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[Prompt] May 25 – Shifting Perspectives

Today’s prompt is a little different. It’s going to show you just how much difference Point of View can made.

Rewrite A Story From A Different Perspective

Take a story that you have written (either this month or at some other point) and rewrite it from a different point of view. If it was third person, limited, try making it first person, or third person omniscient. What new avenues of empathy does that open up for you? What new language can you use (see this article for useful examples).

You can choose to rewrite someone else’s story for this exercise (as long as you promise not to try to get it published and get yourself — and me — for breach of copyright for producing unauthorized derivative works) but it’s better to try this with one of your own. I’m not actually terribly worried about us getting sued. It’s just that rewriting one of your own will show you just how much the same story, written from a different point of view, changes even when written by the same person.

I strongly suggest choosing a story you are already happy with, for this exercise. If you already love the story, you’re much more likely to enjoy playing with it from a different point of view. Or you might hate doing it, but remember: you’re not deleting anything. You’re just doing an exercise.

Go!

Climbing Mount Revision One Step At A Time

As we sit here, there are only seven days left in May. Seven more stories and then you’re free to take a break, keep writing, set your stories on fire or, preferably revise them into works of genius. To help you out with that latter option I’ve recruited Gabriela Pereira from DIYMFA.com to give you some tips on revision.

OK, I’ll admit it. When I was in high school (and college and art school and grad school) I was definitely guilty of turning in work before revising it. Sure, I would do a quick spell-check and maybe give it a once-over for grammar, but rarely did I ever roll up my sleeves and do serious revision. And I totally know why I was so resistant to revision for so long: revision is flippin’ scary. The goal for this post is to make revision a little less scary. Let’s get started!

 

Principles of Revision
Before we dive into the how-to part of this post, here are a few things to keep in mind as you revise your work.

1) Let your writing cool down before you revise. Revision allows you to add rational choices and strategy to the frantic bursts of creativity that came out in the first draft. Take at least two weeks (maybe longer) after writing your draft to let it cool down before you revise. Step away and work on something else, then come back to it when you’re able to look at it with an objective eye. The beauty of StoryADay is that by the time you get to Day 31 of the challenge, the story you wrote on Day 1 is probably cooled off enough that you can go back and revise.

2) You need to finish first. Nothing you write is etched in stone… you can always come back and make it better later on. You can do fix just about any problem in revision, but you can’t revise a blank page. Finish first. This is why StoryADay is such an awesome challenge: it forces you to finish. Once you’re done with the challenge, you’ll have 31 finished pieces that you can pick and choose from when you start to revise.

3) Do a first read-through. Try to create a relaxing reading experience, similar to how you would read for pleasure. Make sure you’re not focused on the fact that you’re reading your own work. Make minimal notes. Your goal is to absorb the story as a whole, not nitpick over minor details. Tip: I put my drafts into Kindle format and read it on the kindle. This makes it feel like I’m reading a “real book” and not just a printed out draft. With the Kindle, I use the footnote function to make my notes, and since I’m lazy about typing notes with my thumbs, this forces me to keep the notes short.

4) Extract an outline. Write an outline of what you’ve got as a way of getting a handle on what you have written. Then adjust the outline according to the notes you made in your read-through and implement those changes in the draft.

 

Revise in Layers
I like to think of revision as climbing up a mountain. As you go up the mountain, you focus on the challenges and struggles of that one section. You don’t think about climbing the whole mountain at once (or else you’ll psych yourself out) but instead, only worry about that one small slice of the mountain. Revision is the same way. You start at the base of the mountain, revising the most basic elements of your story, then work your way up until you’re focusing on the nitty-gritty details like word choice and grammar. In my mind, revision looks a little bit like this:

Mount Revision graphic

The advantage of approaching the revision process in layers is twofold. First, you avoid overwhelming yourself because you’re only focusing on one layer at a time. Second, if you’re working with a deadline and you don’t have time to address each layer, this method can be especially valuable. If you start at the bottom and work your way up, at the very least you’ll have covered the most important elements of the story whereas if you focus on line edits first, you won’t have time to work out those bigger problems. Here’s a quick summary of each section of the revision mountain and how to address it.

Narration: This is where you consider how you’re telling the story. Is the point of view (POV) right for your story? Should it be in past tense rather than present? Is the voice of the narrator working? The best way to figure that out is to take the first page of your story and rewrite it according to the different options you’re considering, then decide which you like best.

Character Development: Don’t try to juggle all your characters at once. Start with the protagonist and figure out his/her arc, then look at key members of the supporting cast (like the villain or other important supporting characters). Work on each character separately to keep things manageable.

Plot: Here’s where extracting an outline can be extremely useful. If the typical list-format doesn’t work for you, there are many other outline options out there so you’re bound to find something that works for you.

World Building, Dialogue Description and Theme: Focus on these elements one at a time. Is the setting for your story clear? Does it feel real to the reader? How about dialogue and description? Do they flow and ring true? Finally, what’s your theme and does your story convey it?

Take-Home Message

Ultimately, revision is where you add the strategic elements to your story. Now that you know who the characters are and what’s going to happen, you can plant foreshadowing moments and hint at themes that will be important later on. You can’t do all this in your first draft because during that stage of the process you don’t know your characters or the story completely. It’s only once you know the ending and who your characters are at their core that you can manipulate the story in a strategic way.

Once you’ve revised your story, you’re ready to think about submitting it. For details on the submission process, you can look at this handy guide on How to Submit to Literary Magazines over at the DIY MFA website. And don’t forget to join in on the Sub2Pub challenge! Write on!

 

Gabriela Pereira is the Founder and Instigator at DIY MFA: the Do-It-Yourself Program in Creative Writing. DIY MFA is dedicated to helping writers improve their technique and build the benefits of a traditional MFA into their everyday writing lives.

Gabriela has an MFA in Creative Writing from The New School with a concentration in Writing for Children. She works as a freelance writing teacher and has taught workshops throughout New York City. Her fiction has appeared in various literary magazines and one of her lesson plans was included in the anthology DON’T FORGET TO WRITE, published by 826 National. She writes regular columns on writing for the STORIES FOR CHILDREN newsletter and CURIOSITY QUILLS PRESS.

Visit DIYMFA.com for more information or connect with Gabriela on twitter (@DIYMFA), Facebook, Google+ and Pinterest. For weekly writing boosts, signup for the newsletter WRITER FUEL and stay in the loop with all the latest at DIY MFA.

[Prompt] May 24 – Epistolary

Not quite a POV today, but still playing with character and point of view, today’s prompt is a secret love of mine:

Write an Epistolary Story

I’ve always loved stories played out through letters  – though now you can tell these stories in emails, phone texts, even Facebook updates and Tweets if you want to update the form. (Here’s an example from the very first StoryADay May, written by Amanda Makepeace).

You can write this as a series of exchanges between two or more people, or as letters, diary entries, or text messages from a single person (as in Amanda’s story).

  • What if you discovered a cache of letters in the attic of a house you just bought. What would be in the one-sided conversation?What would be missing?
  • What if you were a 13 year old who has finally got  on to Facebook?
  • What if you were an increasingly-enraged citizen writing letters to the editor of your small-town newspaper?
  • What if you were caught in a flame war in an online forum and all we, the reader, get to see is what goes on the screen?

Go!

[Prompt] May 23 – Third Person, Omniscient

Continuing this week’s theme of POV prompts, here is today’s prompt:

Write a story from the Third Person, Omniscient perspective

This is the perspective you know from all the classics (Dickens springs to mind): the author can say anything, pop inside any (or all) character’s heads, travel backwards and forwards in time, insert herself and her own commentary onto the page…

Have some fun with this. Take an episode and tell it from one character’s perspective, then leap into another character’s head and give their read on the situation. Try out your authorial prerogatives and make a comment about what’s going on (think of that moment when a TV character turns to the camera and talks directly to us, the audience).

This can get quite complicated (which is why it works so well for novels) but give it a bash and see what you come up with.

Go!

 

[Tuesday Reading Room] – Peeling

Today’s Reading Room post is by regular contributor Jami Balkom, who is reading a story a day during 2012. This week she was reading Peeling by Nathan Holic.

Diversion.

A woman struggling with fertility finds a distraction away from her marital and emotional struggle. She finds herself collecting beer labels, craft beers of all kinds, and saving them, pasting them into a scrapbook. As she catalogues this minutia, the reader sees her disintegrating mental state and can’t help but wonder if she will ever be successful in both removing that last unattainable beer label (a Sweetwater 420 label) and the pregnancy she and her husband so desperately want and have been trying for.

This story was well-written and compelling and a very different story than I’ve read before in its originality. Below is the link to the story. Enjoy.

http://necessaryfiction.com/stories/NathanHolicPeeling

 

Jami is reading a story a day in 2012. She is  a trial attorney in Panama City, Florida with an undergraduate degree in Literature from Florida State University. Jami is  currently writing her sixth novel. You can find out more at her Facebook page.

[Prompt] – May 22 – Third Person Limited

This week’s prompts are all about point of view and narrative voice.

Write a story from the third person limited POV.

“Third Person, Limited” means that, unlike yesterday, your narrator never says “I did this”, rather you talk about “he went to the door”, “He opened it.”

The ‘Limited” part means that all the judgements and assumptions, all internal thoughts are limited to those of the character through whom you are telling the story. No popping out of Dave’s head to jump across the room and tell us what Mandy is thinking as she looks at him. The only thing we’re privy to is what Dave thinks Mandy might be thinking about him.

Within this framework you can still play with the form: your limited persona can be like Nick Carraway, reporting on Jay Gatsby’s life, rather than telling us about his own adventures. You can give your limited persona the ride of her life through a whitewater canyon and let us see it all from her perspective.

Third person limited is great for short stories, because it lets us – the readers – identify with one character, and ground the story somewhere. You don’t have much space in a short story and the last thing you want is to confuse your readers (unless, of course, the whole point of your story is to confuse your readers!). Letting them get to know a character by showing their reactions to events, puts you half way to rooting for (or against) the protagonist.

Go!

 

[Prompt] May 21 – 1st Person

This week’s prompts are all going to focus on Point Of View.

 

It’s easy to get stuck in a rut, writing in third-person, or first person, or inside or outside your character’s heads. So this week we’re shaking things up. Ready?

Write A Story Using The First Person Voice

The whole thing should be told in the “I” voice, and preferably should be a story about something that happened/is happening to the person telling the story.

Go!

[Prompt] May 20 – Revenge

I saved this one for last (in the plot prompts series) because it has the potential to be the most fun of all!

If you’re a writer, the chances are you think a lot (too much?) about everything that happens to you. And you probably remember every little slight anyone has ever perpertrated upon you.

Now’s your chance to have your revenge.

Today you will write a revenge story. (Use examples from real life if you like!)

If you want to keep your main character sympathetic, make sure they’re seeking revenge for something outrageously unfair and that the bad guys are really bad. And make sure that your main character doesn’t just slide through the revenge process unchanged.

Of course, it doesn’t have to end well for your main character. Maybe they start out nice-but-wronged and end up avenged-but-twisted. Or maybe your protagonist is a real bad apple, to start with.

As usual, keep the scale of your story small: focus on one incident – probably the moment of confrontation. Start right in the action and show the backstory in dialogue, allusions, images. Bring the story to a climax and show us how it has affected your main character as s/he walks off into the sunset.

Write A Story of Revenge

Go!

Thanks to James Scott Bell for a week’s worth of inspiration. Check out the StoryADay.org exclusive interview with JSB, his Plot & Structure book, or any of his suspense novels, zombie legal thrillers (who could resist?!), historical romance or books for writers.

[Prompt] May 19 – The Quest

This week’s prompts are inspired by ‘plot patterns’ from James Scott Bell’s Plot & Structure.

Today your hero is restless. S/he can’t simply live the way everyone else does. Your hero needs to go on a quest.

Whether this quest (and what they seek) is literal or figurative, make sure the goal is something absolutely critical to their survival, and the obstacles huge.

(In a short story you may only be able to give them one obstacle as the set-piece but you can use the action & dialogue to

  • Imply a whole lot about who they are,
  • Explain why they are here and
  • Show the scale of the quest before and after this point,

If you pay attention to doing this, you’ll end up with a complete  story, not just a trailer for a novel

Send Your Character On A Quest

Go!

[Prompt] May 18 – The Loner

This prompt is inspired by ‘plot patterns’ from James Scott Bell’s Plot & Structure.

Your prompt today revolves around a protagonist who holds him/herself apart from the rest of their society. Perhaps they are an anti-hero, perhaps a loner, perhaps an introvert in a family of extraverts.

Make something happen to tempt/force this person out of their alone-ness. Will they step into their society during the action of the story? When all is resolved will they stay involved or retreat once again?

Write a story about a loner/anti-hero

Go!

[Prompt] May 17 – The Chase

This week’s prompts are all inspired by ‘plot patterns’ from James Scott Bell’s Write Great Fiction – Plot & Structure.

Write a story in which your protagonist is being chased by someone or something. If you choose to show what/who the hero is running from, make sure that pursuer has a vested interest in catching the hero (make it their obsession). Will your hero get away? Stay on the run? Find a safe haven? Convince their pursuer it’s all been a terrible mistake?

Write A Story About A Chase

Go!

[Prompt] May 16 – Love Story

Daily Prompt LogoOne of the nine plot patterns highlighted in James Scott Bell’s Plot & Structure is:

The love story.

(A billion romance readers can’t be wrong!)

You don’t have to write a traditional romance to be writing a love story. There’s a love story embedded in almost every story you read or watch. From Homer’s Odyssey to Homer and Marge Simpson, love is in the air.

All that is required for a love story is for two protagonists who are in love, and an obstacle to that love. Resolving the obstacle, one way or another, is the plot of your story.

To avoid writing a schlocky, saccharine formulaic romance, “one or other of your lovers [should] grow as a result of the pattern,” says Bell.

Write A Love Story

Go!

Host a Writing Sprint

RunnerHaving trouble getting started with your writing today? Why not host a writing sprint?

WHAT IS A WRITING SPRINT?

A writing sprint is a focussed block of writing time. Ideally you announce it to the world and invite others to join.

It’s usually pretty spontaneous. A writer announces that they’re doing a writing sprint at :15, for example (meaning ’15 minutes past the hour wherever you are’), and says ‘join me?’

I see writing sprints mostly on Twitter, because that’s where I hang out, but there’s no reason you can’t host one on your favourite social media network: Twitter, Facebook, Livejournal, LinkedIn, even the StoryADay activity stream.

WHY HOST A WRITING SPRINT?

  • You’ll inspire other people to join you in real time, as you write.
  • You’ll feel like you’re not in this alone.
  • You’ll be accountable to the other people taking part and less likely to abandon your own efforts.

HOW TO HOST A WRITING SPRINT

Start It

All it takes is a simple announcement. You can give people some notice (if you know you’ll be writing at 7 AM EST, say so) or you can just say “Go”.

Here are some sample messages you can send

About to write my storyaday story. Want to write with me? #WritingSpring at 0:15.

I’m #writing RIGHT NOW. Join me?

The hashtags are a Twitter thing: they let people easily find other people who are interested in the same things. the ‘Writing Sprint at 0:15’ part lets people know you’re starting at fifteen minutes after whatever hour it is now, wherever they are. (Obviously you can make it 0:00 or 0:23 or any time you like).

Set A Time Limit (optional)

Some people say they’re going to ‘sprint’ for 30 minutes or an hour or 15 minutes. That lets people know how long you’ll all be writing together (though anyone should feel free to write for more or less time). This is optional, though it increases the sense that you’re all in it together for at least that amount of time.

Write

This is important: get offline and write.

No, you won’t actually know if anyone is writing along with you because you’re not checking your messages (right?!). But just imagining a squad of other writers out there writing along with you is kind of fun.

End The Sprint

When your story is finished (or your time is up), send another quick message to let your followers know you are done, and invite them to check in. Sample messages:

#WritingSprint finished! I got a lot done! How about you?

That #WritingSprint was bit of a slog, but I did get 523 words written. How did you do?

Enjoy The Feedback

Sometimes you’ll hear nothing (especially if your network is small and not populated by writers) but sometimes you’ll hear from people you don’t even know, who just saw your hashtag, or message, and jumped in because you gave them the motivation they needed to get going today. And even if you don’t hear from them, there mayl be writers out there who saw your ‘writing sprint’ announcement and buckled down to write a story that would not otherwise have been told.

And trust me, it’s a pretty warm and fuzzy feeling, knowing you’re helping motivate people to write.

[Prompt] May 15 – Fairy Story

Whether you like the Disnified Happily Ever After versions or the grim Grimm originals, fairy stories are a great source of inspiration for a writer.

You can rewrite the tales with a modern twist, or a funny one, or you can simply take the morality-play form and use it for your own story.

I come back to this prompt idea again and again because it is such fertile ground and because EVERYONE knows a fairy story or folk tale (if you need a reminder of some, go here).

Alternatively, you could choose to write an allegory (think: Narnia, or Animal Farm). If you do write an allegorical story, however, bear in mind this advice from James Scott Bell’s book Plot & Structure:

“Allegory is difficult to do well, since it may just come off as merely preaching in the guise of an imaginative tale…Make the characters real and not just stand-ins for your ideas.”

Rewrite a fairytale/folk story or Get Allegorical

Go!

 

You’re A Writer, It’s What You Do – An Interview With Author James Scott Bell

This week we have an exclusive interview at StoryADay.org with James Scott Bell, the #1 bestselling author of the writing book Plot & Structure, and thrillers like Deceived, Try Dying, Watch Your Back, One More Lie and many more.

He stopped by StoryADay.org to talk about the importance of writing routines and practice — a topic dear to our hearts, and the subject of his book Writing Fiction for All You’re Worth: Strategies and Techniques for Taking Your Fiction to the Next Level.

StADa: Do you consider it important for aspiring writers to have a regular writing routine?

JSB: Boy, do I. In fact, that is the single most important piece of advice I ever got, and I’m glad I got it at the beginning. I do a weekly quota of words and break that down into 6 days (I usually take Sunday off from writing, to recharge my batteries). I keep track of all the new words I write and usually work on two projects or more during any given day. If I happen to miss my daily count I know I can make it up on other days.

The really nice thing is that, at some point, you look up and you have a completed book. It’s done. You did it. It’s a tremendous feeling. Then you have something to edit. And you just keep doing that, over and over again.

StADa:  One look online tells you that there is a lot of competition out there. How can a writer keep his/her motivation up, without becoming discouraged by or envious of other writers who seem to be doing ‘better’?

JSB: There are lots of ways for writers to make themselves miserable. Comparison is one surefire method. Because there is ALWAYS someone else doing better than you are. Always. You don’t even realize that there are lots of people not doing as well as you, either. But either view is wrong. It doesn’t help you to compare with someone selling more, and it doesn’t help you to feel superior to someone who isn’t.

Enough writers, like Ann Lamott and Elizabeth Berg, have written about envy and the like to know that it can sneak up on a writer. If it does you should immediately get lost in your own project. Get to the keyboard. Write your heart out. Soon enough you’ll be into that and the other stuff fades away.

Also, remember this is just one aspect of life. There is a lot more to living well than selling books. First, figure out how to live well. Then write.

StADa: It’s easy to ‘publish’ a work quickly today. What advice would you give the StoryADay community about what to do with the 31 first drafts they’re going to end up with on June 1?

JSB: Congratulations! A first draft is wonderful thing to have. It means a completed work, and that’s always a good thing. Robert A. Heinlein, the famous science fiction writer, once said there are two rules for writing:

  1. 1. You must write
  2. 2. You must finish what you write

Also, don’t think that a finished draft is ready to go out without a strong revision strategy. I wrote a whole book, Revision & Self-Editing, to help writers think that through in a systematic way. It’s important to know what you’re doing at every stage.

I’d also add, be working on your next book. And thinking up ideas for the one after that. And keep this up as long as you live.

You’re a writer, after all. It’s what you do.

 

000OOOooo

Thanks, Jim!

James Scott Bell has been called a writer of “heart-whamming” fiction (Publisher’s Weekly) “a master of suspense” (Library Journal) and a fresh voice in the “territory of Hammett and Chandler.” (Booklist).A former trial lawyer, Jim now writes and speaks full time. He lives in Los Angeles. He blogs every Sunday at The Kill Zone.

[Prompt] May 14 – Fish Out Of Water

After last week’s character focus, this week’s prompts are going to focus on different plot archetypes.

First up: the fish out of water story.

This ties in nicely with the focus on character, since the fish out of water story lays a great emphasis on the characters – either the alien character, or the ones who are trying to deal with having him in their lives. Think: Mork and Mindy, The Wizard of Oz, Hitchhiker’s Guide To The Galaxy… It also allows you scope to have fun with descriptions, point of view, dialogue, belief systems, you name it.

Write A Fish Out Of Water Story

Go!

[Prompt] May 13 – What Your Character Wants

Every character should want something, even if it is only a glass of water.

-Kurt Vonnegut

A concrete way to ensure that you are writing a story — not a scene or a character sketch — is to make sure your character wants something. Give your hero a want or a need, then move them towards or away from that thing. Et voilà! You have a  story.

There isn’t much room in a short story. You can’t afford to give your main character two or three things she wants (unless it’s two things that are diametrically opposed). She will have other things that matter to her, of course. It’s just that now — at this moment in her life, the one we’re spying on — she has one overriding want or need that she must resolve.

Secondary characters have wants and needs too, but you don’t have much room to talk about them. If your secondary character is the antagonist (or villain) you can spend more time on their ‘wants’ since exploring them is probably part of explaining why your hero isn’t getting what she wants yet. Otherwise, mentioning their dream in one sentence can be a great way to flesh out secondary characters.

Make Your Characters Want Something

Today, write a story in which you give a character a very specific want or need (you don’t have to spell it out at the start). Move them towards their goal, put rocks in their path, grant or deny their wish.

Give every secondary character a specific need too – even if it never makes it into the story, be sure you know what that person’s dearest wish is.

For more inspiration on this subject, check out Nathan Bransford’s post on the subject.

[Prompt] May 12 – Other Than Human

WRITE ABOUT A NON-HUMAN CHARACTER

Can you write a non-human character without making it react like a human? How would a table/tree/robot/alien think? How would it speak? How would it react compared to the reactions of someone born and raised in the West in the 21st Century?

Can you write a truly non-human character?

Go!

[Prompt] May 11 – Delayed Appearance

DELAY THE APPEARANCE OF THE MAIN CHARACTER

Sometimes it’s a problem to create enough suspense in a short story to keep the reader engaged. An interesting way to do this is to delay the appearance of your main character until quite far into the story. This follows on from yesterday’s prompt where you kept your protagonist off-sceen. This time, however, you can build them up and then allow them to take the stage.

How does this feel? Better? Did you keep the tension going even after the character appeared?

Keep Your Main Character In The Wings

Go!

[Prompt] May 10 – Offstage

NEVER LET YOUR CHARACTER APPEAR

Write a story in which the main, most interesting character never actually appears ‘on-stage’.

Everything the reader learns about the character should come in opinions, comments and conversations between other characters in the story. What do we learn about them? How important do they become? How difficult is it to keep them ‘off-stage”?

The Hidden Protagonist

Go!

Save Our StoryADay!

Sending out an SOS to writers who are struggling with StoryADay this May

sos

Maybe you haven’t started yet. Maybe you’re eight stories in. Maybe you started and then, well, life got in the way and…
But where ever you are, there are still 23 days left in May.
What will you do – in the next 23 days – as your gift to your Writing Self?
Here are 9 Ways To Save (or Support) Your StoryADay May:

1. Reset Your Goals

Only you know what’s going on in your life. If you know (or have discovered) that you simply can’t write a story a day, ask yourself what you could write. Three stories a week? One story, but worked on four days out of the week?
This is your challenge. Make it what you need it to be.

2. Forget The Past

Missed a day (or eight)? Forget it. Forgive it. You have today. Write something today.

3. Forget The Future

31 stories in 31 days sounds like a lot – and it is. What if you’re tired? What if you can’t face the idea of having to do another story tomorrow?
Well, what if the world ends and there is no tomorrow? What if aliens abduct all the writing materials on Earth tonight?
Just write for today.

4. Forget Your Audience

Nothing is more paralysing than thinking about what someone might think of your writing. On a first draft you must shut out all those voices. Don’t worry about the snooty woman in your book club who thinks First Person stories are lazy. Don’t worry that your sister will recognize herself in the portrait of the uptight pain in the posterior you are writing. Write to entertain or amuse yourself, to exorcise your demons, to distract yourself from having that drink or eating that fourth slice of pie. Whatever.
You do not need to share these stories with anyone. Write for yourself.

5. Write Rubbish

Really. You are allowed to write something truly terrible. Because if you allow yourself to write badly, you can laugh at yourself, and laughter is powerful voodoo. And then you can learn what not to do tomorrow.
And, the chances are, somewhere in that steaming midden of middling prose, will be a phrase, a clause, a character, an image — something — that you’re just a little bit proud of and that will make you come back and try again tomorrow.

6. Read & Comment On Someone Else’s Stories

Go to the StoryADay blogs and pick one. Read a story. Leave a comment. Admire the double bravery of your fellow writer who both wrote a story and put it out into the world. Encourage them. Imagine how it might feel to get a little of that love in return. Want it? Write something!

7. Get A Buddy

If you do read and comment on some other StoryADay participants’ stories, you’ll probably find that you’ve just built yourself a personal cheering squad.
It’s a pretty awesome, supportive community over at StoryADay.org. Comment on someone’s story and they’re liable to come looking for yours. Ask them to check in on your progress and they will. Knowing that someone is waiting for your story (or to see your post in the Victory Dance group) can work wonders for your productivity!

8. Use The Prompts

Even if you hate the idea and sit staring at them for ages before anything comes, prompts can be a great way of getting you started on your day’s writing. Even if it’s just to shout, “This is stupid. I’m writing X, instead!”
You can subscribe to the StoryADay Prompts By Email service (this week they’re focusing on ‘character’), or check out these other prompt sites on the Resource Page.

9. Take the StoryADay SOS Course

I’ve run this course in April for the past two years, with good results. It’s a guided writing course with lessons and a dedicated private forum. You write three stories each week, starting with micro-mini stories and building on your successes. If you are really having trouble knuckling down and writing, this might be just the jump-start you need.
I’m going to run the course again starting this Friday, May 11, and it will run through until May 31 as a Save Our StoryADay Rescue course.Click here for more details.
BONUS CONTENT: I’m including in a weekly one-to-one Accountability phone call with me – a 10-15 minute check-in each week to chat about how you’re getting on, and what might be holding you back.

Limited to 20 people so don’t delay!

[Prompt] May 9 – Chatty Cathy

LET YOUR CHARACTER TALK

Tell a story where everything we learn about the character comes from the things they say.
Does what they say match up with what they mean? Iin what ways do they lie about themselves when the speak? How do people react?)

Tell Us About Your Character Through Their Voice

Go!

[Prompt] May 8 – Character From Your Past

This week all the prompts are going to focus on Character. Here’s the first:

REWRITE A CHARACTER FROM YOUR PAST

Pick a character, a real person, from your past. Put them into a story. Be as kind or as cruel as you like (you might want to change their name…)

Use a real character.

Go!

[Prompt] May 7 – Title Recall

PICK A SONG TITLE AND USE IT AS YOUR STORY’S TITLE

Scan this page quickly and pick a title that leaps out at you. Browse around a bit if you need to but use the rule of three: if you haven’t found something on the third page, tough. You’re stuck with it. Pick one and write the story.

Use the title as the title of your story. (It can be very, very tenuously connected to your story.)

Steal someone else’s title for your story

Go!

[Prompt] May 6 – Eavesdropping

STEAL A LINE FROM AN OVERHEARD CONVERSATION

Dialogue and story sparks are all around us. Today, listen for a line in a conversation (if you spend the whole day alone at home, turn on the TV or the radio for three minutes). Pick a phrase that you hear. Use the line somewhere in your story today.

This morning I overheard a woman say,

“Karen, have you been to the new Casino yet?”

I might write about the casino or about Karen, or about a coffee shop in a small town with a regular cast of visitors – one of whom is a street person on her regular round of public spaces.

What will your eavesdropping yield?

Go!

[Prompt] May 5 – Flickr

Get A Graphic Prompt From Flickr

They say a picture is worth a thousand words. Pah! I say pictures need us to tell their stories.

Flickr’s “Explore” page is a great place to find arresting images that suggest a scene or a character or a story. Click around, refresh the page, until you find an image that stops you in your tracks. Look at it for five minutes. If, at the end of that time, it hasn’t suggested at least one story or character you could love, move on to another image.

But you can only do this three times. The third time, if you still don’t love the image…tough! You’re stuck with it. Write your story using that picture anyway.

Go!

[Prompt] May 3 – Wikipedia

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Use Wikipedia’s Front Page To Spark A Story

Go to the front page of Wikipedia.

Quickly scan the “In The News” and “On This Day…” sections, or even the Featured Article.  If something catches your eye, use it as the spark for today’s story.

For example, on the day I’m preparing this prompt I saw “In the News…Two Trains Collide”. That could be a spark for a story about two people on the trains and how they experienced the crash; the story of an investigator sifting through the wreckage – what’s his story?; someone waiting at a station for a passenger who never arrives; a thriller about sabotage.

In “On This Day…” it happened to be the anniversary of the explosion at the Chernobyl Nuclear power plant. That sparked these ideas for me: school children in a small northern European country who aren’t allowed out to play one afternoon after the explosion because of contamination fears; rescuers going into hell; a researcher walkign through the nature-reclaimed exclusion zone 20 years later; a local, being interviewed. What it did to her life; the power plant’s thoughts as the disaster unfolks; what if it had gone differently: worse?; a satirical story about a disaster at a solar or wind plant instead…

Grab a story spark from the front page of Wikipedia

 Go!

[Prompt] May 2 – Memories

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Write From Your Memory

Take an incident from your past – one shining afternoon; one horrible moment — and give it to a character (like or unlike you).

 

Play it out as it happened or as you wish it had happened. Take it from the beginning through the middle to the end. Make us see it. Make us care.

Relive a moment in time.

Go!

[Prompt] May 1 – Keep It Short

Daily Prompt LogoHere we go: May 1, the start of StoryADay May!

It’s always tempting to get excited on Day 1 and launch in to a really long, involved story. Or maybe your story-telling muscles are out of shape and you end up writing a long, rambling story because you don’t have a framework and the story runs away from you.

Either way, biting off more than you can chew on May 1 can be a bit discouraging. Especially when you wake on May 2, work the cramp out of your fingers and your brain…and realise you have to do it all again!

So today’s prompt is a simple one:

Write a story of not more than 1,200 words.

That gives you 100 words for intro, 100 words for summing-up (or for the twist) and 1000 words to play with in the middle. (Hint: something should have happened by the time you’re 400 words in, to make me want to keep reading.)

 

That’s it. Happy writing, and see you tomorrow!

Are You A Writer? Prove it!

This light-hearted article has a serious point: you are a writer, and you should stop at nothing to trick yourself into believing it, even on your worst days. Here’s how I did just that.

Defining ourselves as writers when we’re working on speculative manuscripts, short stories, queries — anything we love to write — is difficult. Most of us are conditioned to think that unless someone has given us a contract to write something, it’s not ‘real’.

I’ve been out of the wage-slave business for a long time now. Since leaving corporate life, first I was a freelance business writer, then  a stay-at-home mom and now I’m a mom/writer/part-time-lunch-lady-at-my-kids’-school.

Defining myself as a writer when I was doing freelance business & magazine writing was easy. I wrote something; someone paid me; I was “a writer”.

Defining myself as a mother is inescapable. I have two chatty reminders of it orbiting me at all times except during school hours. And it’s pretty hard to forget you’re a part-time-lunch-lady when hundreds of kids are streaming past, grabbing their yellow or red foodstuffs out of your hands and grunting monosyllabically as they go.

But our writing lives are real. We need to let ourselves take them seriously.

 

The Forehead Stamp

My writer’s group recently hosted Nicole Valentine of Figment.com. As well as running a writer’s site for teens, Nicole is a writer herself, pursuing an MFA. Yet she still has trouble with this question. She joked that she often wants to get a stamp with “writer” on it and stamp it on her forehead, just to remind herself that it’s OK to say it.

I was seriously thinking about how to fashion one of these stamps [1. Maybe with ink that only showed up under blacklight, so we could use it every day, in secret…] when an odd thing happened as I was running from the school to a store and trying to get home in time for the school bus.

In my rush I had forgotten to take off my ID badge. I feel kind of silly wearing it because I’m only a part-time lunch lady. That day I realised that, to anyone walking past, I could have been any working woman on a break from doing something high-powered and ‘important’ [2. I happen to think that being in the lunchroom and trying to slow the de-evolution of our children back to chimp-status is important, but not everyone sees it that way. Just as not everyone sees ‘making up stories with no promise of a paycheck’ as a worthwhile pursuit. Though, strangely, everyone is impressed by a ‘published’ author…]. Having been out of the corporate world for about a decade, I got a real kick out of having that ID card dangling from my pocket again. It was ridiculous.

Then I realized, beyond impressing grocery-store-bound strangers, that ID card had done something else for me: clipping that ridiculous card to my belt made me feel professional – even if I was just going in to sling pizza at pre-teens. If an ID card could make me feel professional about being a part-time lunch lady, then maybe I could go one better than Nicole’s forehead-rubber-stamp idea and issue my writer-self an ID card too.

So I Did

My ID

I know, it’s goofy. It cost me $18 with shipping, and it doesn’t actually change anything. But when I swap out my lunch-lady ID for my Writer ID, it is a tangible reminder to myself to come home and put my writing first. I can be a mom, a wife, a cook, a friend, a slob later. Now is the time for writing. Because see? I’m a writer.

Untitled

If you want your own Writer ID card, you can go here (not an affiliate link). Go on, treat yourself. It’s cheaper than a set of golf clubs, a fancy bike, or even the cost of a sweater and nobody laughs at golfers, cyclists or fashionistas for spending money on their avocation. [3. Well, ok. We do laugh at them. But that just proves that the potential mockery of others from outside your tribe is no reason to hold yourself back.]

So, what do you do to remind yourself it’s OK to say “I’m A Writer”?

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