114 – On Promiscuity

In which I talk about when (writerly) promiscuity is good, and announce the winners of the September giveaway of Windy Lynn Harris’s book, “Writing & Selling Short Stories & Personal Essays”.

Bonus points if you can spot the sound of my kid’s hamster trying to break out, in the background. #IThoughtHamstersWereSupposedToBeNocturnal

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113 – Should You Edit While You Write?

This could be a really short podcast (just me screaming “NO!”), but I decided to talk in a more constructive way about the reasons why I think it’s important to write fast first drafts and save revisions for later.

With thanks to my StoryADay Superstars group for raising this talking point as they go through StoryADay September.

 

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112 – Backstories & Integrity

Firstly I talk about some people who are making short and long fiction work for them: Mary Robinette Kowal, whose new novels The Calculating Stars grew out of a short story, The Lady Astronaut of Mars; and Diana Gabaldon, who writes short stories in her Outlander universe to keep her readers occupied while she’s working on the longer novels.

I also talk about slang:

Writing prompt: https://storyaday.org/wow-invented-languages/

Escape Pod episode: Me, Meg & The Thing by Gian-Paul Bergeron – http://escapepod.org/2018/08/02/escape-pod-639-me-meg-and-the-thing/

Prompts for this month: http://stada.me/backstory

PEP TALK

The second part of this podcast is a pep talk about living up to your writing commitments in the face of life’s urgent tasks and why it’s so important … and not just to you.

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TRANSCRIPT

Good morning, good evening, good afternoon. This is Julie from StoryADay here back to talk with you for another 15 minutes or so about writing. Have you been writing to the writing prompts of Story A Day this month? Have you been writing backstories for a longer work exploring the affection world that you have created before?

I have been thinking more about this and I have just recently finished a book called “The Calculating Stars” by Mary Robinette Kowal. I talk about her a lot because I admire her in many ways. Largely her writing and also the way that she makes a living as a writer. This book, The Calculating Stars, is an alternate history of the 50s in America and the NASA Space program. It’s not called NASA in her work but she has done a lot of research and it’s really great. It’s right up my alley: it’s history, it’s science fiction, and it’s  space travel; hitting all my geek buttons.

The first thing that she wrote in that universe or the first that she published in that universe was a short story called the Lady Astronaut of Mars which is a great title.  You  know from that title that it’s set in the 50s because we don’t refer to people as Lady at his or Lady that any more, but she wrote this story about this woman who has had a career as a lady astronaut. “The Calculating Stars” goes back and explores how she became that lady astronaut and it’s a whole novel, explains the whole world, explains her life, puts a whole cast of character around her who were obliquely referred to in the short story. There’s a second novel coming in the same universe. I believe that all of that came out of a short story.

So when I talk to you about writing short stories that explore the backstory of a fictional universe it’s not just research. It’s not just wasting time, it’s not just notes. It could really grow into something important whether it’s a series, a short story setting in the universe or whether it’s a two book dealing with Tor.com. You really can’t go wrong I don’t think, unless you are wasting time and not finishing the stories and procrastination finishing the longer work.

I think that writing and crafting short stories in the universe is always going to be a good thing.

So go back and look at the August writing prompts and find one that encourages you to write the backstory of your character or the culture in your world and other stuff there. Don’t forget to check at the bottom of the page for some of the Suggested Similar Posts.

I came across a prompt that I completely forget I had written which was about slang and exploring the slang of your world which is interesting because I just read a story this week. It was on a podcast and it may have been Escape Pod and it was written in a completely almost unintelligible slang until you realize that, until you tune in to how the characters talk and then it becomes very clear, very quickly what they are talking about. But in the actual opening of the story, it’s read with such confidence by the narrator that you just think this isn’t gibberish. But the whole thing is using consistent futuristic slang based on where these characters live their lives. It’s actually fascinating, it’s hard work but it’s fascinating. It’s an interesting exercise in thinking about how you can talk when you are not concerned about sharing information with people who are outside their little world. That’s what slang is. It’s a way of showing that you belong to this group and excluding outsiders. So it’s very interesting in terms of dialogue.

I started talking about the Lady Astronaut because I was thinking about  people who have done short story collections in the last few years. One of them is the fabulously successful Diana Gabaldon, who has her Outlander series, which is not only a series of something like seven doorstop books full of research and magic containing time travel and heaving bosoms and muscular Highlanders. It’s also a TV series and she has been writing these since like 1997 so it’s really become a big thing for her.  In between her big doorstop books she writes short stories to keep her readers happy because you can’t turn out a thousand page novel into 5 minutes so she writes stories in between books and she has collected them into various collections.

So that’s another reason to write short stories in your fictional world because it keeps your readers happy in between novels and you can keep income coming in as you put together short story collections in between novels. I could go on about how it’s useful to have lots of titles coming out frequently if you are going to self-publish  but not everybody is interested in self-publishing so I won’t.

There is one other thing that I wanted to talk about before I wrap up this week’s podcast. That is more of a pep talk about you and your writing time.

I have been following a food plan. I have been talking about it for about a year and I have been following it really well for  the first 9 months  7 months and then things got ugly and I started slipping and recently have got back on the plan. It’s kind of an all or nothing plan and I have to tell you it feels great to actually live up to my commitments. I have a support group and we all talk about whether we start to have a plan today and it sounds a little cultish but we all need support, right? It’s having that little group of people who is waiting to hear how you got on this month. It really starts you thinking about did I make my commitments to myself? That’s what I want to talk about right now is how important it is to prioritize your commitments to yourself?

Currently, I am planning a vacation and I am planning for StoryADay September and both these things are on the calendar and they are approaching, they are marching towards me whether or not I do anything about it. Whether or not I am ready September the first will roll around. So the work that I have to do for those two things—the packing, the priming of emails, prompts, all that stuff, the telling you about it—that stuff all has to happen on a schedule. So it’s very easy for me to prioritize that work and say I am going to work on prompts this morning, I’m going to do my laundry this morning and find my suitcase and it’s very easy for me to say my fiction can wait because there’s no deadline there. My short stories that I was going to write this month, they can wait because I really have to get this other stuff done because it’s urgent and its happening.

And yes that is true, but every time that we put our story writing, our fiction writing,  our art on hold for the more urgent things in life, we train our brains to say that this stuff is not important because it’s not urgent, it’s not important. I am here with a plea today and I know some of you out there in this community have got this and most of the time your meeting goals, you are doing thing and you turn up with the SWAGr group and you say I did this, I wrote this story and you are the people who are getting published, you are the people who are meeting your writing commitments and sharing your writing with people and living that writers life. I just want to remind the rest of us who maybe aren’t as accountable to our own goals, or  who are more easily swayed by the needs of others or by the march of time on the calendar to emulate those people, emulate the writers around you who say “you know what I need to sit down and do my writing.” It’s not urgent in a calendar kind of way but it’s important and it is urgent in a living my life way.

This is your one shot at life. Writing is important to you. Its part of who you are, it helps you become more who you are, it makes you a better person, my guess is it makes you easier to live with because it certainly does that for me. I want to challenge you this month, this week, this day to do the things that are urgent and that are on your calendar and the other people who are relying on you for, other people whose faces you know. But remember that your fiction is important not just to you but it is important to the people who rely on us to tell the stories. It’s amazing to me when I meet someone who tells me  a great story and I say you should write that and they look at me like I’m crazy.

Sometimes we forget that not everyone is a writer. Other people are readers, consumers of stories, lecturers of stories. They need our stories. We may not know their faces the way they know the faces of the people at our houses and our work, who are demanding things. But readers are out there. They need us and they need our stories. Quite beyond the fact of what writing does for you. You have a talent, you have a skill, you have a message to share, you have characters to share and you have an audience waiting to be entertained, to be moved, to be taught by you.

This week Patrick Stewart announced that he was coming back to Star Trek. Not just to Star Trek but to   Jean-Luc Picard. The reason he said he wanted to come back is because he has heard stories about how the Next Generation moved people and their lives.  I grew up watching Star Trek Next Generation. He said that he is excited to come back to that world and that character, that approach to life and to see what Jean-Luc Picard can bring in what he described as “these dark times”.

Writers have always written in dark times. Think of Alexandra Soltzhenitzyn, all those writers who were exiles…People have always written when things are difficult. Sometimes they write dark moving stories and sometimes they write wild satires and sometimes they just write comedy and they try to create a world they want to live in. That’s a pretty important thing, that’s a pretty important role that we have.

I am encouraging you to remember today, this week, this month, this year that your writing is important to you. It’s a priority but not only will you get that kick from living up to your goals from investing in your talent, from treating your craft with respect but you will be built with a better world. You will be creating visions of the future, visions of the world that could be for readers to read it. That’s what I am going to leave you with this week. Have a great writing week and keep writing.

111 – The Joy of Writing (Backstories)

Writing a longer work like a novel can get a bit overwhelming. Today I encourage you to use short stories to explore areas of your novel’s world that you might not have dug deeply into. This can help unblock the writing process and get you back to a place where you’re enjoying your writing.

LINKS

====

Write on Wednesday prompts: https://stada.me/wow

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110 – Putting Systems in Place

This month I am still talking about writing for minor holidays and anniversaries. In this podcast I reveal the grand plan behind this: it’s a system for focusing on particularly stories, regularly.

I talk about the importance of systems (because apparently Ihave a problem with the word “routine”) and I recommend you check out Tim Grahl’s new book Running Down The Dream.

If you want a super-bundle that includes not only Tim’s book, but the new book by Stephen Pressfield too “The Artist’s Journey” (swoon!), you can find that here.

https://stada.me/grahl (not an affiliate link. I’m just a huge fan of both of these guys)

The bundle contains all ebook formats plus audio book files. Quite the steal!

 

 

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109 – Writing For Minor Holidays

Minor holidays are a great opportunity for writers to show editors why they need to publish *this* story *now*.

Forget about the over-subscribed holidays of Valentine’s and Christmas. Instead, write about some oddball holidays. 

All StoryADay’s prompts in June will be tailored to these odd little holidays and anniversaries. Listen to this episode to find out why you might want to write an Arbor Day or National Handwriting Day story.

Plus some opportunities to give and invest in your writing.

NOTES: Get Well Gabby Foundation is collecting NEW books to be distributed to children’s oncology wards. Send them to PO Box 555, Ocean View, DE 19970 or contact your local hospital to see if they need donations. 

 

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106 – After The Challenge

This week I share some of the prompts from week 4 of StoryADay May 2018, talk about creativity and limits, and encourage you to dive into the community at StoryADay.

Also, I talk about drug discovery and wheelbarrows…

LINKS

Serious Writers’ Accountability Group (SWAGr): https://stada.me/swagr

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105 – Is It Time To Quit?

The problem with doing something hard (like writing) is not that you aren’t good. It’s that it’s hard to know how long to work before you decide that you really aren’t any good. 

(Hint: It’s longer than you think. And you may never be able to tell!)

How to keep going when you’re not sure if you should.

 

Resources mentioned in this episode:

My author interviews at NaNoWriMo’s blog: http://blog.nanowrimo.org/

Jerry Jenkins: http://jerrysguild.com

DIYMFA’s 101 Course: https://members.diymfa.com/101-course/

 

 

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104 – Getting Your Mojo Back

In Week 2 of StoryADay May 2018 we’re working on craft-based writing prompts (character desires, conflict, structures, openings and endings). Picking up skills and putting down words.

But now that the novelty has worn off, what can you do to rekindle your excitement about writing every day for a month?

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103 – StoryADay May 2018 is Underway!

The first week of StoryADay May 2018 is drawing to a close. In this episode I tell you about 

The webinar I did with NaNoWriMo’s Young Writer’s Program, Marya Brennan: http://stada.me/ywplive

The Superstars program, and how you can still join (today): http://stada.me/superstars

Here’s where you can find all the prompts for StoryADay May 2018: http://stada.me/may2018

And I answer a question about burnout and revision during May.

 

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102 – Top Three Tips For A Successful StoryADay May

In this episode I give you my top three tips for a successful month of writing an introduce the new StoryADay Superstars program: https://storyaday.org/storyaday-superstars

(membership comes with a month of free access to Duotrope, my favourite online source for writing markets)

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101 – Windy Lynn Harris & Short Fiction

Apologies that the audio is a little crackly on this one, but it’s worth sticking with, to hear the infectiously enthusiastic Windy Lynn Harris and me, gabbing about the joy of short fiction.

Windy Lynn Harris is the author of Writing & Selling Short Stories & Personal Essays (Writer’s Digest Books, 2017)

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100 – Read Like A Writer

This week I share some ideas on how you can read like a writer, and turn that effort into a resource that you can return to again and again.

StoryADay May 2018 starts in a few weeks. Reading short stories in the run-up to a big writing challenge, can be incredibly inspiring.

100th Episode Celebratory Look Back

Here are some episodes you  might have missed.

Jane Friedman and The Business of Being A Writer: https://stada.me/pdjane

Flash Fiction Essentials: http://stada.me/flash

Mastering The Magic of Opening Lines: https://stada.me/pdopenings

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099 – Jane Friedman & The Business of Being A Writer

Today I interview publishing industry expert Jane Friedman (www.janefriedman.com) whose new book The Business Of Being A Writer is billed as ‘the business education you never got’, for writers.

We discuss what writers should do when they want to go pro, the myth of the overnight success, the nature of ‘work’ and networking for introverts! Continue reading “099 – Jane Friedman & The Business of Being A Writer”

098 – Why Can’t You Write That Story?

This week’s podcast is a pep-talk to get you writing, even when you’re having trouble getting started.

(Isn’t “getting started” the hardest part some days?)

And sometimes, getting started isn’t the problem. The problem crops up somewhere else: 

* Getting through the mushy middle

* Reining in a story that wants to become a novella

* Losing focus before the end.

I want to hear from you: what problems do you encounter when attempting to write short stories? 

(I’m not calling it writer’s block, because that sounds like an artificial, external problem, and I believe we can all find the solution to temporary ‘stuckness’ from inside ourselves.)

Leave your comment and join the discussion here: http://stada.me/wrong

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Mini Episode: Sonnet writing prompt

Today’s mini episode is a writing prompt that challenges you to write a story in the form of a prose sonnet (don’t worry, I explain what I mean and give you a few different styles to choose from).

It’s a challenge, but it’s a good one!

Read more: http://stada.me/sonnet

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097 – Short Story Forms

This month I’m focusing on short story form.

Watch out for a few mini-episodes coming your way, with more details on some short story forms.

Also in this episode, I recommend Jane Friedman’s new book, The Business of Being A Writer [http://amzn.to/2DyhhYL].

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096 – How To Make Flash Fiction…Flash

Flash fiction is more than just a collection of fewer than 1000 words. Flash fiction must…FLASH!

In this episode I talk about,

  • how to surprise your readers,
  • how to craft openings and endings to keep your story in your readers’ hearts,
  • how to use titles as the sizzle that sell your story to a reader

I also remind listeners that it’s almost time for the March SWAGr post, where we make our commitments for the coming month.

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095 – Flash Fiction Part 1

February is the shortest month, so we’re focusing on the shortest of fiction: flash! 

(And, yes, I know there are shorter forms, but this is the particular short-short form I picked, ok?)

This week I talk about what flash is and why you might want to be writing it. Includes bonus trivia about Impressionism.

 

LINKS

Last week’s flash fiction writing prompt: https://storyaday.org/wow-make-it-flash/

The latest Reading Room review featuring flash fiction: https://storyaday.org/rr-meteor-mccolough/

This month’s Accountability Group post: https://storyaday.org/swagr-feb-2017/

Follow StoryADay on Twitter: @storyadaymay

 

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094 – P.A.C.E. Yourself To Reach Your Writing Goals

As we settle into a new year of writing, it’s worth taking a look at our habits and forming an ‘if/then’ contingency plan to keep us working when our plans go awry.

Here’s the companion article to this podcast

Also in this episode, this week’s writing prompt!

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091 – Regrouping PLUS: NaNo Rescue!

For all you NaNo novelists out there, deep in the belly of a fast-written novel, I have a suggestion for a way to revitalize your writing and your excitement about your project.

For everyone (else?) I talk about regrouping: it’s November: There’s still time to rescue some of your writing goals for this year, and set yourself up for a successful writing year in 2018.

 

LINKS:

The StoryADay Serious Writers’ Accountability Group (SWAGr) – http://bit.ly/2zPC6l1

Austin Kleon – a sample newsletter – http://bit.ly/2meYazT

Ryan Holiday on how & why to keep a ‘commonplace book’ (AKA Interinsting Things Log) – http://bit.ly/2mfjGEp

 

 

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090 – Mastering The Magic of Opening Lines

Writing the first line of your story is tough. Opening lines must: 

  • Set up the main question the reader is going to be asking all the way through
  • Establish the voice of the protagonist/narrator
  • Set the tone
  • Ground the reader in a time or place

So, how do you make your first line reflect all these things?

Let’s look at some examples.

 

Read more and sign up to get the extra case studies:
Mastering The Magic of Opening Lines 

 

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089 – StoryADay September Week 4 prompts

In This Week’s Podcast

Writing Prompts [1:44] https://storyaday.org/stadasep17-04/

What To Do If It’s Getting Harder To Write [4:08]

Book Review: Windy Lynn Harris’s Writing and Selling Short Stories and Personal Essays [6:08]

How’s Your SWAGr? [12:18]

Come and leave a comment or question at the blog: https://storyaday.org/stadasep17-04/

And listen next week for more information about an upcoming critique opportunity.

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088 – StoryADay Sep17 Writing Prompts and: Don’t Quit!

This week I give you five story starter prompts and an excitable sermon on not quitting. Enjoy!

The Prompts [0:52]

Progress Report [1:46]

Don’t Quit (with bonus Cassini shout out) [3:36]

Checklist and Feedback info [12:38]

You can find the prompts online here: https://storyaday.org/stadasep17-03/

You can find the checklist for StoryADay Sep17 here: http://bitly.com/2fkPe5M

You can take the survey (with last week’s checklist clutched in your hot little hand) here: goo.gl/forms/O8fHSMfWAlDbrtBw2

And you can always make your public commitment to your writing at the first of the month at https://storyaday.org

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