[Guest Prompt] Charlotte Rains Dixon

The Prompt

Write about the best gift your character was given.  Incorporate one of the seven deadly sins (wrath, gluttony, sloth, greed, pride, lust, envy) into the story.

 

Charlotte Rains Dixon is the author of Emma Jean’s Bad Behavior. She is a novelist, writing teacher, free-lance journalist, ghostwriter, and author. Continue reading “[Guest Prompt] Charlotte Rains Dixon”

[Writing Prompt] Second Person, Awkward

In the Second Person, the story is told like this, “You are walking around in the depths of winter and you find yourself shivering”.

It’s not a format that we see much and as a result it can be tricky to pull off. But it’s worth a try if only to show up the advantages of the other points-of-view available to you. Or maybe you’ll be one of those people, like Jay McInerney, who turns it into a work that is acknowledged as a contemporary classic.

The Prompt

Write A Story in the Second Person Perspective Continue reading “[Writing Prompt] Second Person, Awkward”

[Writing Prompt] Putting ‘I’ First

This week we’re going to be playing with point of view. It’s easy to get stuck writing from the same perspective in every story. To break you of that habit, we’re going to be trying the all this week! Feel free to write the same story over and over again, this week, playing with perspective.

The Prompt

Write A Story Told In The First Person

Tips

  • First person is relatively easy because it’s how we tell all our stories in every day life (“Oh, you’ll never believe what happened on the way in this morning! I was standing in the line for coffee, and …”)
  • Because your story is all from the perspective of one person, we can never know what any other character is thinking. We can know what the “I” character thinks another person is thinking, but remember that this is always colored by the protagonist’s feelings about the issue and the other person.
  • Grab a book off your shelf to see how this is done: check-lit and Young Adult are often written in First Person. If you have a copy of To Kill A Mockingbird, Jane Eyre, Gulliver’s Travels or The Great Gatsby, pull them off the shelf and see how First Person was handled by the masters.

GO!

[Writing Prompt] Your Voice Is Unique

One of the things newer writers worry about most is originality: how can I have an original idea when all the stories have been told.

Today we’re going to do a little exercise to prove that originality is not about the characters, the even the events of the story. Originality comes from you, writing in your voice, as only you can.

The Prompt

Write A Cinderella Story. Share (At Least An Excerpt) In The Comments 

Tips Continue reading “[Writing Prompt] Your Voice Is Unique”

What People Are Saying About StoryADay May 2014

What strikes me about this, is how often the words “fun”, “happy”, “yes!”, “accomplished” and “glad” come up in people’s comments about the StoryADay challenge.

It’s not to late to join in. Just pick up a pen, and off you go! You won’t regret it!
What people are saying about StoryADayMay 2014

“I have a slew of new things to write that I wouldn’t have thought of if I hadn’t tried StoryADay, so this is pretty great.”
-k.c.

“I’m very much looking forward to spending May with you again! Should be great!”
-s.c.

“I’m so glad I found out about this. Thank you xxx”
-l*

“Great post, exactly what I needed…Thank you!”
-l.n.

“I have surprised myself wit the creativity I have produced.”
-m.r.

“I have been looking forward to May for months, now I know why! I love having a new writing experience every day,”
-c.l.

“Haven’t written fiction IN A LONG WHILE, and I’m glad I came up with something!”
-y*

“Today’s prompt really helped me get over a block for a scene I needed for a larger work I am writing.”
-c.jr.

“I like being forced to get something down…good daily discipline.”
c.g.

“mission accomplished!”
-k.d.

“I loved this – brought a delighted grin to an old lady’s face…thanks for a good start to a sunny morning.”
-a.r.

“the guest prompt was excellent.”
-m.s.

“…only 706 words, bt I like where that prompt took me.”
-e*

“Hooray! I’m having such fun with Drabbles.”
-c.k.

“It’s late in the day, but I got a story done so I’m happy. I feel a sense of accomplishment…”
c.g.

“yes yes yes. I did it. Woo-hoo!”
-k.m.

“…a good warm up for the other writing on the agenda today.”
-s*

“glad I tried it…”
-s.j.b.

“…not bad for a first draft, I think!”
-s.j.m.

“I’m not really happy with [this] story…but it was fun to write.”
-c.s.

“Thank you for another good story idea,”
-s.c.

“Very rough, but…I feel good about writing it.”
-r.s.

“So much fun.”
-s.c.

“Missed a few days, but I’m back on track!”
-m.l.

“Loving StoryADay!”
-k.l.

“Happy dance !!!!!!”
-b.o.

Special thanks to all the people who are writing, providing feedback, supporting each other and inspiring me to keep writing!

[Writing Prompt] Practice Your Descriptive Writing

Yesterday’s prompt about dialogue, probably didn’t leave you much room for descriptive writing .Today, on the other hand, is you change to channel your inner Tolkein.

The Prompt

Write A Story Rich In Description

Tips

  • The trick to good descriptive writing is to pick which details to highlight and which to exclude. You are like a photographer, framing a shot, not a draughtsman, capturing every detail of a room.
  • Description sets the mood: a dark and stormy night suggests something about the story that’s about to be told. You can, of course, play with the reader’s expectations and set a funeral on a sunny day, but again that sets the mood. The jarring quality of the weather and the occasion tell us something about how the characters feel about the events.
  • A description of a person can tell the reader more than simply what you, the author, sees in the character you’re describing. It can tell them how the character sees herself, or how the character is viewed by the person viewing them. Perhaps you can have two different characters describe the same person, and show how their feelings about the person color their description.
  • Don’t forget to include action and character development in your story. Use the descriptive writing to serve them. Remember, you’re writing a story, not painting a still life!
  • Browse the archives for other articles about descriptive writing, if you’re stuck.

GO!

Are you a fan of descriptive writing or do you tend to skip over those parts when you’re reading? Did you find this an easy or hard exercise. Did you learn anything today? Leave a comment or join the discussion in the community.

[Writing Prompt] Give Your Characters A Voice

Today we’re going to focus on dialogue.

Gripping, realistic dialogue can bring a story and its characters to life. Writing great dialogue, however, takes practice.

The Prompt

Write A Story Told Almost Completely In Dialogue

Tips

  • Remember that how we speak (what we say and what we don’t say) is heavily influenced by how we’re feeling — what kind of day we’re having; how we feel about what we’re saying; how we feel about who we’re saying it to.
  • Use emotions to dictate word choice, length of sentence (if you’re breathless because the object of your affection is actually talking to you, your sentences are going to be fragmentary. If you’re talking about a your life’s work, you’re going to use big words and jargon and hardly pause for breath).
  • Remember that no-one really talks like they do in plays: no-one listens carefully and answers appropriately, and no-one tells the whole truth.
  • You can use play format to write this (” STAN: I can’t believe you said that! / MOLLY [walking away]: Believe it, bub.”).
  • You can write this is a more traditionally narrative way (“I can’t believe you said that!” / “Believe it, bub” / “Come back, please! Honey?”)
  • You can include dialogue tags and ‘stage directions’ if you feel you need them. This can be helpful if more than two people are talking. (“‘I can’t believe you said that!’ / ‘Believe it, bub,’ Molly said. / ‘You are so screwed, bro.’ Dan shook his head as he watched his friend’s wife walk away, her head held high. ‘I think she means it this time.’ “)
  • Don’t go crazy with the dialogue tags (…she cheered; she exulted… “She said” is usually fine). And watch your adjectives, unless you’re writing a Tom Swift parody!
  • People rarely use each other’s names in everyday speech. Resist the temptation to have your characters do it. Instead, focus on making each character’s way of expressing themselves distinctive. (How often have you heard a story your friend told you, laughed, and said ‘yup, that sounds like something he’d say’? People DO sound different from each other. Use that.)
  • It might be easiest to limit this story to two characters so you can really focus on each of their voices — with maybe a walk-on part from a waiter or a cop or the person they’ve been waiting for, just to mix things up.

GO!

What form did you decide on? How did this go for you? Do you usually write a lot of dialogue or was this new for you? Leave a comment below or chat about it in the community.

[Writing Prompt] Lights, Camera, Action!

How did you get on yesterday? Did you post in the comments or the community about your writing? Which proverb or ‘theme’ did you use?

Every story — even the most literary, introspective story — needs action.

Stuff must happen.

Action is the agent of change and your characters must change (even for a moment) or face an opportunity for change,  for your story to interest people. “Stuff happening” is what gives you the opportunity to show that opportunity for change.

The Prompt

Write A Story Wrapped Around An Action Scene

Tips Continue reading “[Writing Prompt] Lights, Camera, Action!”

[Writing Prompt] Gabriela Pereira – Musical Cues

The Prompt

Choose a piece of music from the list below. Listen through it once or twice and get your mind in the mood of the music. Then start writing.

  • Danse Macabre by Camille Saint-Saens
  • Fanfare for the Common Man by Aaron Copland
  • Egmont Overture by Ludwig van Beethoven
  • Piano Concerto No. 2 in C minor, Op. 18 (II. Adagio Sostenuto) by Sergei Rachmaninoff
  • The Planets by Gustav Holst (choose one movement)

Gabriela Pereira is the Creative Director and Instigator of DIY MFA, the do-it-yourself alternative to a Masters degree in writing. She creates workshops and tools to help writers get the MFA experience without going to school.

DIYMFA.com logoGabriela holds an MFA in Writing for Children from The New School. When she’s not teaching or designing learning tools for DIY MFA, she enjoys writing some fiction of her own. She especially loves writing middle grade and teen fiction, with a few “”short stories for grown-ups”” thrown in for good measure. Visit DIYMFA.com to learn more about Gabriela and DIY MFA.

[Also, don’t miss the Writer Igniter visual prompt machine at Gabriela’s site. So much fun!]

[Writing Prompt] From Scene To Theme

The theme of a story doesn’t always become clear to a writer until the story is written and revised (and often, ready by others and discussed).

Today, however, we’re going to turn that on its head.

The theme can be summed up as ‘the moral of the tale’, or a proverb, or the overarching lesson in a fable. Let’s take a well-worn proverb and construct a new story to illustrate it.

The Prompt

Choose A Theme And Write A Story That Illustrates It

Tips

  • The danger with starting theme-first is that stories can get preachy. Remember to base your story firmly in the character (unless you’re being intentionally experimental).
  • There’s no need to explicitly quote the moral or proverb you based your story on.
  • Try to go wa-ay beyond the first idea suggested by the theme/proverb you pick (no frogs carrying scorpions across rivers, please). Dig deep for a different idea. Try lots before you settle on one.
  • Use the theme less as a lesson for the reader and more as a guidepost to keep you on the right track as you write.
  • Don’t think I’m telling you to start theme-first with every story you write. Use this as an experiment to see what happens, what changes, when you start writing with a fixed theme in place.
  • If the theme is constraining your story too much, throw it out and follow the story where it wants to go (post about this in the comments or the community, if it happens. I’d be interested.)

GO!

 

[Writing Prompt] Setting The Scene

Write A Story Set In A Hospital
(or any other high-tension setting, if you’re not familiar with hospitals)

This week we are concentrating on the different parts of the short story. Of course ALL the elements need to be there, but each of these prompts focuses on a particular element more than the others.

How did your character writing go yesterday? Did you learn any interesting lessons about creating a character with a strong desire, that you can carry forward into your future stories? Did you leave a comment or post in the community?

Today we’re focusing on setting.

The Prompt

Write A Story Set In A Hospital
(or any other high-tension setting, if you’re not familiar with hospitals)

Tips

  • You still need to include fully-realized characters, each with specific (and possibly opposing) desires. (For example, your patient might just want to go home. Their doctor probably wants them to stay put for now. Their next-of-kin might have a whole other set of issues and the nurses probably just want to go somewhere quiet and put their feet up for a few minutes…)
  • Make the setting integral to the story. Have events that could only happen in this high-tension setting.
  • Use all your senses to set the scene — everyone talks about the smell and the colors of hospitals, but what about the noises? I heard a news story on the radio recently about the incessant beeping of alarms in hospitals. That was something I wouldn’t otherwise have thought of. And again, someone once told me how it hurt them that their child’s hospital blanket felt so rough. All they could think of was getting a fuzzy blanket for the child. These are the kinds of details that bring a story alive.
  • If this setting doesn’t work for you, check out these other prompts I’ve provided with different (possibly more cheerful) settings.

GO!

 

[Writing Prompt] Character Counts

Woo-hoo! One week into the StoryADay May challenge and you are still turning up. Good for you!

(Seriously. More than talent, persistence is the thing that is going to make writing a fulfilling, successful and worthwhile pursuit for you.)

Take a moment to reflect on everything you learned about your writing last week. Try to keep the things that worked, but stay flexible and open to more experimentation in the weeks ahead.

This week we’re going to focus on different elements of the story, starting today with Character.

The Prompt

Write A Story Where Everything Hinges on Your Character’s Most Desperate Desires

Tips

  • If you need some help coming up with things your character might desire, here’s a series of writing prompts based on Maslow’s Hierarchy of Needs.
  • Spend some time with a blank sheet of paper, before you write. After you decide on your character and their need, jot down 15 scenarios that could grow from that desire. (Writing 15 different scenarios means that you’ll blast through the obvious storylines straight away, then you’ll get to the weird and interesting ones that will make your story sing. Keep going until you have 15 even though the last three will probably be truly terrible.) Pick the one that interests you most, then start writing.
  • Make the desire all-consuming (for this instance, the duration of this story). Focus on this moment in the character’s life. Mine it for details, humor, horror, whatever you can get out of it.

Go!

Don’t forget to comment below to tell us how your writing went (or share an excerpt, or link to your story on another blog) or join us in the community and do your Victory Dance.

[Writing Prompt] Becca Puglisi – Ending Line

The Prompt

Write the story that accompanies this ending line:

I clicked off the safety, swearing that if she showed her face here today, my room would be the last one she ever entered.



Becca Puglisi is passionate about learning and sharing her knowledge with others. This is one of her reasons for writing The Emotion Thesaurus, The Positive Trait Thesaurus, and The Negative Trait Thesaurus. A member of SCBWI, she leads workshops at regional conferences, teaches webinars through WANA International, and can be found online at Writers Helping Writers (formerly known as The Bookshelf Muse).

[Writing Prompt] Writing In Bits And Pieces

The last of the content-less prompts today!

Today I’m sticking with the theme of timed-writing but trying something a little different.

The Prompt

Pick Three Times Today When You Will Write Parts Of A Complete Story

Tips

  • Try to start earlyish in the day and write the opening of your story.
  • Pick a time a few hours later to write some more, and then again, later in the day to finish up.
  • Notice how easy or hard it was for you to get into the writing at different times of the day.
  • Think about professional writers on deadline, on book tours, who teach, who have ‘real jobs’. They have to find a way to write whether or not life is getting out of their way. Practicing squeezing a story into different parts of your day can be a useful skill.
  • Pay attention to whether or not one of the times of day worked best for you (tip: it might not. You might simply find you need to get the flow going, or that you’re ace at writing in fragments any time of the day. Be open to experimentation here).
  • Finish the story!

Go!

Don’t forget to comment here about your writing day or join The Victory Dance Group and let us know how you got on today.

[Writing Prompt] Elizabeth Spann Craig – The Unexpected Guest

[Here’s another scenario ripe with opportunities for character development, comedy, tragedy…in other words emotion — that thing that all readers are looking for! – JD]

The Prompt

Your protagonist opens the door and finds an unexpected guest–a friend from high school who hasn’t been heard from in many years.

This friend has fallen on hard times and wants to stay with your protagonist a few days. As your protagonist and friend sit in the kitchen, the friend reminisces about the old days…and stirs up trouble by recalling some unhappy teen moments, too.

How does your protagonist react and what are those good and bad times in the past? 



Elizabeth writes the Southern Quilting mysteries for Penguin/NAL, the Memphis Barbeque mysteries for Penguin/Berkley, and the Myrtle Clover series for Midnight Ink and independently. She blogs at ElizabethSpannCraig.com/blog, which was named by Writer’s Digest as one of the 101 Best Websites for Writers for 2010-2013.

[Reading Room] Sticks by George Saunders


I’m on a George Saunders kick.

I mean, when someone can write a story with fewer than 500 words that makes you actually say “oof” out loud at the end? You’re going to want to go on a kick, reading their work.

“Sticks” is a grown man’s reminiscence about his father. It begins,

Every year Thanksgiving night we flocked out behind Dad as he dragged the Santa suit to the road and draped it over a kind of crucifix he’d built out of a metal pole in the yard.

That use of the word ‘crucifix’ is key. Doesn’t that make you want to keep reading? You know there’s more to this than just a funny story about fatherly quirks.

The story is extremely well crafted. You get the sense that there must have many revisions, re-revisions, reversions and more revisions to make it this tight.

That’s only depressing if we think our job as writers is to get as many words out into the world as quickly as possible. If we believe that our job is to craft stories, and that rewriting is a crucial (and enjoyable) part of writing, then George Saunders is our new mentor.

Write the crappy first draft. Then spend as much time as you need to, reworking it until it is art.

How Do You Feel About Revisions?

[Writing Prompt] Set Aside An Hour

Today we’re going to try something new. I’m not assigning a word count, but rather a time limit.

The Prompt

Set aside a full hour to write a short story. Start and finish the story during that time.

Tips

  • Some people work really well with deadlines. Maybe this is yours.
  • Don’t panic if you can’t start writing at 00:01. Sketch out some ideas, try on a few characters. An hour is quite a long time if you focus on one moment, one instant (the perfect milieu for a short story). As long as you’re writing by 00:30, you’ll probably get a decent draft out of this exercise.
  • Pay attention to how you deal with the pressure of the hour finishing up. Is your story’s pacing clearly influenced by the deadline? (If it is, don’t worry, you can always clean things up in the rewrites).
  • Assess this exercise. Did you finish? Did you have to ‘cheat’ (i.e. write stuff like [put details in here], [move characters across town] etc.)?
  • Did the time limit work for you better than the word count as an exercise? Could this be something you use every day?

Go!

Don’t forget to comment about your writing day below or in The Victory Dance group.

Help! I Missed A Day. What Do I Do?

OK, so this is Day 5 of the challenge and if you haven’t missed a day yet, the chances are strong that you will. Soon.

So here’s my advice, based on five years of May challenges, a couple of StoryADay September challenges and the writing courses I run.

Let It Go
[1. Cue the sound of my two elementary school aged boys screaming “No! Enough with the Frozen!”]

Let the unwritten stories go and write again tomorrow.

Seriously. This is not so much about turning out 31 complete stories as leaning to turn up every day, even when you feel like a failure. I encourage people never to try to catch up with days they’ve missed. That creates far too much baggage. (You can always keep writing into June if you want your 31 stories!)

Watch And Learn

The other point of a challenge like this is to try to do more than you think you can do, and to watch where it is hardest and where/when it was most fluid. Then, when you go back to your normal writing schedule you will have all these experiences in your tool kit. You’ll know that Saturday is maybe not a day to expect to get much writing done. And you’ll know that 11-midnight is prime time. Or you’ll know that it’s easier to write when you have a plan (or not).

Don’t worry too much. Just keep turning up, keep breathing and keep watching all the ways your inner demon tries to sabotage your writing life. Say ‘Huh, that’s interesting, demon. Nice try, but I’m still turning up again tomorrow”.

If we are going to write for the rest of our lives (and lets face it, we are), all we can do is keep learning!

Adjust Your Rules

Back in 2012 (my third year) I decided I was no longer going to commit to writing on Sundays. I COULD, I just didn’t HAVE to.
Between running the site and having two small children and a husband that I quite like to spend time with, something had to give. Sundays were it, for me.

This is fine. If you decide not to write EVERY day in May that’s cool.

BUT do try to assess your progress on a week to week basis rather than waking up each day and thinking “I wonder if I should write today”. (You should).

Stop now and see how your first five days (which include a weekend) have gone. Decide what you’ll commit to for the next seven days.

Of course, I thoroughly encourage you to write an actual StoryADay unless the thought of it is making you truly miserable. If you’re miserable, change the rules. But keep writing.

So, how’s it going? What are you learning? What tips do you have?

[Guest Prompt] Angela Ackerman – Shame

The Prompt

Shame is a powerful emotion, and one of the most wounding experiences a character can face.

Write a story where your character does something that they feel shame for (maybe a failure, making a mistake [through one’s own carelessness or by accident] that hurts someone else, or letting someone down, poor treatment of someone, refusing to help, etc.) and how they redeem themselves in the aftermath.


Angela Ackerman is a writing coach and co-author of the #1 bestselling resource, The Emotion Thesaurus: A Writer’s Guide to Character Expression as well as the bestselling pair, The Positive Trait Thesaurus: A Writer’s Guide to Character Attributes and The Negative Trait Thesaurus: A Writer’s Guide to Character Flaws. When she isn’t teaching or building innovate tools for writers, she writes Middle Grade and Young Adult mysteries represented by the Jill Corcoran Literary Agency. You can find her at Writers Helping Writers, a hub for all things description.

[Writing Prompt] Twitter Fiction

OK, so that was a fairly large story you wrote yesterday and you’ve probably got some ‘life’ that you’ve been neglecting while you wrote. So today you’re getting a bit of a break.

(And remember, the prompts are always optional)

The Prompt

Write a story of no more than 140 characters

Tips

  • Bonus credit: post it on Twitter and follow up with a Tweet explaining to everyone that you’re taking part in StoryADay May and that they should really think about joining in, yes, even now, even though they’re late to the party. That’s when all the people who like to think they’re cool turn up anyway…
  • Remember that with a story this short, most of the story is untold, implied, imagined by the reader.
  • This story will not be quick simply because it is short
  • Use one of your favorite story sparks for this tiny story. Yes, I mean it. Use up a really good story idea on this. That way you’ll be forced to look around today, for more Story Sparks.
  • Are you starting to notice that, after five days of writing, you’re seeing Story Sparks all around you? Are you listening harder to what people tell you? Are you reading more carefully when you get the chance? Are you starting to do that wonderfully creative thing and see connections all over the place?
  • If you’re having second thoughts about writing (especially if you’re drawing from your real life) remember that you don’t have to show these stories to anyone. Even if you write a blistering portrait of your boss, no-one has to ever see it — especially not in the first draft. Worry about disguising your sources later, when we talk about revision next month!

Go!

Post about your writing day in the comments below or join the Victory Dance group in the community for more accountability.

[Writing Prompt] 2000 Words

It’s Sunday, but it’s no day of rest for we writers.

The Prompt

Write A Story of Around 2,000 Words

Tips

  • This is a common length for editors to request from new writers in fiction publications. It’s a length that allows you to display some style and character development, without getting too carried away and lost in the woods.
  • Remember that, even at this length, you’ve only got a maximum of around 1600 words to tell the actual story. Try to get to the first really interesting event by the time you’ve written 500 words.
  • At this length, it might be helpful to do some planning. Take your idea, think of a character and their defining characteristic, pop them into a setting and think about how you might give them some conflict (that relates to their character strengths/flaws).
  • You have room for some supporting characters at this length, but remember that word ‘supporting’. They are there to teach the reader something about the main character, not so much about themselves. This isn’t a novel, with subplots and fans who’ll create a wiki…

Post a comment below to let us know you’ve written today, or join the community and post in the Victory Dance Group, for extra support and accountability!

Don’t forget you could be receiving these prompts every day by email, if you’re not already. Sign up here.

[Guest Prompt] Heidi Durrow – Passions

[Ooo, I’m particularly excited about this one. This is a challenging prompt but one that should yield some great stories, since character and conflict are at the heart of the story – JD]

The Prompt

The Energy of Passions & Obsessions

You become what you think about all day long.
-Ralph Waldo Emerson

Passions and obsessions are great starting points for stories. So what if a character has a passion or obsession but the character has extreme difficulty fulfilling that dream. For example, a character could have an extreme passion with exotic birdwatching, but he can’t fulfill his greatest wish because he is a poor child living in a big city. What does the character do to fulfill his obsession? What happens to the character when he can’t? What does the fulfillment of the obsession or passion mean to the character?  



Heidi Durrow is the New York Times best-selling author of The Girl Who Fell From the Sky (Algonquin Books) which won the PEN/Bellwether Prize. She is the founder of the Mixed Remixed Festival, an annual film & book festival in Los Angeles.

[Guest Prompt] Mary Robinette Kowal

The Prompt

Work the words vermillion and musky somewhere in the next 250 words you write.


Mary Robinette Kowal is the author of the GLAMOURIST HISTORIES series of historical fantasy novels, and the 2011 Hugo Award-winning short story “For Want of a Nail.” Her short fiction appears in Clarkesworld, Cosmos and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.

[Writing Prompt] 640 Words

So how did you get on yesterday?

Did you write? Did you leave a comment on the blog post, or do your Victory Dance?

Hooray, you’ve made it to Saturday. I hope you’re one of those lucky people for whom Saturday means a break from the regular responsibilities of the week. But likely you’re not. So: tough. We’re writers and we write whether we’re on ‘vacation’ from real life or not 😉

Today we’re striking a happy medium between the lengths of story we’ve played with already.

The Prompt

Write A Story of 640 Words

Tips

  • This is about the length of a newspaper column (remember them?). Enough room to tell a story but not much room for florid language.
  • Pay attention as you write, to how long it’s taking you to write, on average. This will help you set realistic goals about how much time you really need to set aside to produce good creative work.
  • Pay attention to your writing style as you write today. Which length of story has felt more comfortable to you?
  • Make sure you finish all your stories this week. Even if you have to write “[FILL IN DETAILS HERE LATER]”, try to get to the end of the story every time. Have you been finishing your stories? What has this taught you about getting to the meat of the story quickly?

 

Go!

(And don’t forget to celebrate when you’re finished, by commenting below or doing your victory dance.)

[Guest Prompt] Therese Walsh – Magnetic Words


THERESE WALSH is the author of The Moon Sisters and the cofounder of Writer Unboxed. She lives in upstate New York with her husband and two children.

The Prompt

Imagine your protagonist has just opened a large magnetic poetry kit. Which words call to him/her? Will s/he put these words on the refrigerator in a random scattering or compose a sentence? Share your words and sentences here.

Tips

  • If you don’t have a magnetic poetry set (what?!) you can play online
  • You can write a whole story based on the words you select or you can show the scene where they select words.

GO!

[Writing Prompt] 100 Words

So how did you get on yesterday?

Did you write? Did you leave a comment on the blog post, or do your Victory Dance?

Whatever you  managed yesterday, congratulations and I’m glad you’re back for more!

Continuing the theme of ‘assuming you have more than one idea of a time’ this week, I’m giving you another length-based writing assignment.

The Prompt

Write A Drabble (A Story Of Exactly 100 Words)

Tips

  • Just because you’re limited to 100 words, don’t think this is going to be any less a creative exercise than any other story you write this month.
  • Allow as much time for this as you would for a longer story.
  • Don’t be surprised if you find yourself writing more and then paring the story back.
  • It’s very common to cut out lots of words from the start of short stories. Sometimes we have to write a lot to figure out where the story really starts. Don’t be afraid to ‘start late’.
  • You can’t explain much in a 100 word story. Allow the reader to fill in some blanks. Stories of this length are very much a collaboration between reader and writer.

Go!

[Writing Prompt] Guest Prompt from Neil Gaiman

The Ocean At The End of the Lane by Neil GaimanFortunately The Milk by Neil Gaiman
Welcome To StoryADay May 2014!

To kick off our 5th Year of writing a StoryADay in May, I have a special treat for you: a guest prompt from the fabulous Neil Gaiman.

On the day I contacted him he was, sadly for him, stuck in an airport. The prompt he suggested for us was pretty heartfelt:

The Prompt from Neil Gaiman

Getting Home

Tips

  • This is a wide-open prompt. You could use it to write tragedy, comedy, satire, slapstick, sci-fi, fantasy, realistic fiction….anything you want.
  • Think of a character desperate to get home. What is stopping them? What is their most basic reaction? (Frustration is a wonderful way to strip away a character’s layers and show us what they are like at their core. In Mr Gaiman’s case I would suggest that he is basically a generous and decent human being. Instead of responding to my request, he could just as easily have cursed, deleted my email and put me on a list of spammers… What will your character do?)
  • For the first day of StoryADay May I always suggest writing a really short story. It’s a great way to warm up, and it’s all too easy to get lost in the beginning of a story and find yourself heading into a 3,000 word behemoth. You’ll never be able to sustain that pace for the whole month, so start small. Start with a victory.
  • Aim to write no more than 1200 words. That gives you 300 words to establish the scene and your character, 700 words to make things happen, complicate things, create a crisis/climax, and 200 words to wrap it all up.

GO!

When you finish your story today, leave a comment below, or join the Victory Dance group in the community and share you thoughts about the first day, there. (Haven’t joined the community yet? Join here

Thanks again, Mr Gaiman. I hope you got home all right…

 

[Writing Prompt] 1200 Words

Welcome to StoryADay May.

It’s Day 1. You’re nervous, you’re excited, you’re full of ideas…(you are, aren’t you?), so I’m not going to tell you WHAT to write, only how much.

(And of course, you should remember that these prompts are entirely optional. If you want to write a 10,000 word novella today, you go right ahead. Just remember to save some juice for tomorrow!)

engine start by Norlando Pobre
photo used by permission of Norlando Pobre

The Prompt Continue reading “[Writing Prompt] 1200 Words”

Ready, Set…StoryADay May Is Almost Here!

It’s Almost Here! The 5th Annual StoryADay May starts tomorrow, with a writing prompt from award-winning novelist Neil Gaiman.

In the the last few hours before the challenge lots of people hear about it, lots of people sign up, and lots of people start giggling nervously and thinking “what have I done?”. Here are some reassuring words before we get started:

You can do this.

Nobody dies if you don’t write 31 fabulous stories next month.

(But really, you can do this.)

Now for some practical words on Writing During The Challenge and Planning Ahead (yes, even after May starts, you’ll still have planning to do).

Writing During The Challenge

Here’s some news and some answers to the most frequently asked questions by new recruits (welcome!):

  • Writing Prompts – I provide optional writing prompts every day. You can use them or ignore them, whatever suits your style. If you want to get emails every morning with that day’s writing prompt, make sure you are on this list.
  • Guest Prompts – On days when a celebrity guest provides a writing prompt, you’ll still see a prompt from me, too. You can write to either prompt (or none).
  • Who are the Guest Prompters? Guest writing prompt providers this year include: Neil Gaiman; Heidi Durrow; Therese Walsh; Mary Robinette Kowal; Debbie Ridpath Ohi; Angela Ackerman; Elizabeth S. Craig; Becca Puglisi (and possibly more as I check my inbox. These professional writer types, it turns out, are generous and supportive! We like them! Sadly, there’s no guarantee that any of them will have time to come and hang out and read our stories. They have their own writing to work on!)
  • Where do my stories go? If you want to post them on your own blog or Tumblr or whatever, you can share a link in the community (maybe in The Victory Dance) BEWARE: if you post a story online some people consider that ‘first publication’ and that piece may not be eligible for submission to certain markets or publications, even if you revise it substantially. If you think you’re going to want to use your StoryADay pieces for contests or other publications, you probably shouldn’t post them online. You can, however, post excerpts and invite fellow StoryADay folks to come and comment on them.

Have more questions? Check out the FAQ and resource sections.

Planning For The Month

Here are some tips from a veteran (me!) on how to get through this month of extreme creativity:

  • Pledge to collect Story Sparks every day, wherever you are (Story Sparks are not outlines, but rather things that pique your interest as you go through your day; things that make you go “Oo, I might be able to use that in a story!”)
    Even if you’re using my prompts, most of them are intentionally vague, allowing you to customize them to your own interests. Why not sit down today and write some lists: people who annoy you, things that scare you, places you wish you’d been, things you wish you were brave enough to try; memories that stick with you… Mine these for ideas.
  • Plan ahead — Use the Creative Challenge Workbook to work through where how and what you’re going to write this month. If you’re having trouble making time to write, consider picking up the Time To Write workshop.
    I strongly recommend that you spend some time thinking about what kinds of characters, settings or themes you might look at for the first few days. Having a list of ‘possible things to write about’ makes it much easier to get to work each day, than simply sitting down and waiting for inspiration to strike. Make an appointment with yourself (put it on your calendar!) to sit down each week of the challenge and brainstorm 7-10 Story Sparks that you might use.
  • Watch The New ‘How To’ Videos on how to navigate (and get the most out of) the StoryADay online community. There are some very lovely volunteers hanging out in the community who will help make you feel at home. I’ll be introducing them soon!
  • 2014stadabadge150x69bSpread The Word – The more people who take part, and the more people you tell about StoryADay, the more effective the peer pressure! Take some time today to post this image on your social media network of choice, and tell people you’re taking part in StoryADay. If you know anyone who’s always saying they wished they wrote more, challenge them to join you. Spread the word. Use #StoryADay. (And no, I don’t get rich if you do, it’s just that this is one of those times when the adage “the more the merrier” really does apply!)
  • Set Your Own Rules – you may know right now that you’re only going to be able write six days out of every seven…and that’s fine. Set your own rules now — just make sure they seem on the challenging side of ‘manageable’.
  • Eat well and get as much sleep and exercise as you can. It’s amazing what sleep, exercise and eating-your-veggies can do for the creative brain. (Your grandmother was right!)
  • Do a little warm-up writing today. Check out today’s writing prompt: Fear!

I’m SO glad you’re coming along on this crazy adventure. You’re going to be amazed at how much you write next month and how creatively free you become. Sure there will be bad days, but you’ll be immensely proud of yourself if you just keep turning up. And you will definitely write some stories that we can all be proud of!

Onward!

[Writing Prompt] Fear

Tomorrow it all begins. StoryADay May 2014. Are you nervous? I always am. (This is the fifth May since I launched the challenge!!)

The Prompt

Write A Story In Which Fear Is A Driving Factor For One Or More Character

Tips

  • Focus today on writing a quick, dirty first draft. You’re going to need that skill in the 31 days ahead.
  • Ask yourself who you’d be interested in writing about today. Pick a person, age, gender and defining characteristic (i.e. A beautiful actress; a harassed mother; an ambitious starship captain).
  • Ask yourself what that person wants from life and what they would be afraid of.
  • Consider what/who might get in this character’s way. What might frighten this secondary character? How does that affect his relationship/interactions with the protagonist?
  • Ask yourself what your protagonist needs to do to overcome his/his opponent’s fear. Will you let your protagonist succeed?
  • What happens if they give in to fear?
  • What do they feel as they try to overcome it?

GO!

Did you write today? Did you finish this story? Did any of your own fears creep into this story? Tell us in the comments, or join the discussion in the community.

[Writing Prompt] Naked!

Next Tuesday is Release Day for a new picture book illustrated by our friend, the lovely and talented Debbie Ridpath Ohi. The book is called “Naked!” and was written by Michael Ian Black. (The two previously collaborated on the hilarious “I’m Bored“.)

It’s such a good title, that we’re going to steal it today.

The Prompt

Tips

  • Use the term literally or figuratively to put your characters in an interesting/awkward/trying situation.
  • You can start the story with the moment of ‘being naked’ or you can end up there.
  • Consider the fact that physical nudity means different things in different cultures. Perhaps this is your chance to explore the naturist community or invent a futuristic colony in which clothes are considered vulgar.

GO!

How Naked! did you go? Leave a comment, below, about how you handled this prompt (or a link to your story online, if you posted it anywhere).