counts

Woo-hoo! One week into the StoryADay May challenge and you are still turning up. Good for you!

(Seriously. More than talent, persistence is the thing that is going to make writing a fulfilling, successful and worthwhile pursuit for you.)

Take a moment to reflect on everything you learned about your writing last week. Try to keep the things that worked, but stay flexible and open to more experimentation in the weeks ahead.

This week we’re going to focus on different elements of the story, starting today with Character.

The Prompt

Write A Story Where Everything Hinges on Your Character’s Most Desperate Desires

Tips

  • If you need some help coming up with things your character might desire, here’s a series of writing prompts based on Maslow’s Hierarchy of Needs.
  • Spend some time with a blank sheet of paper, before you write. After you decide on your character and their need, jot down 15 scenarios that could grow from that desire. (Writing 15 different scenarios means that you’ll blast through the obvious storylines straight away, then you’ll get to the weird and interesting ones that will make your story sing. Keep going until you have 15 even though the last three will probably be truly terrible.) Pick the one that interests you most, then start writing.
  • Make the desire all-consuming (for this instance, the duration of this story). Focus on this moment in the character’s life. Mine it for details, humor, horror, whatever you can get out of it.

Go!

Don’t forget to comment below to tell us how your writing went (or share an excerpt, or link to your story on another blog) or join us in the community and do your Victory Dance.

[Writing Prompt] Becca Puglisi – Ending Line

The Prompt

Write the story that accompanies this ending line:

I clicked off the safety, swearing that if she showed her face here today, my room would be the last one she ever entered.


Becca Puglisi is passionate about learning and sharing her knowledge with others. This is one of her reasons for writing The Emotion Thesaurus, The Positive Trait Thesaurus, and The Negative Trait Thesaurus. A member of SCBWI, she leads workshops at regional conferences, teaches webinars through WANA International, and can be found online at Writers Helping Writers (formerly known as The Bookshelf Muse).

[Writing Prompt] Writing In Bits And Pieces

The last of the content-less prompts today!

Today I’m sticking with the theme of timed-writing but trying something a little different.

The Prompt

Pick Three Times Today When You Will Write Parts Of A Complete Story

Tips

  • Try to start earlyish in the day and write the opening of your story.
  • Pick a time a few hours later to write some more, and then again, later in the day to finish up.
  • Notice how easy or hard it was for you to get into the writing at different times of the day.
  • Think about professional writers on deadline, on book tours, who teach, who have ‘real jobs’. They have to find a way to write whether or not life is getting out of their way. Practicing squeezing a story into different parts of your day can be a useful skill.
  • Pay attention to whether or not one of the times of day worked best for you (tip: it might not. You might simply find you need to get the flow going, or that you’re ace at writing in fragments any time of the day. Be open to experimentation here).
  • Finish the story!

Go!

Don’t forget to comment here about your writing day or join The Victory Dance Group and let us know how you got on today.

[Writing Prompt] Elizabeth Spann Craig – The Unexpected Guest

[Here’s another scenario ripe with opportunities for character development, comedy, tragedy…in other words emotion — that thing that all readers are looking for! – JD]

The Prompt

Your protagonist opens the door and finds an unexpected guest–a friend from high school who hasn’t been heard from in many years.

This friend has fallen on hard times and wants to stay with your protagonist a few days. As your protagonist and friend sit in the kitchen, the friend reminisces about the old days…and stirs up trouble by recalling some unhappy teen moments, too.

How does your protagonist react and what are those good and bad times in the past? 


Elizabeth writes the Southern Quilting mysteries for Penguin/NAL, the Memphis Barbeque mysteries for Penguin/Berkley, and the Myrtle Clover series for Midnight Ink and independently. She blogs at ElizabethSpannCraig.com/blog, which was named by Writer’s Digest as one of the 101 Best Websites for Writers for 2010-2013.

[Writing Prompt] Set Aside An Hour

Today we’re going to try something new. I’m not assigning a word count, but rather a time limit.

The Prompt

Set aside a full hour to write a short story. Start and finish the story during that time.

Tips

  • Some people work really well with deadlines. Maybe this is yours.
  • Don’t panic if you can’t start writing at 00:01. Sketch out some ideas, try on a few characters. An hour is quite a long time if you focus on one moment, one instant (the perfect milieu for a short story). As long as you’re writing by 00:30, you’ll probably get a decent draft out of this exercise.
  • Pay attention to how you deal with the pressure of the hour finishing up. Is your story’s pacing clearly influenced by the deadline? (If it is, don’t worry, you can always clean things up in the rewrites).
  • Assess this exercise. Did you finish? Did you have to ‘cheat’ (i.e. write stuff like [put details in here], [move characters across town] etc.)?
  • Did the time limit work for you better than the word count as an exercise? Could this be something you use every day?

Go!

Don’t forget to comment about your writing day below or in The Victory Dance group.

[Guest Prompt] Angela Ackerman – Shame

The Prompt

Shame is a powerful emotion, and one of the most wounding experiences a character can face.

Write a story where your character does something that they feel shame for (maybe a failure, making a mistake [through one’s own carelessness or by accident] that hurts someone else, or letting someone down, poor treatment of someone, refusing to help, etc.) and how they redeem themselves in the aftermath.

Angela Ackerman is a writing coach and co-author of the #1 bestselling resource, The Emotion Thesaurus: A Writer’s Guide to Character Expression as well as the bestselling pair, The Positive Trait Thesaurus: A Writer’s Guide to Character Attributes and The Negative Trait Thesaurus: A Writer’s Guide to Character Flaws. When she isn’t teaching or building innovate tools for writers, she writes Middle Grade and Young Adult mysteries represented by the Jill Corcoran Literary Agency. You can find her at Writers Helping Writers, a hub for all things description.

[Writing Prompt] Twitter Fiction

OK, so that was a fairly large story you wrote yesterday and you’ve probably got some ‘life’ that you’ve been neglecting while you wrote. So today you’re getting a bit of a break.

(And remember, the prompts are always optional)

The Prompt

Write a story of no more than 140 characters

Tips

  • Bonus credit: post it on Twitter and follow up with a Tweet explaining to everyone that you’re taking part in StoryADay May and that they should really think about joining in, yes, even now, even though they’re late to the party. That’s when all the people who like to think they’re cool turn up anyway…
  • Remember that with a story this short, most of the story is untold, implied, imagined by the reader.
  • This story will not be quick simply because it is short
  • Use one of your favorite story sparks for this tiny story. Yes, I mean it. Use up a really good story idea on this. That way you’ll be forced to look around today, for more Story Sparks.
  • Are you starting to notice that, after five days of writing, you’re seeing Story Sparks all around you? Are you listening harder to what people tell you? Are you reading more carefully when you get the chance? Are you starting to do that wonderfully creative thing and see connections all over the place?
  • If you’re having second thoughts about writing (especially if you’re drawing from your real life) remember that you don’t have to show these stories to anyone. Even if you write a blistering portrait of your boss, no-one has to ever see it — especially not in the first draft. Worry about disguising your sources later, when we talk about revision next month!

Go!

Post about your writing day in the comments below or join the Victory Dance group in the community for more accountability.

[Writing Prompt] 2000 Words

It’s Sunday, but it’s no day of rest for we writers.

The Prompt

Write A Story of Around 2,000 Words

Tips

  • This is a common length for editors to request from new writers in fiction publications. It’s a length that allows you to display some style and character development, without getting too carried away and lost in the woods.
  • Remember that, even at this length, you’ve only got a maximum of around 1600 words to tell the actual story. Try to get to the first really interesting event by the time you’ve written 500 words.
  • At this length, it might be helpful to do some planning. Take your idea, think of a character and their defining characteristic, pop them into a setting and think about how you might give them some conflict (that relates to their character strengths/flaws).
  • You have room for some supporting characters at this length, but remember that word ‘supporting’. They are there to teach the reader something about the main character, not so much about themselves. This isn’t a novel, with subplots and fans who’ll create a wiki…

Post a comment below to let us know you’ve written today, or join the community and post in the Victory Dance Group, for extra support and accountability!

Don’t forget you could be receiving these prompts every day by email, if you’re not already. Sign up here.

[Guest Prompt] Heidi Durrow – Passions

[Ooo, I’m particularly excited about this one. This is a challenging prompt but one that should yield some great stories, since character and conflict are at the heart of the story – JD]

The Prompt

The Energy of Passions & Obsessions

You become what you think about all day long.
-Ralph Waldo Emerson

Passions and obsessions are great starting points for stories. So what if a character has a passion or obsession but the character has extreme difficulty fulfilling that dream. For example, a character could have an extreme passion with exotic birdwatching, but he can’t fulfill his greatest wish because he is a poor child living in a big city. What does the character do to fulfill his obsession? What happens to the character when he can’t? What does the fulfillment of the obsession or passion mean to the character?  


Heidi Durrow is the New York Times best-selling author of The Girl Who Fell From the Sky (Algonquin Books) which won the PEN/Bellwether Prize. She is the founder of the Mixed Remixed Festival, an annual film & book festival in Los Angeles.

[Guest Prompt] Mary Robinette Kowal

The Prompt

Work the words vermillion and musky somewhere in the next 250 words you write.

Mary Robinette Kowal is the author of the GLAMOURIST HISTORIES series of historical fantasy novels, and the 2011 Hugo Award-winning short story “For Want of a Nail.” Her short fiction appears in Clarkesworld, Cosmos and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.

[Writing Prompt] 640 Words

So how did you get on yesterday?

Did you write? Did you leave a comment on the blog post, or do your Victory Dance?

Hooray, you’ve made it to Saturday. I hope you’re one of those lucky people for whom Saturday means a break from the regular responsibilities of the week. But likely you’re not. So: tough. We’re writers and we write whether we’re on ‘vacation’ from real life or not 😉

Today we’re striking a happy medium between the lengths of story we’ve played with already.

The Prompt

Write A Story of 640 Words

Tips

  • This is about the length of a newspaper column (remember them?). Enough room to tell a story but not much room for florid language.
  • Pay attention as you write, to how long it’s taking you to write, on average. This will help you set realistic goals about how much time you really need to set aside to produce good creative work.
  • Pay attention to your writing style as you write today. Which length of story has felt more comfortable to you?
  • Make sure you finish all your stories this week. Even if you have to write “[FILL IN DETAILS HERE LATER]”, try to get to the end of the story every time. Have you been finishing your stories? What has this taught you about getting to the meat of the story quickly?

 

Go!

(And don’t forget to celebrate when you’re finished, by commenting below or doing your victory dance.)

[Guest Prompt] Therese Walsh – Magnetic Words


THERESE WALSH is the author of The Moon Sisters and the cofounder of Writer Unboxed. She lives in upstate New York with her husband and two children.

The Prompt

Imagine your protagonist has just opened a large magnetic poetry kit. Which words call to him/her? Will s/he put these words on the refrigerator in a random scattering or compose a sentence? Share your words and sentences here.

Tips

  • If you don’t have a magnetic poetry set (what?!) you can play online
  • You can write a whole story based on the words you select or you can show the scene where they select words.

GO!