[Prompt] May 16 – Love Story

Daily Prompt LogoOne of the nine plot patterns highlighted in James Scott Bell’s Plot & Structure is:

The love story.

(A billion romance readers can’t be wrong!)

You don’t have to write a traditional romance to be writing a love story. There’s a love story embedded in almost every story you read or watch. From Homer’s Odyssey to Homer and Marge Simpson, love is in the air.

All that is required for a love story is for two protagonists who are in love, and an obstacle to that love. Resolving the obstacle, one way or another, is the plot of your story.

To avoid writing a schlocky, saccharine formulaic romance, “one or other of your lovers [should] grow as a result of the pattern,” says Bell.

Write A Love Story

Go!

Host a Writing Sprint

RunnerHaving trouble getting started with your writing today? Why not host a writing sprint?

WHAT IS A WRITING SPRINT?

A writing sprint is a focussed block of writing time. Ideally you announce it to the world and invite others to join.

It’s usually pretty spontaneous. A writer announces that they’re doing a writing sprint at :15, for example (meaning ’15 minutes past the hour wherever you are’), and says ‘join me?’

I see writing sprints mostly on Twitter, because that’s where I hang out, but there’s no reason you can’t host one on your favourite social media network: Twitter, Facebook, Livejournal, LinkedIn, even the StoryADay activity stream.

WHY HOST A WRITING SPRINT?

  • You’ll inspire other people to join you in real time, as you write.
  • You’ll feel like you’re not in this alone.
  • You’ll be accountable to the other people taking part and less likely to abandon your own efforts.

HOW TO HOST A WRITING SPRINT

Start It

All it takes is a simple announcement. You can give people some notice (if you know you’ll be writing at 7 AM EST, say so) or you can just say “Go”.

Here are some sample messages you can send

About to write my storyaday story. Want to write with me? #WritingSpring at 0:15.

I’m #writing RIGHT NOW. Join me?

The hashtags are a Twitter thing: they let people easily find other people who are interested in the same things. the ‘Writing Sprint at 0:15’ part lets people know you’re starting at fifteen minutes after whatever hour it is now, wherever they are. (Obviously you can make it 0:00 or 0:23 or any time you like).

Set A Time Limit (optional)

Some people say they’re going to ‘sprint’ for 30 minutes or an hour or 15 minutes. That lets people know how long you’ll all be writing together (though anyone should feel free to write for more or less time). This is optional, though it increases the sense that you’re all in it together for at least that amount of time.

Write

This is important: get offline and write.

No, you won’t actually know if anyone is writing along with you because you’re not checking your messages (right?!). But just imagining a squad of other writers out there writing along with you is kind of fun.

End The Sprint

When your story is finished (or your time is up), send another quick message to let your followers know you are done, and invite them to check in. Sample messages:

#WritingSprint finished! I got a lot done! How about you?

That #WritingSprint was bit of a slog, but I did get 523 words written. How did you do?

Enjoy The Feedback

Sometimes you’ll hear nothing (especially if your network is small and not populated by writers) but sometimes you’ll hear from people you don’t even know, who just saw your hashtag, or message, and jumped in because you gave them the motivation they needed to get going today. And even if you don’t hear from them, there mayl be writers out there who saw your ‘writing sprint’ announcement and buckled down to write a story that would not otherwise have been told.

And trust me, it’s a pretty warm and fuzzy feeling, knowing you’re helping motivate people to write.

[Prompt] May 15 – Fairy Story

Whether you like the Disnified Happily Ever After versions or the grim Grimm originals, fairy stories are a great source of inspiration for a writer.

You can rewrite the tales with a modern twist, or a funny one, or you can simply take the morality-play form and use it for your own story.

I come back to this prompt idea again and again because it is such fertile ground and because EVERYONE knows a fairy story or folk tale (if you need a reminder of some, go here).

Alternatively, you could choose to write an allegory (think: Narnia, or Animal Farm). If you do write an allegorical story, however, bear in mind this advice from James Scott Bell’s book Plot & Structure:

“Allegory is difficult to do well, since it may just come off as merely preaching in the guise of an imaginative tale…Make the characters real and not just stand-ins for your ideas.”

Rewrite a fairytale/folk story or Get Allegorical

Go!

 

You’re A Writer, It’s What You Do – An Interview With Author James Scott Bell

This week we have an exclusive interview at StoryADay.org with James Scott Bell, the #1 bestselling author of the writing book Plot & Structure, and thrillers like Deceived, Try Dying, Watch Your Back, One More Lie and many more.

He stopped by StoryADay.org to talk about the importance of writing routines and practice — a topic dear to our hearts, and the subject of his book Writing Fiction for All You’re Worth: Strategies and Techniques for Taking Your Fiction to the Next Level.

StADa: Do you consider it important for aspiring writers to have a regular writing routine?

JSB: Boy, do I. In fact, that is the single most important piece of advice I ever got, and I’m glad I got it at the beginning. I do a weekly quota of words and break that down into 6 days (I usually take Sunday off from writing, to recharge my batteries). I keep track of all the new words I write and usually work on two projects or more during any given day. If I happen to miss my daily count I know I can make it up on other days.

The really nice thing is that, at some point, you look up and you have a completed book. It’s done. You did it. It’s a tremendous feeling. Then you have something to edit. And you just keep doing that, over and over again.

StADa:  One look online tells you that there is a lot of competition out there. How can a writer keep his/her motivation up, without becoming discouraged by or envious of other writers who seem to be doing ‘better’?

JSB: There are lots of ways for writers to make themselves miserable. Comparison is one surefire method. Because there is ALWAYS someone else doing better than you are. Always. You don’t even realize that there are lots of people not doing as well as you, either. But either view is wrong. It doesn’t help you to compare with someone selling more, and it doesn’t help you to feel superior to someone who isn’t.

Enough writers, like Ann Lamott and Elizabeth Berg, have written about envy and the like to know that it can sneak up on a writer. If it does you should immediately get lost in your own project. Get to the keyboard. Write your heart out. Soon enough you’ll be into that and the other stuff fades away.

Also, remember this is just one aspect of life. There is a lot more to living well than selling books. First, figure out how to live well. Then write.

StADa: It’s easy to ‘publish’ a work quickly today. What advice would you give the StoryADay community about what to do with the 31 first drafts they’re going to end up with on June 1?

JSB: Congratulations! A first draft is wonderful thing to have. It means a completed work, and that’s always a good thing. Robert A. Heinlein, the famous science fiction writer, once said there are two rules for writing:

  1. 1. You must write
  2. 2. You must finish what you write

Also, don’t think that a finished draft is ready to go out without a strong revision strategy. I wrote a whole book, Revision & Self-Editing, to help writers think that through in a systematic way. It’s important to know what you’re doing at every stage.

I’d also add, be working on your next book. And thinking up ideas for the one after that. And keep this up as long as you live.

You’re a writer, after all. It’s what you do.

 

000OOOooo

Thanks, Jim!

James Scott Bell has been called a writer of “heart-whamming” fiction (Publisher’s Weekly) “a master of suspense” (Library Journal) and a fresh voice in the “territory of Hammett and Chandler.” (Booklist).A former trial lawyer, Jim now writes and speaks full time. He lives in Los Angeles. He blogs every Sunday at The Kill Zone.

[Prompt] May 14 – Fish Out Of Water

After last week’s character focus, this week’s prompts are going to focus on different plot archetypes.

First up: the fish out of water story.

This ties in nicely with the focus on character, since the fish out of water story lays a great emphasis on the characters – either the alien character, or the ones who are trying to deal with having him in their lives. Think: Mork and Mindy, The Wizard of Oz, Hitchhiker’s Guide To The Galaxy… It also allows you scope to have fun with descriptions, point of view, dialogue, belief systems, you name it.

Write A Fish Out Of Water Story

Go!

[Prompt] May 13 – What Your Character Wants

Every character should want something, even if it is only a glass of water.

-Kurt Vonnegut

A concrete way to ensure that you are writing a story — not a scene or a character sketch — is to make sure your character wants something. Give your hero a want or a need, then move them towards or away from that thing. Et voilà! You have a  story.

There isn’t much room in a short story. You can’t afford to give your main character two or three things she wants (unless it’s two things that are diametrically opposed). She will have other things that matter to her, of course. It’s just that now — at this moment in her life, the one we’re spying on — she has one overriding want or need that she must resolve.

Secondary characters have wants and needs too, but you don’t have much room to talk about them. If your secondary character is the antagonist (or villain) you can spend more time on their ‘wants’ since exploring them is probably part of explaining why your hero isn’t getting what she wants yet. Otherwise, mentioning their dream in one sentence can be a great way to flesh out secondary characters.

Make Your Characters Want Something

Today, write a story in which you give a character a very specific want or need (you don’t have to spell it out at the start). Move them towards their goal, put rocks in their path, grant or deny their wish.

Give every secondary character a specific need too – even if it never makes it into the story, be sure you know what that person’s dearest wish is.

For more inspiration on this subject, check out Nathan Bransford’s post on the subject.

[Prompt] May 12 – Other Than Human

WRITE ABOUT A NON-HUMAN CHARACTER

Can you write a non-human character without making it react like a human? How would a table/tree/robot/alien think? How would it speak? How would it react compared to the reactions of someone born and raised in the West in the 21st Century?

Can you write a truly non-human character?

Go!

[Prompt] May 11 – Delayed Appearance

DELAY THE APPEARANCE OF THE MAIN CHARACTER

Sometimes it’s a problem to create enough suspense in a short story to keep the reader engaged. An interesting way to do this is to delay the appearance of your main character until quite far into the story. This follows on from yesterday’s prompt where you kept your protagonist off-sceen. This time, however, you can build them up and then allow them to take the stage.

How does this feel? Better? Did you keep the tension going even after the character appeared?

Keep Your Main Character In The Wings

Go!

[Prompt] May 10 – Offstage

NEVER LET YOUR CHARACTER APPEAR

Write a story in which the main, most interesting character never actually appears ‘on-stage’.

Everything the reader learns about the character should come in opinions, comments and conversations between other characters in the story. What do we learn about them? How important do they become? How difficult is it to keep them ‘off-stage”?

The Hidden Protagonist

Go!

Save Our StoryADay!

Sending out an SOS to writers who are struggling with StoryADay this May

sos

Maybe you haven’t started yet. Maybe you’re eight stories in. Maybe you started and then, well, life got in the way and…
But where ever you are, there are still 23 days left in May.
What will you do – in the next 23 days – as your gift to your Writing Self?
Here are 9 Ways To Save (or Support) Your StoryADay May:

1. Reset Your Goals

Only you know what’s going on in your life. If you know (or have discovered) that you simply can’t write a story a day, ask yourself what you could write. Three stories a week? One story, but worked on four days out of the week?
This is your challenge. Make it what you need it to be.

2. Forget The Past

Missed a day (or eight)? Forget it. Forgive it. You have today. Write something today.

3. Forget The Future

31 stories in 31 days sounds like a lot – and it is. What if you’re tired? What if you can’t face the idea of having to do another story tomorrow?
Well, what if the world ends and there is no tomorrow? What if aliens abduct all the writing materials on Earth tonight?
Just write for today.

4. Forget Your Audience

Nothing is more paralysing than thinking about what someone might think of your writing. On a first draft you must shut out all those voices. Don’t worry about the snooty woman in your book club who thinks First Person stories are lazy. Don’t worry that your sister will recognize herself in the portrait of the uptight pain in the posterior you are writing. Write to entertain or amuse yourself, to exorcise your demons, to distract yourself from having that drink or eating that fourth slice of pie. Whatever.
You do not need to share these stories with anyone. Write for yourself.

5. Write Rubbish

Really. You are allowed to write something truly terrible. Because if you allow yourself to write badly, you can laugh at yourself, and laughter is powerful voodoo. And then you can learn what not to do tomorrow.
And, the chances are, somewhere in that steaming midden of middling prose, will be a phrase, a clause, a character, an image — something — that you’re just a little bit proud of and that will make you come back and try again tomorrow.

6. Read & Comment On Someone Else’s Stories

Go to the StoryADay blogs and pick one. Read a story. Leave a comment. Admire the double bravery of your fellow writer who both wrote a story and put it out into the world. Encourage them. Imagine how it might feel to get a little of that love in return. Want it? Write something!

7. Get A Buddy

If you do read and comment on some other StoryADay participants’ stories, you’ll probably find that you’ve just built yourself a personal cheering squad.
It’s a pretty awesome, supportive community over at StoryADay.org. Comment on someone’s story and they’re liable to come looking for yours. Ask them to check in on your progress and they will. Knowing that someone is waiting for your story (or to see your post in the Victory Dance group) can work wonders for your productivity!

8. Use The Prompts

Even if you hate the idea and sit staring at them for ages before anything comes, prompts can be a great way of getting you started on your day’s writing. Even if it’s just to shout, “This is stupid. I’m writing X, instead!”
You can subscribe to the StoryADay Prompts By Email service (this week they’re focusing on ‘character’), or check out these other prompt sites on the Resource Page.

9. Take the StoryADay SOS Course

I’ve run this course in April for the past two years, with good results. It’s a guided writing course with lessons and a dedicated private forum. You write three stories each week, starting with micro-mini stories and building on your successes. If you are really having trouble knuckling down and writing, this might be just the jump-start you need.
I’m going to run the course again starting this Friday, May 11, and it will run through until May 31 as a Save Our StoryADay Rescue course.Click here for more details.
BONUS CONTENT: I’m including in a weekly one-to-one Accountability phone call with me – a 10-15 minute check-in each week to chat about how you’re getting on, and what might be holding you back.

Limited to 20 people so don’t delay!

[Prompt] May 9 – Chatty Cathy

LET YOUR CHARACTER TALK

Tell a story where everything we learn about the character comes from the things they say.
Does what they say match up with what they mean? Iin what ways do they lie about themselves when the speak? How do people react?)

Tell Us About Your Character Through Their Voice

Go!

[Prompt] May 8 – Character From Your Past

This week all the prompts are going to focus on Character. Here’s the first:

REWRITE A CHARACTER FROM YOUR PAST

Pick a character, a real person, from your past. Put them into a story. Be as kind or as cruel as you like (you might want to change their name…)

Use a real character.

Go!

[Prompt] May 7 – Title Recall

PICK A SONG TITLE AND USE IT AS YOUR STORY’S TITLE

Scan this page quickly and pick a title that leaps out at you. Browse around a bit if you need to but use the rule of three: if you haven’t found something on the third page, tough. You’re stuck with it. Pick one and write the story.

Use the title as the title of your story. (It can be very, very tenuously connected to your story.)

Steal someone else’s title for your story

Go!

[Prompt] May 6 – Eavesdropping

STEAL A LINE FROM AN OVERHEARD CONVERSATION

Dialogue and story sparks are all around us. Today, listen for a line in a conversation (if you spend the whole day alone at home, turn on the TV or the radio for three minutes). Pick a phrase that you hear. Use the line somewhere in your story today.

This morning I overheard a woman say,

“Karen, have you been to the new Casino yet?”

I might write about the casino or about Karen, or about a coffee shop in a small town with a regular cast of visitors – one of whom is a street person on her regular round of public spaces.

What will your eavesdropping yield?

Go!

[Prompt] May 5 – Flickr

Get A Graphic Prompt From Flickr

They say a picture is worth a thousand words. Pah! I say pictures need us to tell their stories.

Flickr’s “Explore” page is a great place to find arresting images that suggest a scene or a character or a story. Click around, refresh the page, until you find an image that stops you in your tracks. Look at it for five minutes. If, at the end of that time, it hasn’t suggested at least one story or character you could love, move on to another image.

But you can only do this three times. The third time, if you still don’t love the image…tough! You’re stuck with it. Write your story using that picture anyway.

Go!

[Prompt] May 3 – Wikipedia

Daily Prompt Logo

Use Wikipedia’s Front Page To Spark A Story

Go to the front page of Wikipedia.

Quickly scan the “In The News” and “On This Day…” sections, or even the Featured Article.  If something catches your eye, use it as the spark for today’s story.

For example, on the day I’m preparing this prompt I saw “In the News…Two Trains Collide”. That could be a spark for a story about two people on the trains and how they experienced the crash; the story of an investigator sifting through the wreckage – what’s his story?; someone waiting at a station for a passenger who never arrives; a thriller about sabotage.

In “On This Day…” it happened to be the anniversary of the explosion at the Chernobyl Nuclear power plant. That sparked these ideas for me: school children in a small northern European country who aren’t allowed out to play one afternoon after the explosion because of contamination fears; rescuers going into hell; a researcher walkign through the nature-reclaimed exclusion zone 20 years later; a local, being interviewed. What it did to her life; the power plant’s thoughts as the disaster unfolks; what if it had gone differently: worse?; a satirical story about a disaster at a solar or wind plant instead…

Grab a story spark from the front page of Wikipedia

 Go!

[Prompt] May 2 – Memories

Daily Prompt Logo

Write From Your Memory

Take an incident from your past – one shining afternoon; one horrible moment — and give it to a character (like or unlike you).

 

Play it out as it happened or as you wish it had happened. Take it from the beginning through the middle to the end. Make us see it. Make us care.

Relive a moment in time.

Go!

[Prompt] May 1 – Keep It Short

Daily Prompt LogoHere we go: May 1, the start of StoryADay May!

It’s always tempting to get excited on Day 1 and launch in to a really long, involved story. Or maybe your story-telling muscles are out of shape and you end up writing a long, rambling story because you don’t have a framework and the story runs away from you.

Either way, biting off more than you can chew on May 1 can be a bit discouraging. Especially when you wake on May 2, work the cramp out of your fingers and your brain…and realise you have to do it all again!

So today’s prompt is a simple one:

Write a story of not more than 1,200 words.

That gives you 100 words for intro, 100 words for summing-up (or for the twist) and 1000 words to play with in the middle. (Hint: something should have happened by the time you’re 400 words in, to make me want to keep reading.)

 

That’s it. Happy writing, and see you tomorrow!

Are You A Writer? Prove it!

This light-hearted article has a serious point: you are a writer, and you should stop at nothing to trick yourself into believing it, even on your worst days. Here’s how I did just that.

Defining ourselves as writers when we’re working on speculative manuscripts, short stories, queries — anything we love to write — is difficult. Most of us are conditioned to think that unless someone has given us a contract to write something, it’s not ‘real’.

I’ve been out of the wage-slave business for a long time now. Since leaving corporate life, first I was a freelance business writer, then  a stay-at-home mom and now I’m a mom/writer/part-time-lunch-lady-at-my-kids’-school.

Defining myself as a writer when I was doing freelance business & magazine writing was easy. I wrote something; someone paid me; I was “a writer”.

Defining myself as a mother is inescapable. I have two chatty reminders of it orbiting me at all times except during school hours. And it’s pretty hard to forget you’re a part-time-lunch-lady when hundreds of kids are streaming past, grabbing their yellow or red foodstuffs out of your hands and grunting monosyllabically as they go.

But our writing lives are real. We need to let ourselves take them seriously.

 

The Forehead Stamp

My writer’s group recently hosted Nicole Valentine of Figment.com. As well as running a writer’s site for teens, Nicole is a writer herself, pursuing an MFA. Yet she still has trouble with this question. She joked that she often wants to get a stamp with “writer” on it and stamp it on her forehead, just to remind herself that it’s OK to say it.

I was seriously thinking about how to fashion one of these stamps [1. Maybe with ink that only showed up under blacklight, so we could use it every day, in secret…] when an odd thing happened as I was running from the school to a store and trying to get home in time for the school bus.

In my rush I had forgotten to take off my ID badge. I feel kind of silly wearing it because I’m only a part-time lunch lady. That day I realised that, to anyone walking past, I could have been any working woman on a break from doing something high-powered and ‘important’ [2. I happen to think that being in the lunchroom and trying to slow the de-evolution of our children back to chimp-status is important, but not everyone sees it that way. Just as not everyone sees ‘making up stories with no promise of a paycheck’ as a worthwhile pursuit. Though, strangely, everyone is impressed by a ‘published’ author…]. Having been out of the corporate world for about a decade, I got a real kick out of having that ID card dangling from my pocket again. It was ridiculous.

Then I realized, beyond impressing grocery-store-bound strangers, that ID card had done something else for me: clipping that ridiculous card to my belt made me feel professional – even if I was just going in to sling pizza at pre-teens. If an ID card could make me feel professional about being a part-time lunch lady, then maybe I could go one better than Nicole’s forehead-rubber-stamp idea and issue my writer-self an ID card too.

So I Did

My ID

I know, it’s goofy. It cost me $18 with shipping, and it doesn’t actually change anything. But when I swap out my lunch-lady ID for my Writer ID, it is a tangible reminder to myself to come home and put my writing first. I can be a mom, a wife, a cook, a friend, a slob later. Now is the time for writing. Because see? I’m a writer.

Untitled

If you want your own Writer ID card, you can go here (not an affiliate link). Go on, treat yourself. It’s cheaper than a set of golf clubs, a fancy bike, or even the cost of a sweater and nobody laughs at golfers, cyclists or fashionistas for spending money on their avocation. [3. Well, ok. We do laugh at them. But that just proves that the potential mockery of others from outside your tribe is no reason to hold yourself back.]

So, what do you do to remind yourself it’s OK to say “I’m A Writer”?

[NOTES]

StoryADay May 2012 Registrations Are Open

It’s here: the day you’ve been waiting for. Registrations are now open!

I'm writing a story a day in May 2012

(If you have a username from a previous year, it should still work. Just sign in, above, and make yourself at home.)

What is StoryADay May?

It’s my challenge to you: to challenge YOURSELF to write every day, not “some day”.

Write and finish a story every day this May. That’s it. 

Of course that’s not ‘it’, really. There’s a very welcoming online community I’d love you to be a part of, there are prompts, there is hand-wringing and high-fiving, and an amazing sense of discovery as you push yourself be a more productive, better writer.

Would You Like To Know More?

The Rules are here and there’s a nifty FAQ here, to tell you all about the StoryADay challenge, how to use the site, and where to get you awesome Participant Badge for display other places on the web.

If you would like to register a StoryADay/yourusername blog you can do so during registration. Because of Evil Spammers, however, I’ll turn this feature off when the challenge actually starts (I can only spend so many hours policing this).
So get your blog now if you want one.

Note: you do not have to have a StoryADay blog. Feel free to post about your StADa progress on your personal blog, on Twitter, Tumblr, Facebook, wherever you like to hang out. You’re more than welcome to simply get a username and drop in to the StADa forums and hang out.

I’ll be posting (optional) daily prompts at the site. You can find them on the home page. If you’d like to receive them by email every day, you can sign up for that here. You should, however, be coming up with your own ideas, too, because a lot of mine will focus on form or a particular technique, and you’ll still need your own Story Sparks for the content.

If you have questions, comments, concerns or find a bug in the site, please email me at julie at storyaday dot org.

I’m getting excited! How about you?

Keep writing,

Julie

Julie Duffy

P.S. Do you have your complimentary Creative Challenge Workbook? Go through it now, to keep you fuelled up throughout May!

[Write On Wednesday] – Leap

Today’s prompt is, rather appropriately, about the moment before something big.

It’s the breath before the scream; the crouch before the leap; the blink before the resolute stare; The moment with her hand on the door frame before she leaves for good.

The Prompt

LEAP!

IMG_1614

Tips

• Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

1. You should use the prompt in your story (however tenuous the connection).

2. You must write the story in one 24 hr period – the faster the better.

3. Post the story in the comments — if you’re brave enough.

4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Leap!  #WriteOnWed #storyaday https://storyaday.org/wow-leap

This week’s #WriteOnWed short story prompt is the deep breath before the plunge! #storyadayhttps://storyaday.org/wow-leap

Come and write with us! #WriteOnWed #storyaday https://storyaday.org/wow-leap

See my story – and write your own, today: Leap at #WriteOnWed #storyaday https://storyaday.org/wow-leap

 

If you would like to be the Guest Prompter, click here.

How To Become An Insanely Productive Writer This May

Seven of the best tips from previous StoryADay participants, to help you become an insanely productive, happy and sane writer.

If you really want to become a good writer, in this lifetime, you have to write. You have to write a lot.

Write First! Write Fast!

Here are seven of the best tips from previous StoryADay participants, to help you become an insanely productive, happy and sane writer. Plus one bonus tip and a question for you, at the end.

Read More

[Interview] – Writing A Story A Day with Vanessa Matthews

if you want to stretch yourself and grow as a writer then go for it! It has been one of the most valuable learning experiences I could have had to develop my writing …it’s really infectious, once you start immersing yourself in writing, the words just keep flowing and flowing.

 

Today I’m interviewing Vanessa Matthews who has just wrapped up her own Story A Day challenge. Vanessa went one better and not only wrote a story a day but submitted one to a contest every day!

If you’ve ever wondered what you might get out of attempting to write a story a day read on!

 

WHAT’S THE MOST SURPRISING THING YOU LEARNED THROUGH THIS CHALLENGE?

Oh, to pick just one!  There have been so many learnings!!  One of the biggest lessons I have learnt is not to write about anything you don’t feel passionate about.  It might sound obvious but during my marketing career I have written with ease about things I liked, and things I didn’t like so much, so I hadn’t anticipated any problem with tackling whatever was thrown at me.  However writing for business and writing for pleasure are very different things!  If you don’t feel compelled to reach the end of your story, drop it and move on to something else.

As for surprises, I have uncovered a passion for writing poetry that I never knew I had, and based on the feedback i’ve been getting from some very talented published poets, i’m even more surprised to find that I might be quite good at it.

 

WHAT MADE YOU START THIS CHALLENGE?

I had heard about a local writing competition taking place for the Daphne du Maurier Festival, which happens in Cornwall every year, and I decided to give it a go. On further research I realised that there were an enormous number of writing competitions going on and the thought just sparked from there.  I had been plugging away at the beginnings of a novel and had found myself lacking in motivation to keep going with it.  As a busy mom of four I just couldn’t seem to find a way to prioritise my writing so this also seemed to be a good way to try and make a habit of writing a little every day.  Although ‘a little’ has so far turned out to be more than 60 pieces of writing… and that excludes my blog posts!

 

HAVE YOU WRITTEN AND SUBMITTED TO A CONTEST EVERY DAY?

Yes, with one very tiny exception… my sci-fi story competition!  sci-fi became my nemesis and despite sitting at my computer for hours trying to build a plot, I found that I just didn’t care about it enough to see it through.  I did write about 500 words and had a basic story map but I just found myself detaching from it the more I tried to write it.  I realised at that point that I was not only wasting my own time, but I was also wasting the time of the competition judges if I submitted a thoughtless piece.  I didn’t want my challenge to end up making a mockery of the art of writing by throwing together any old rubbish just so I could tick the box to say I had done it.  That would have felt disrespectful to me and all of the other writers who had entered with heart.  I plan to post a list of the competitions I have entered on my blog when the challenge is complete. Once the competition deadlines and judging periods have passed I will also post each of my entries so that you can see what I have been up to.

 

DO YOU RECOMMEND SUBMITTING STORIES QUICKLY?

In this instance I do yes.  by submitting things quickly I have forced myself to focus, choose my words carefully and get straight to the heart of what my gut instinct tells me to write.  Once finished it is very easy to overanalyse and become too self-critical but there just hasn’t been the time.  I can already look back and see how I could have done better on some of the entries, but it doesn’t matter.  I did my best on the day, and win or lose, each entry has taught me something new.  However, I would recommend taking more time if I were submitting a novel to a publisher, as you only get one chance to impress and if your story is riddled with repetition, disjointed content and grammatical errors then you won’t stand a chance.  When you are so close to your story, often its only by reading it through several times over several days that those kind of errors emerge.

 

WHAT ADVICE WOULD YOU HAVE FOR SOMEONE WHO WANTS TO FOLLOW YOUR LEAD?

That depends on your motivation.  If you only want to be in it to win it, then forget it, but if you want to stretch yourself and grow as a writer then go for it!  It has been one of the most valuable learning experiences I could have had to develop my writing and I have felt so creative and inspired by it.  it’s really infectious, once you start immersing yourself in writing, the words just keep flowing and flowing.  I have actually turned into a bit of an insomniac at times because I haven’t been able to quiet my imagination long enough to go to sleep.

 

DID YOU HAVE MUCH SUPPORT? DID IT MATTER?

I have been very lucky to have the support of my husband and family and made sure I had their buy-in before I started. Having a large family with young children, their support did matter, as I knew there would be times when the housework would get neglected, or I would be unavailable because I was at the computer.  But I was only asking for 30 days, and I needed to do something for myself.  Whatever your family circumstances, a challenge like this inevitably takes you through lots of highs and lows so I think it helps to at least have a cheerleader who can keep you motivated on the bad days and maybe even critique your work if you trust them to be fair and honest.   The feedback I get on my blog has also been an incredible boost, people have been so kind and have made really encouraging comments on my work which has kept me going, particularly on the days when writers block and creative insecurities crept in!

 

WHAT’S NEXT?

I didn’t think about that at all when I started, and some of that will depend if anything comes from the competitions I have entered.  Regardless of results though, I do now have a plan that I could never have anticipated.  I am writing a collection of poetry!  I have written about 20 pieces so far with another 50 or so sketched out as titles – and yes, they are all brand new poems that I have written in addition to my competition entries! I hope to submit the collection to publishers over the next few months.

 

Thanks, Vanessa! Inspiring stuff! I’m ready for May now!!

 

Vanessa has worked as a freelance copy writer, food writer, and marketing consultant for approximately 15 years.  If you want to read along through the highs and lows of one author writing a story a day, check out the blog posts as they happened. You can read more about her writing journey at her blog: http://ordinarylifelessordinary.wordpress.com/

You Can’t Write Well Without Writing A Lot

“If you want to write, practice writing. Practice it for hours a day, not to come up with a story you can publish but because you long to learn how to write well, because there is something that you alone can say. Write the story, learn from it, put it away, write another story.”
– Ann Patchett “The Getaway Car: A Practical Memoir About Writing and Life (Kindle Single)“

 

I had barely started reading Ann Patchett’s short treatise on writing, when I wanted to adopt her.

We, as writers, can spend all day reading about writing (or just reading, for that matter), but there is nothing like the act of writing to teach us how to do the job.

 WRITE A LOT

And not just writing, but writing a lot.  My new buddy Ann puts it perfectly:

“Think of a sink pipe filled with sticky sediment: The only way to get clean water is to force a small ocean through the tap. Most of us are full up with bad stories, boring stores, self-indulgent stories, searing works of unendurable melodrama. We must get all of them out of our system in order to find the good stories that may or may not exist in the fresh water underneath.”

 

What?! There’s no reason to apologize or feel bad about all the trite, self-indulgent stories that bubble up to the surface? There is no reason to expect that any of what we write will be good, especially if it has been a while since we did any serious writing-in-quantity? We can write without being perfect? What a concept!

 TEN THOUSAND HOURS

And it’s not just m’buddy Ann.

Malcolm Gladwell points out, in his fascinating book Outliers: The Story of Success, that experts become experts not by being talented or smart, but by loving what they do and putting in lots and lots of practice. He refers to a study into musical talent and preparation by psychologist K. Anders Ericsson:

“Ericsson and his colleagues then compared amateur pianists with professional pianists…The amateurs never practiced more than three hours a week over the course of their childhood, and by the age of twenty they had totaled two thousand hours of practice. The professionals, on the other hand, steadily increased their practice time every year, until by the age of twenty they, like the violinists, had reached ten thousand hours. The striking thing about Ericsson’s study is that he and his colleagues couldn’t find any ‘natural’, musicians who floated effortlessly to the top while practicing a fraction of the time their peers did.”

 

(And you thought a story a day sounded like a big commitment!)

Gladwell applies this theory to all kinds of experts and ‘geniuses’ including Steve Jobs, Bill Gates and The Beatles.

“And what’s more, the people at the very top don’t work just harder or even much harder than everyeone else. They work much, much harder.”

THE JOY OF WORK

But don’t let that word “work” scare you. After all, you are a writer. You love to write (or at the very least, you love having written!).

The reason the Bills, Steves, John-Paul-George-and-Ringoes and Yo-Yo Mas of the world “work” so hard to become world-class at what they do, is precisely because they don’t see it as “work”. They love what they do.

 

Not every second, I would imagine — any more than you love those moments when you want to bang your head off the desk then throw your computer out of the window. But we love what we do, in the sense that we will do it forever, for the joy of it, whether or not anyone ever pays us for it.

 LEARNING TO DO IT WELL

So we might as well do it well.

The consensus seems to be that to do something well, you have to do lots of it. You have to practice. And you have to learn to love the practice, not just the promise of future rewards. Steve Jobs famously celebrated his meandering approach to education, saying that if he had never stumbled into a typography class (and loved it), the Mac would never have become what it did – and nor would Apple, and nor would Steve Jobs.

StoryADay is here to help you get back into the habit of practicing your writing. It’s not here to promise you publication, or fame or riches. It’s not here to promise you’ll write anything throughout the whole month that will be worthy of publishing. But StoryADay May is coming to help you push yourself to practice. Think of StADa as the parent who made you play scales between piano lessons; the coach who inspired you throw endless pitches at the side of your house in the evenings; the teacher who made you do fractions over and over and over again until it finally clicked and you started to see the music between the numbers.

Use StoryADay in place of the teacher Ann Patchett still celebrates for teaching her,

“..how to love the practice and how to write in a quantity that would allow me to figure out for myself what I was actually good at. I got better at closing the gap between my hand and my head by clocking in the hours, stacking up the pages.”

 

Are you ready to start stacking up the pages?

[Write On Wednesday] Location As Character

Sherlock Holmes has Victorian London.

John Irving has New England.

John O’Hara’s short stories couldn’t work without their small-town Pennsylvania backdrop.

Even fantasy settings need to feel real in order to succeed (think Middle Earth, or Earthsea, or Deep Space Nine). So today we’re going to practise writing stories in which the location is as vivid as any character.

 

And in this age of Google Maps, Wikipedia, Flickr, Pinterest, a billion hobby blogs and online tourist information sites, there is no excuse for writing a thin, anemic version of any place you can imagine. (Even if you write fantasy, you can base the details in something real.)

The Prompt

Simcoe St in Toronto

Simcoe St in downtown Toronto, ON.

  • Pick a place you have never been (preferably somewhere you have a friend – online or otherwise).
  • Spend no more than 30 minutes researching it. Use Google Street View, search for blogs based there and ‘listen’ to how its residents talk, scan newspaper archives and obituaries, look at the high school and local library’s websites.
  • Set a story in the location you have learned about. Paint a vivid picture of the place; weave it through your action; salt your character’s dialogue with local flavor.
  • Then ask your long-distance friend how close you came to getting it right? What bloopers did you make? What slang did you get wrong? Was it too generic? Was it spot on?

Tips 

  • Remember to tell a story about characters in your location. This is not a travel brochure.
  • Write fast. It’s just a fun exercise.
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You should use the prompt in your story (however tenuous the connection).
  2. You must write the story in one 24 hr period – the faster the better.
  3. Post the story in the comments — if you’re brave enough.
  4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: Location, Location, Location!  #WriteOnWed #storyaday http://wp.me/p1PnSG-qb

This week’s #WriteOnWed short story prompt is to write in a concrete location! #storyaday http://wp.me/p1PnSG-qb

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-qb

See my story – and write your own, today: Location As Character at #WriteOnWed #storyaday http://wp.me/p1PnSG-qb

If you would like to be the Guest Prompter, click here.


[Tuesday Reading Room] “A Telephone Call” by Dorothy Parker

A guest post by regular contributor Jami who is reading a story a day throughout 2012.. This week: “A Telephone Call” by Dorothy Parker.

This week’s post is a guest post by regular contributor Jami
who is reading a story a day throughout 2012 over at Worth The Effort. This week: “A Telephone Call” by Dorothy Parker.

Suffering.

A woman questions God about why a lover hasn’t called her at the time he said he’d call. The pleading and negotiating she does which is clearly inner dialogue is painfully realistic and honest and it exposes the vulnerable side of every woman when she is in the first phase of a relationship.

Will he call?
Should I call him?
What will he think if I call him?
Will he hate me if I call?
How long should I wait for his call?
What happens if he doesn’t call?
Why didn’t he call?

WOW, Dorothy Parker really blew me away with this story. It was made more potent with its brevity and with an ending that leaves the reader counting down the seconds until the woman makes a decision and answers her own questions.

My guess about the ultimate resolution?

She calls.
He doesn’t answer.

Here is a link:
http://www.classicshorts.com/stories/teleycal.html

(c)2012 Jami Balkom

Reading A Story A Day…For A Year – An Interview

…Reading these short stories has made me realize that it’s a place I can go, a place I should go in my own fiction. …

Today I’m posting an interview with Jami, who blogs about her adventures reading a story a day in 2012 at Worth The Effort.

 

You’ll be seeing some of her posts here over the next few months, in the regular Tuesday Reading Room series. I highly recommend you visit/bookmark/subscribe to her blog. It’s a great resource and a fascinating look at the benefits of immersing yourself in the literature while continuing to write.

 

1. Why did you decide to read a story a day?

I wanted a goal, a realistic goal. Last year I committed myself to reading a novel a week but by year’s end I’d only read 41 novels [“only”?! – Ed.]. So, I wanted to do something different and my brother, who is a fantastic writer of short stories actually, encouraged me to read more short stories. Then it occurred to me that I really hadn’t balanced my reading and that shorter fiction would be a good change for me. That’s how it happened. I decided to set a goal, a short story a day for the entire year, blogging short reviews along the way.

2. How many have you read so far?

I’ve read 102 stories at this point as I’ve managed to keep up with my goal. I’ve read a short story a day for the entire year thus far.

3. Are you discovering a style you love?

Not really, or at least not as it relates to style. I do find that stories rich in tiny and interesting details keep my attention and make me want to read more. Other than that, I’m reading almost exclusively what might be categorized as literary fiction. Though I have a science fiction week planned for the month of June so we’ll see how my answer might change after that.

4. Are you trying to read outside that style anyway?

Yes, I’m always looking for new styles. Sometimes, the story I’m reading is heavy in dialogue. Other times, there is little to no dialogue but plenty of voice in the first person narrative. I like them all so long as the story itself is worth the read.

5. What patterns are emerging, as you read?

I’ve come across a lot of stories that deal with family and I find that interesting, particularly because in my own writing I’ve always shied away from those types of stories. Reading these short stories has made me realize that it’s a place I can go, a place I should go in my own fiction. And, it helps that the authors I’m reading do this very well. Judy Troy is a good example of this type of writer. I could read her stories as long as she writes them. She doesn’t bore me and I never find her writing flat. There are some though in this first 100 days that I was disappointed in and those stories consistently failed to draw me in from the start. A beginning is crucial.

6. Would you recommend other people try this? Why?

Absolutely. Reading a short story by a particular author is like getting to taste test a dish at a fine dining restaurant. Why spend the money on a pricey entree if the appetizer isn’t worth the cash you drop on it. A short story is a good foray into any writer’s longer fiction. Besides, short stories are easy to digest in quick bursts. A reader can make decisions for future reading based on these short stories. For me, that is a huge bonus.

7. What are your plans for the future?

I plan on continuing with reading a short story a day for the year 2012. I also plan to continue writing fiction daily, focusing my attention on developing and staying true to my own voice even if I am reading a different one every day. There’s also novel length fiction and I’m still reading my fair share of that as well. That won’t stop. I still plan on hitting around 25 novels this year. That’s the plan at least.

 

Thanks, Jami!

Check back in next Tuesday to read her first guest-post in the Reading Room.

Are you reading enough? Do you read short stories? Are you  reading them more as you prepare for StoryADay May?

Where To Find The World’s Greatest Writing Teachers

…but for the average working/studying/parenting/pulled-in-fifteen-directions aspiring writer, who will inspire us? Who will teach us our trade? Who will be our mentors?

If you were a Renaissance artist your mentor would be your master. He would teach you your craft and employ you until you, too, were a master.

If you were Stephen Sondheim you would have Oscar Hammerstein for a neighbor and he’d take an interest in you, and you’d have your mentor.

If you were in an MFA program, you’d be paying handsomely for access to a working writer who would mentor you.

 

But the average working/studying/parenting/pulled-in-fifteen-directions aspiring writer, doesn’t have time to talk to her best friend never mind find and domesticate a wild working writer.

 

So who will inspire us? Who will teach us our trade? Who will be our mentors?

The only possible answer is to look to a book.

It’s all there. Every writer you’ve ever admired has shown you what they do, in every work they write.

“When a writer writes anything about anything at all, he gives himself away and what he has to say comes out.” – Oscar Hammerstein II

 

Gather up their stories. Read them. Re-read them. Blog about why you loved them (or why you didn’t). Write down story sparks inspired by their works (what if you had a heroine like that? Would she have chosen him? What if you set a story in a record shop? What if your idea of a happy ending involves the bad guy getting away with it?).

The Good, The Bad And The “I Could SO Do That”

Read stories by writers you worship. Read stories by writers you think are pretty good. Read stories by writers you know you could do better than.

Make a list and think of these writers as your own, personal mentors. On a day when you’re struggling to put pen to paper, read one of those bottom-tier authors and fire yourself up with rage that they are producing more work than you! Or look to the top tier to remind you of what excites you, as a reader.

 Your Mission, Should You Choose To Accept It

In this last few weeks before StoryADay May begins, read. Read! READ!

 Further Reading

If you’re not already read short stories try these as a few places to start:

Nanoism.net (for Twitter-length stories)

Fifty Great Short Stories – stories from the first half of the 20th Century

Great English Short Stories – more early 20th Century short fiction

Project Gutenberg’s Short Story Shelf – public domain stories

Ploughshares Literary Magazine – literary fiction

Asimov’s Science Fiction Magazine – science fiction

Alfred Hitchcock’s Mystery Magazine – crime/mystery fiction

Storyville – an iPhone app that sends you stories every week

OneStory – One short story emailed (or sent to your gadget of choice) every three weeks

 

[Write On Wednesday] – Style Switch

The Write On Wednesday story prompts are designed to prompt quickly-written stories that you can share in the comments. It’s a warm-up exercise, to loosen up your creativity muscles. Come back every Wednesday to see a new prompt.

This week’s prompt was inspired by yesterday’s Tuesday Reading Room story, The  Sellout by Mike Cooper. In that story, the author uses traditional hard-boiled detective tropes, but his detective is investigating… accounting fraud.  

The Prompt – Style Switcheroo





Write a story where you use a familiar style of writing (Romance, space opera, Western, literary fiction, YA paranormal, political thriller, whatever you’re most familiar with) but use it to treat a subject that is outwith the normal subject matter  for that genre.

(Think: Pride & Prejudice and Zombies, or Tom Clancy trying to write a bodice-ripper, FF. Scott Fitzgerald on a space station…)

What will you write?

Tips

  • Don’t worry about your audience and who might read it. 
  • Do feel free to cross over into parody or be ridiculous. It’s just a fun exercise.
  • Make sure your story travels from start to end: don’t just write a scene, make someone or something change between the first word and the last.

The Rules:

  1. You should use the prompt in your story (however tenuous the connection).
  2. You must write the story in one 24 hr period – the faster the better.
  3. Post the story in the comments — if you’re brave enough.
  4. Find something nice to say about someone else’s story and leave a comment. Everybody needs a little support!

Optional Extras:

Share this challenge on Twitter or Facebook

Some tweets/updates you might use:

Don’t miss my short story: [style] meets [subject]  #WriteOnWed #storyaday http://wp.me/p1PnSG-qb

This week’s #WriteOnWed short story prompt is a style switch! #storyaday http://wp.me/p1PnSG-qb

Come and write with us! #WriteOnWed #storyaday http://wp.me/p1PnSG-qb 

See my story – and write your own, today: Style Switch at #WriteOnWed #storyaday http://wp.me/p1PnSG-qb

If you would like to be the Guest Prompter, click here.